Summer Festival Is Murder

A small-town summer on the coast of Oregon - sparkling water, tall trees, lots of festivals . . . and murder. Big-city transplant Felice Bowes is as shocked as everyone else when a controversial local official is viciously killed during the biggest festival of the season. She's even more surprised when the local police chief asks her to help with the investigation, especially when she didn't like the victim and some of the locals would like her to be the guilty party. But while gathering information and interviewing fellow residents, she's most worried about the effects of both the crime on a community already on the razor's edge of solvency, and survival. In The Summer Festival is Murder by Jill Lyon, we find that the ripples of murder travel far. Unless it's rooted out and the damage repaired, the evil lying hidden just under the surface of a seemingly normal small town can wreck more than a beautiful summer.

'A marvellous set of unsavoury suspects' Mail on Sunday 'Thriller of the Week' 'A rollicking read' Evening Standard Bryce Peabody is ready to give a scandalous talk at the annual literary festival in the pretty English town of Mold-on-Wold. Scathing in his reviews and unseemly in his affairs, Bryce is known to have many enemies. So when he is discovered dead in his hotel room festival-goers are desperate to know what happened. Could one of the numerous writers he insulted have taken revenge? Or perhaps one of his scorned lovers? As more festival-goers meet their ends, Francis Meadowes is drawn into a role he knows only from his own fiction; that of amateur detective.

Living in a lighthouse with her dog, Lindsey Bakewell is lulled to sleep at night by the sound of Lake Michigan’s waves—and gets up at the crack of dawn to start the day at her bakery café. But someone in Beacon Harbor is about to rock the boat with murder . . . After a career on Wall Street, Lindsey is making a different kind of dough in a pretty lakeside village, and the upcoming blueberry festival—including the pie-eating contest her bakery is hosting—is the highlight of the summer. But soon Beacon Harbor runs into a patch of trouble. A local real estate agent gets pranked. A parade float gets pelted with water balloons. It’s all laughed off until the stunts start escalating—and looking more like sabotage. As the event turns into a debacle complete with rampaging goats, Lindsey’s sweetheart, a former SEAL, starts investigating. But the juicy mystery takes a bitter turn when a man—dressed up as a Viking—is found dead in a boat, and it’s no longer mischief but murder . . . Includes Delicious Recipes!

It's a summer of doublets and couplets, Capulets and corpses! Larkin may think she's switched from detecting to directing, but there are surprises in store as she and Ed find themselves spending four hot weeks camping with the cast. When Larkin Day gets hired as the Interim Artistic Director of the Summer Shakespeare Festival, she expects to spend her summer working with actors and designers as they put together an outdoor production of Romeo and Juliet. She doesn't expect to spend her summer solving yet another murder-but when the actor playing Romeo is poisoned, Larkin agrees to play detective one more time. Not because she thinks the show must go on. Not even because she wants to save her job. Larkin takes the case-bringing along her boyfriend Ed, her best friend Anni, and the mysterious Jay Malhotra-because she knows the poison wasn't meant for Romeo. Somebody is out to kill Juliet-and they don't care who else gets murdered along the way.

Every great play needs a drama queen. Preferably alive. The French city of Avignon is known for many things: its Papal Palace, the annual summer theater festival, its Medieval bridge of nursery rhyme fame…and now murder. When a popular actress is killed during Avignon's famous summer theater festival, all the evidence points to the police needing a fast resolution--regardless of the truth. It will be up to Maggie to find the killer who wanted the city’s most popular actress dead—and before he turns his attention on her. As Maggie desperately scours this beautiful medieval city for clues to uncover the killer's identity, it soon becomes clear that failing will put her center stage with her most ruthless adversary yet--with the final curtain about to come crashing down on everything she holds dear.

A local dispute leads to suspicion of murder for a small-town California bookshop owner in this cozy mystery by the New York Times bestselling author. The small town of South Cove, California, has all kinds of attractions, from resorts and beaches to Jill Gardner’s charming bookshop café. But now Jill may have discovered yet another hidden treasure. The old stone wall on her property might be the remnant of a centuries-old mission worthy of being declared a historical landmark. There’s just one problem—and his name is Craig Morgan. The obnoxious owner of South Cove's most popular tourist spot, The Castle, Craig makes it his business to contest Jill’s claim. When Craig is found murdered at The Castle shortly after a heated argument with Jill, even her detective boyfriend Greg has to ask her for an alibi. Jill decides she must find the real murderer to clear her name. But when the killer comes for her, she'll need to switch from historic preservation to self-preservation.

Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances. Published with the assistance of the Nippon Foundation.