Surveillance And Space

The digital age is also a surveillance age. Today, computerized systems protect and manage our everyday life; the increasing number of surveillance cameras in public places, the computerized loyalty systems of the retail sector, geo-localized smart-phone applications, or smart traffic and navigation systems. Surveillance is nothing fundamentally new, and yet more and more questions are being asked: Who monitors whom, and how and why? How do surveillance techniques affect socio-spatial practices and relationships? How do they shape the fabrics of our cities, our mobilities, the spaces of the everyday? And what are the implications in terms of border control and the exercise of political power? Surveillance and Space responds to these modern questions by exploring the complex and varied interactions between surveillance and space. In doing so, the book also advances a programmatic reflection on the very possibility of a ‘political geography of surveillance’.

The digital age is also a surveillance age. Today, computerized systems protect and manage our everyday life; the increasing number of surveillance cameras in public places, the computerized loyalty systems of the retail sector, geo-localized smart--phone applications, or smart traffic and navigation systems. Surveillance is nothing fundamentally new, and yet more and more questions are being asked:. Who monitors whom, and how and why?. How do surveillance techniques affect socio-spatial practices and relationships?. How do they shape the fabrics of our cities, our mobilities, the spaces of the everyday?. And what are the implications in terms of border control and the exercise of political power? Surveillance and Space responds to these modern questions by exploring the complex and varied interactions between ...

Today, public space has become a fruitful venue for surveillance of many kinds. Emerging surveillance technologies used by governments, corporations, and even individual members of the public are reshaping the very nature of physical public space. Especially in urban environments, the ability of individuals to remain private or anonymous is being challenged. Surveillance, Privacy, and Public Space problematizes our traditional understanding of ‘public space’. The chapter authors explore intertwined concepts to develop current privacy theory and frame future scholarly debate on the regulation of surveillance in public spaces. This book also explores alternative understandings of the impacts that modern living and technological progress have on the experience of being in public, as well as the very nature of what public space really is. Representing a range of disciplines and methods, this book provides a broad overview of the changing nature of public space and the complex interactions between emerging forms of surveillance and personal privacy in these public spaces. It will appeal to scholars and students in a variety of academic disciplines, including sociology, surveillance studies, urban studies, philosophy, law, communication and media studies, political science, and criminology.

An ethnographic investigation into the dynamics between space and security in countries around the world It is difficult to imagine two contexts as different as a soccer stadium and a panic room. Yet, they both demonstrate dynamics of the interplay between security and space. This book focuses on the infrastructures of security, considering locations as varied as public entertainment venues to border walls to blast-proof bedrooms. Around the world, experts, organizations, and governments are managing societies in the name of security, while scholars and commentators are writing about surveillance, state violence, and new technologies. Yet in spite of the growing emphasis on security, few truly consider the spatial dimensions of security, and particularly how the relationship between space and security varies across cultures. This volume explores spaces of security not only by attending to how security is produced by and in spaces, but also by emphasizing the ways in which it is constructed in the contemporary landscape. The book explores diverse contexts ranging from biometrics in India to counterterrorism in East Africa to border security in Argentina. The ethnographic studies demonstrate the power of a spatial lens to highlight aspects of security that otherwise remain hidden, while also adding clarity to an elusive and dangerous way of managing the world.

This edited collection examines the culture of surveillance as it is expressed in the built environment. Expanding on discussions from previous collections; Spaces of Surveillance: States and Selves (2017) and Surveillance, Race, Culture (2018), this book seeks to explore instances of surveillance within and around specific architectural entities, both historical and fictitious, buildings with specific social purposes and those existing in fiction, film, photography, performance and art. Providing new readings of, and expanding on Foucault’s work on the panopticon, these essays examine the role of surveillance via disparate fields of enquiry, such as the humanities, social sciences, technological studies, design and environmental disciplines. Surveillance, Architecture and Control seeks to engender new debates about the nature of the surveilled environment through detailed analyses of architectural structures and spaces; examining how cultural, geographical and built space buttress and produce power relations. The various essays address the ongoing fascination with contemporary notions of surveillance and control.

In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the ‘selves’ we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.

In this account of the uses of surveillance in art, performance and popular culture, John E. McGrath puts forward the idea that we have much to gain from the experience of being watched.

The unknown history of surveillance in relation to changing systems of representation and visual arts practice.