Susanna S Dream

Three Amish sisters who were separated at a young age are at last reunited in the second Lost Sisters of Pleasant Valley novel. Susanna Bitler’s life is in complete turmoil. Still reeling from the death of her mother, she is further disheartened when her business partner hints that she is going to quit the gift shop they run together in a town near Pleasant Valley. But the biggest revelation is yet to come. Grateful for their own hard-won relationship, Lydia Beachy and Chloe Wentworth are eager to reveal themselves to Susanna as her long-lost sisters. But their news utterly distresses Susanna, who is heartbroken to learn that the woman she’s been mourning was not actually her mother. Despite Lydia and Chloe’s best efforts to make amends, Susanna resolves to keep them at arm’s length. It may take a force of nature to sweep away her fears. Will that storm demolish all that the three women most value…or unite them in bonds of deep and abiding affection?

The inner figure of the blind victim, the one who has the power to withstand the dark pull of the archetypal dynamic of illness/wholeness, was particularly active for a long period of time after I initially lost my eyesight. She kept looking for what I could not see, checking each eye over and over again separately, crying out in despair to the other eye to see if it could not grasp what this one could not. As a metaphor pointing to something not seen—shadow material not identified with—the soul of my blindness kept reaching out past her claustrophobic confinement to the blackness pressing in on her. She was relentless in her efforts to stay connected to the “not-me” that might help her learn how to see in another less literal way. I reflect now on how seeing and my sense of self became symbiotic in that what I could see, I felt was still a part of me; I could still be whole. I still had a relationship with these parts of my experience. And what I could not see, was not lost to me forever vanished as if my very sense of myself was suddenly unavailable, absent. Dead.

Why does the usually aloof and reticent Paul suddenly want to meet Ali after Susanna's death? Why does the possibility of an unfinished manuscript by a longforgotten writer fascinate Ali and Abhi to the extent that they undertake a journey to Marayoor, a town deep in the heart of Kerala to meet the unknown Susanna? First published in Malayalam in 2019, Susanna's Granthapura is Ajai Mangattu's uniquely crafted novel that celebrates the strong bonds that form between people who share a love of reading and of books.

The author offers a compelling memoir of her two years as a teenager in a psychiatric hospital, sharing vivid portraits of her fellow patients, their keepers, and her experiences during treatment

One day in 1698, Robert Pyle of Pennsylvania decided to buy a black slave. The next night he dreamed of a steep ladder to heaven that he felt he could not climb because he carried a black pot. In the dream, a man told him the ladder was the light of Jesus Christ and would bear any whose faith held strong; otherwise, the climber would fall. Pyle woke that morning positive that he should eschew slaves and slavery, having equated the pot with the slave he wished to buy. In fact, so acutely did this dream awaken him to his sins that he became a dynamic advocate of liberation. This dream literally changed his outlook and his life. Teach Me Dreams delves into the dream world of ordinary Americans and finds that as their self-perception increased, transforming them on a personal level, so did a revolutionary spirit that wrought momentous political changes. Mechal Sobel considers dreams recorded in the life narratives of 100 people, revealing the America of the Revolutionary Era to have been a truly dream-infused culture in which analysis of dreams was encouraged, and subsequent personal reevaluation was striking. Sobel uses a wealth of information--letters, diaries, and over 200 published autobiographies from a wide range of "ordinary" people; black, white, male, female. In these accounts, many previously neglected by historians, dreamers explain how their nighttime adventures opened their eyes to aspects of themselves, or unveiled new paths they should take both personally and politically. Such paths often led them to challenge those in power. Charting the widely dreamed of opposition between blacks and whites, men and women, Sobel offers astounding new insights into how early Americans understood their lives. Her analysis of the dreams and lives of ordinary Revolutionary-Era people demonstrates links between dreaming, self reevaluation, and participation in the radically changing politics of the time. This book will appeal to specialists in the fields of American and African-American history, and anyone interested in dreams and self-development.

The How and the Tao of Old Time Banjo by Patrick Costello is a comprehensive guide for all banjo lovers. Novices and old-timers alike will benefit from clear and easy to understand presentations on subjects like the basic strum, melody, rhythm, scales, modes, playing by ear, playing while singing, drop thumb and much more. The author also entertains readers with many heart warming and sometimes amusing accounts of his musical adventures.

In 2015, the beautiful jazz funeral in New Orleans for composer Allen Toussaint coincided with a debate over removing four Confederate monuments. Mayor Mitch Landrieu led the ceremony, attended by living legends of jazz, music aficionados, politicians, and everyday people. The scene captured the history and culture of the city in microcosm--a city legendary for its noisy, complicated, tradition-rich splendor. In City of a Million Dreams, Jason Berry delivers a character-driven history of New Orleans at its tricentennial. Chronicling cycles of invention, struggle, death, and rebirth, Berry reveals the city's survival as a triumph of diversity, its map-of-the-world neighborhoods marked by resilience despite hurricanes, epidemics, fires, and floods. Berry orchestrates a parade of vibrant personalities, from the founder Bienville, a warrior emblazoned with snake tattoos; to Governor William C. C. Claiborne, General Andrew Jackson, and Pere Antoine, an influential priest and secret agent of the Inquisition; Sister Gertrude Morgan, a street evangelist and visionary artist of the 1960s; and Michael White, the famous clarinetist who remade his life after losing everything in Hurricane Katrina. The textured profiles of this extraordinary cast furnish a dramatic narrative of the beloved city, famous the world over for mysterious rituals as people dance when they bury their dead.

There are about ten books in the world on stage performance training. Most of them are in English, but there are a few in Spanish. There are none in Russian, although the father of modern theater, Konstantin Stanislavski, was born in Russia. In singing, regardless of genre and style, the element of stage performance is missing. There is no normal training for communicating with the audience. It is accepted by most vocal pedagogues that it is enough to sing the notes correctly, but there is much more to do. For singers who study opera and operetta, it is essential to stretch the limits of performance, and that is why they also study acting. For everyone else, this is not necessary, because they have other tasks on stage. They must learn to self-regulate, not to wait for directional instructions. This book is valuable in that it teaches singers to direct their own stage performance. Representing the author’s conclusions based on careful analysis of a number of successful and unsuccessful stage performances of numerous singers of different stature, it gives them the basic knowledge and guidance on how to approach and develop their show from one song to one concert. It teaches singers how to be more successful on stage, how to be more charismatic and how to manage their audience the way they want.