Summa Theologiae Volume 55 The Resurrection Of The Lord

Paperback reissue of one volume of the English Dominicans' Latin/English edition of Thomas Aquinas' Summa Theologiae.

The aim of this book is to find an answer to the question: how did St. Thomas Aquinas (1224/5 - 1274) use Holy Scripture in his theology? Distinguishing between a quantitative method for determining the place of Scripture in a theological text, and a qualitative method for determining its functions, the author of this study concludes that Aquinas does not only use Scripture in several functions in his theology, but first and foremost regards Scripture as source and framework of theology itself. While an analysis of Aquinas' texts on the resurrection of Christ shows the functioning of Scripture as a factor within the text, but also as a precondition for the text, a series of comparisons between different subject matters, literary genres and sources show that the importance of Scripture is a characteristic of Aquinas' theology in its entirety, even at places where Scripture is not quoted at all. This conclusion does not only show the ecumenical importance of Aquinas' theology, but also the relevance of his theological manner of reading Scripture for modern theologians.

In 2003 the British New Testament scholar N. T. Wright published The Resurrection of the Son of God, arguing vigorously that the Resurrection of Christ should be handled purely as a historical event—subjected to historical reason and critical-historical research. This book critically examines Wright’s arguments. Peter Carnley demonstrates the flaws in the view that the Resurrection should be understood essentially as Jesus’ return from the dead to this world of space and time in a material and physical body. Carnley argues that the Resurrection of Christ is a “mystery of God,” which must necessarily be appropriated, not by reason alone, but by faith. Evidence relating to a past occurrence can be known only retrospectively. Yet Easter faith has to do with apprehending in the present a concretely experienced reality—which Saint Paul called “the Spirit of life in Christ Jesus” (Rom 8:2). An epistemology of the identification of the Spirit in faith as the living presence of Christ will be found in the companion volume to this book: The Reconstruction of Resurrection Belief.

Birgitta's religious authority considered, with regard to her prophetic mission and her authenticity as a medium of divine revelation in 14c Europe. This book examines the religious authority of St Birgitta of Sweden, the charismatic moral reformer and controversial female visionary of the fourteenth century, emphasising both representations of her prophetic mission and debates about her authenticity as a medium of divine revelation. It illuminates Birgitta's view of herself as a prophet of moral reform by explaining how her Revelations depict her religious mission and place in salvation history, goingon to reconstruct interactions between Birgitta and her contemporaries, including the significance of her prophetic authority vis-a-vis the priestly authority of her male clerical associates. Finally, it analyses arguments aboutwomen's suitability for mediating the divine word in posthumous attacks and defences of her claims to prophesy. Through a close examination of Birgitta's lengthy Revelations, canonization documents, and texts by her posthumous defenders and detractors, this study demonstrates that members of her audience perceived her to be both a vibrant source of supernatural power and a dangerous transgressor of conventional boundaries. Informed by sociological studies of prophetic authority, it contributes to our knowledge of Birgitta herself as well as to our understanding of the dynamics of women's spiritual authority. Professor CLAIRE SAHLIN teaches at Texas Woman's University.

Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ?s post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.

Paperback reissue of one volume of the English Dominicans' Latin/English edition of Thomas Aquinas' Summa Theologiae.

Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.

Paul C. H. Lim offers an insightful examination of the polemical debates about the doctrine of the Trinity in seventeenth-century England, showing that this philosophical and theological re-configuration significantly impacted the politics of religion in the early modern period. Through analysis of these heated polemics, Lim shows how Trinitarian God-Talk became untenable in many ecclesiastical and philosophical circles, which led to the emergence of Unitarianism. He also demonstrates that those who continued to embrace Trinitarian doctrine articulated their piety and theological perspectives in an increasingly secularized culture of discourse. Drawing on both unexplored manuscripts and well-known treatises of Continental and English provenance, he unearths the complex layers of the polemic: from biblical exegesis to reception history of patristic authorities, from popular religious radicalism during the Civil War to Puritan spirituality, from Continental Socinians to English anti-trinitarians who avowed their relative independent theological identity, from the notion of the Platonic captivity of primitive Christianity to that of Plato as "Moses Atticus." Among this book's surprising conclusions are the findings that Anti-Trinitarian sentiment arose from a Puritan ambience, in which Biblical literalism overcame rationalistic presuppositions, and that theology and philosophy were not as unconnected during this period as previously thought. Mystery Unveiled will fill a significant lacuna in early modern English intellectual history.