Sweet Diamond Dust

From the Publisher: "One of Latin America's most gifted novelists".-"Washington Post Book World". A finalist for the National Book Award for her 1995 novel, "La Casa de la Laguna", Rosario Ferre is one of Latin America's most original and important writers. In the four stories that make up "Maldito Amor" Ferre explores the history of political and cultural struggle in her native Puerto Rico.

Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review). This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself. Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.” A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.

A welcome addition to the fields of Latino and (trans-)American cultural and literary studies, Latino Dreams focuses on a selection of Latino narratives, published between the mid-1980s and the mid-1990s, that may be said to traffic in the U.S.A.'s attendant myths and governing cultural logics. The selection includes novels by authors who have received little academic attention--Abraham Rodriguez, Achy Obejas, and Benjamin Alire Sáenz--along with underattended texts from more renowned writers--Rosario Ferré, Coco Fusco, and Guillermo Gómez-Peña. Latino Dreams takes a transcultural approach in order to raise questions of subaltern subordination and domination, and the resistant capacities of cultural production. The analysis explores how the selected narratives deploy specific narrative tactics, and a range of literary and other cultural capital, in order to question and reform the U.S.A.'s imaginary coordinates. In these texts, moreover, national imperatives are complicated by recourse to feminist, queer, panethnic, postcolonial, or transnational agendas. Yet the analysis also recognizes instances in which the counter-narrative will is frustrated: the narratives may provide signs of the U.S.A.'s hegemonic resilience in the face of imaginary disavowal.

“She’s a pretty wildflower destined for my brother's vase. I'll make her mine, even if how I do it will make flowers wilt.” A DARK FRENCH MAFIA ROMANCE Men like us, we see things. We do things, things that make us unfeeling. That's the price of power and money, of living la belle vie and running the French mafia. Then she came along like a pretty wildflower pushing through the cracks on a dirty pavement - fragile yet resilient, a breath of beauty among the filth. She was supposed to be just another job, a nameless person I was to pluck from her life and hand to my brother, nothing but a pawn in the gamble of our diamond business. There's a psychological label for men like us. We lack empathy and guilt. We do things to have what we want, things that make flowers wilt. Note: Diamonds in the Dust is Book 1 of the Diamonds are Forever trilogy and ends on a cliffhanger. Zoe and Maxime's story continues in Diamonds in the Rough (Book 2) and concludes in Diamonds are Forever (Book 3). This dark mafia romance trilogy is part of the Diamond Magnate collection. You don't have to read the other books to follow the story. The Diamond Magnate collection in order: Standalone Novels (Dark Arranged Marriage & Mistaken Identity Romance) Beauty in Deception Beauty in the Broken Diamonds are Forever Trilogy (Dark Mafia / Kidnapping Romance) Diamonds in the Dust (Book 1) Diamonds in the Rough (Book 2) Diamonds are Forever (Book 3) Beauty in the Stolen Trilogy (Dark Heist Romance) Stolen Lust (Book 1) Stolen Life (Book 2) Stolen Love (Book 3) Beauty in Imperfection Duology (Dark Arranged Marriage Romance) Imperfect Intentions (Book 1) Imperfect Affections (Book 2)

A gentle maiden aunt who has been victimized for years unexpectedly retaliates through her talent for making life-sized dolls filled with honey. “The Youngest Doll,” based on a family anecdote, is a stunning literary expression of Rosario Ferré’s feminist and social concerns. It is the premier story in a collection that was originally published in Spanish in 1976 as Papeles de Pandora and is now translated into English by the author. The daughter of a former governor of Puerto Rico, Ferré portrays women loosening the constraints that have bound them to a patriarchal culture. Anger takes creative rather than polemical form in ten stories that started Ferré on her way to becoming a leading woman writer in Latin America. The upper-middle-class women in The Youngest Doll, mostly married to macho men, rebel against their doll-like existence or retreat into fantasy, those without money or the right skin color are even more oppressed. In terms of power and influence, these women stand in the same relation to men as Puerto Rico itself does to the United States, and Ferré stretches artistic boundaries in writing about their situation. The stories, moving from the realistic to the nightmarish, are deeply, felt, full of irony and black humor, often experimental in form. The imagery is striking: an architect dreams about a beautiful bridge that “would open and close its arches like alligators making love”; a Mercedes Benz “shines in the dark like a chromium rhinoceros.” One story, “The Sleeping Beauty,” is a collage of letters, announcements, and photo captions that allows chilling conclusions to be drawn from what is not written. The collection includes Ferré’s discussion of “When Women Love Men,” a story about a prostitute and a society lady who unite in order to survive, and one that illustrates the woman writer’s “art of dissembling anger through irony.” In closing, she considers how her experience as a Latin American woman with ties to the United States has brought to her writing a dual cultural perspective.

Weldt-Basson (Spanish, Wayne State U.) investigates how seven Latin American women writers of the twentieth and twenty-first centuries have used the concept of submissive silence in their works as a sign of women's rebellion against the passive silence imposed by patriarchy. Using different theoretical perspectives in each chapter, she demonstrates how Marta Brunet, Maria Luisa Bombal, Rosario Castellanos, Isabel Allende, Rosario Ferre, Laura Esquivel, and Sandra Cisneros have used silence thematically and stylistically through hyperbole, coding, irony, parody, and cultural symbol and how silence reflects different time periods and countries.

A “colorful family saga” set against the dramatic historical backdrop of twentieth-century Puerto Rico, from an author nominated for the National Book Award (Kirkus Reviews). Elvira Vernet narrates Eccentric Neighborhoods as she attempts to solve the mystery of who her parents truly are. Her mother, the beautiful and aristocratic Clarissa Rivas de Santillana, was born into a rarefied world of privilege, one of five daughters on the family’s sugar plantation. Elvira’s father, Aurelio Vernet, and his three brothers and two sisters were raised by Santiago, a Cuban immigrant who ruled his family with an iron hand. As Puerto Rico struggles for independence—and Aurelio takes his place among the powerful political gentry—a legacy of violence, infidelity, faith, and sacrifice is born. Set against the backdrop of a country coming of age, Eccentric Neighborhoods is a lush, transcendent novel, a family saga about mothers and daughters, husbands and wives, parents and children. In this magnificent follow-up to The House on the Lagoon, Rosario Ferré delivers a work of historical fiction influenced by magical realism and infused with forgiveness and love.

Whole lives come into focus in this rich and diverse collection, as Desai trains her luminous spotlight on private universes from India to Canada and New England, from Cornwall to Mexico. Her protagonists set out on journeys and find themselves suddenly beyond the pale, or surprisingly back where they started from. Caught up in cycles of hope and disappointment, their lives are ruled by the seasons, or straitjacketed by the conventions of hospitality, friendship and family. In the title story, a beloved dog, black as Satan, brings nothing but disaster; in another, a business man away from home sees his own death; and elsewhere, old relationships stir up buried resentments, issues demand commitment - or escape. And in the final quiet masterpiece, one of Delhi's girls of slender means finds a kind of joy and freedom in a strange rooftop community.