Sweet Requiem Sweet Series 3

This is Book #3 in the Sweet Series. Returning to Kennebunkport, Maine, isn't all that it's cracked up to be for Nari and Rydan. Barely escaping one evil by the skin of their teeth, running head first into the next was the last thing they were expecting. With Nari's best friend Zaylie held hostage by the leader of the Black Eagles, Nari's number one priority is getting Zaylie, along with everyone else she cares about, out of Nikolai's clutches safe and sound. Only, the worst thing that could possibly happen has happened—Death. Before Nari can even comprehend her worst nightmare coming true, she is pulled back into the very place she had thought she escaped. But the nightmare doesn't end there. Just as she sees a silver-lining to her otherwise gloomy cloud, she discovers heart-wrenching news and has to yet again escape an untimely death. With the hope of undoing what would normally be permanent, Nari, with the help of the two brothers she loves most in the world, sets her mind on a mission that will ultimately mean her downfall. Is the end result worth the sacrifice? ~ Naminé is left in the Earthly realm to tend to an injured Ender and Fëa. She must learn to cope with the new human elements thrown her way, but in the process, discovers something may be terribly wrong with her family back home - the one place she can no longer get to. Continue the journey that started it all. Mycah, Rydan, Nari, and Naminé are determined to take back the throne. Except, that which starts sweet, ends bitter... This is book three in a series- Sweet Oblivion (Sweet Series #1) Sweet Escape (Sweet Series #2) Sweet Requiem (Sweet Series #3) Sweet Redemption (Sweet Series #4 - Finale)

This is Book #3 in the Sweet Series.Returning to Kennebunkport, Maine, isn't all that it's cracked up to be for Nari and Rydan. Barely escaping one evil by the skin of their teeth, running head first into the next was the last thing they were expecting. With Nari's best friend Zaylie held hostage by the leader of the Black Eagles, Nari's number one priority is getting Zaylie, along with everyone else she cares about, out of Nikolai's clutches safe and sound. Only, the worst thing that could possibly happen has happened—Death.Before Nari can even comprehend her worst nightmare coming true, she is pulled back into the very place she had thought she escaped. But the nightmare doesn't end there. Just as she sees a silver-lining to her otherwise gloomy cloud, she discovers heart-wrenching news and has to yet again escape an untimely death. With the hope of undoing what would normally be permanent, Nari, with the help of the two brothers she loves most in the world, sets her mind on a mission that will ultimately mean her downfall. Is the end result worth the sacrifice?~Naminé is left in the Earthly realm to tend to an injured Ender and Fëa. She must learn to cope with the new human elements thrown her way, but in the process, discovers something may be terribly wrong with her family back home - the one place she can no longer get to. Continue the journey that started it all. Mycah, Rydan, Nari, and Naminé are determined to take back the throne. Except, that which starts sweet, ends bitter...

Free! ~ Nariella has a hard life. Hated and beaten by her foster father, she finds solace in the one person who has always been there for her--Rydan, her overprotective best friend. His sheltering only gets worse once Nari collides--literally--with Mycah. A boy being chased by two kinds of evil; a boy who Nari is convinced is either the devil or an angel. But she was wrong. He's something completely different. Then there's Naminé. A servant who lives in fear for her family, for herself, and for the dying kingdom she lives in. But there is hope, and she's the only one who can bring that hope home to save them all. Naminé will risk everything to make that happen, even if it means betraying her king. People always want the truth until they have it. To be let in on secrets until they get burned by them. Nari is no different. But once she's kidnapped, tortured, and ultimately becomes intertwined in a secret world she never could've imagined existed, she knows there's no going back to blissful ignorance. And maybe she doesn't want to. If darkness is the absence of light, what results from the absence of truth? Nothing but Oblivion. This is book one in a series- Sweet Oblivion (Sweet Series #1) - FREEBIE Sweet Escape (Sweet Series #2) Sweet Requiem (Sweet Series #3) Sweet Redemption (Sweet Series #4 - Finale)

Sometimes the hardest war to fight is the one raging within yourself... Life will never be the same for Nariella Woodlinn. Just when she thought she had it all figured out, her world comes crumbling down around her-yet again. With no idea who she is or even where she came from, how can she save herself? She once thought her biggest problems were the ones brought on by the mysterious man she refused to fall in love with--Mycah. But she quickly discovers none of that compares to what she is about to encounter next. This time, it isn't because of who Mycah is. This time, it's because of who she is. ~ Naminé risked everything to save her people. Her goal was to bring their only hope back to their Kingdom. As the war rages on around her, Naminé gets thrown into the lion's den--the false King's chambers. Can she fool a King who can't be deceived on his playing field? Forced to do his bidding, can she prevent the downfall of the only hope she worked so hard to bring home? Will she be able to escape with her life and mind intact? With everyone's world falling apart and deceit around every corner...can any of them truly Escape? This is book two in a series- Sweet Oblivion (Sweet Series #1) - FREEBIE Sweet Escape (Sweet Series #2) Sweet Requiem (Sweet Series #3) Sweet Redemption (Sweet Series #4 - Finale)

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child's hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.

This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.