Survivor S Song

A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts. “Absolutely riveting.” — Stephen King In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering. Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child. Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink. Paul Tremblay once again demonstrates his mastery in this chilling and all-too-plausible novel that will leave readers racing through the pages . . . and shake them to their core.

Published in November 2007 by Frederick Noronha on behalf of Goa,1556, (http://goa1556.goa-india.org), Stories of World War II continue to absorb the interest of the readers, and there are many books on the subject. In 1942, Goa was a neutral Portuguese colony in western India, and largely unaffected by the war. But there were many Goans living in Burma when the first surprise bombings of Rangoon by Japanese planes took place. This book tells the story of Goans in the Burma of those days. It is a collection of stories based on the horrors of the Japanese invasion in Burma between 1942 and 1945, and the subsequent exodus of thousands of refugees who fled to India.

A tragicomic, inspirational memoir of surviving the Holocaust we seldom hear about. The author spent nearly three years on the road with the Hungarian forced labor battalions during WWII, taking him from Budapest to the area of Stalingrad. Armed with only his wits, a smattering of courage, some unexpected help and lots of luck, he survives the brutal conditions with his joie de vivre and sense of humor intact. During this time, his tasks included all the common work assigned to forced laborers: road repair, building defensive fortifications, supplying tanks with fuel, clearing mine-fields, as well as the common military folly of moving piles of dirt from one side of the road to the other. To this were added the roles of tailor, office clerk, official counterfeiter and general observer of human stupidity which led to many amusing anecdotes. Because so few of those taken into the Hungarian forced labor battalions survived the war, there are many details of their daily life wandering around the Eastern Front that have not been documented elsewhere. There are also glimpses of the author's day to day life as a young man in pre-war Budapest.

In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them.

Profiles the Lakota who witnessed the Battle of Little Bighorn and the massacre at Wounded Knee, worked in Hollywood and for Buffalo Bill Cody's "Wild West Show," and fought for the transformation of the Black Hills.

The Routledge International Handbook of Multidisciplinary Perspectives on Descendants of Holocaust Survivors offers a comprehensive collection of cutting-edge studies from a wide range of fields dealing with new research about descendants of Holocaust survivors. Examining the aftermath of the Holocaust on the Second Generation and Third Generation, children and grandchildren of Holocaust survivors, it is the first volume to bring together research perspectives from history, psychology, sociology, communications, literature, film, theater, art, music, biology, and medicine. With contributions from international experts, key topics covered include survivor characteristics and experiences; the phenomenological experience of transmitted trauma legacies; the creation of Second Generation groups; the epigenetics of inherited trauma; the development of Second Generation writing; representation of Holocaust survivors in film; music and the transmission of memory; art, music, and the Holocaust; ancestral trauma and its effect on the ageing process of subsequent generations; 2G and 3G health issues and outcomes. Divided into two sections, the first deals with the humanities: history and testimony, literature, film and theater, art, and music. The second section, focusing on the social sciences and health-related sciences, contains chapters dealing with studies in the fields of psychology, sociology, anthropology, communication, gerontology, nursing, and medicine. This insightful handbook is a contemporary anthology for advanced students and scholars in the humanities, along with those in behavioral, social, and health-related sciences concerned with research about second- and third-generation Holocaust survivors.

Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures “Tremblay’s personal best. It’s that good.” — Stephen King Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.” Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.