Sweetgrass Basket

In prose poetry and alternating voices, Marlene Carvell weaves a heartbreakingly beautiful story based on the real-life experiences of Native American children. Mattie and Sarah are two Mohawk sisters who are sent to an off-reservation school after the death of their mother. Subject to intimidation and corporal punishment, with little hope of contact with their father, the girls are taught menial tasks to prepare them for life as domestics. How Mattie and Sarah protect their culture, memories of their family life, and their love for each other makes for a powerful, unforgettable historical novel.

Looks at the history of the African art of sweetgrass basket making in the Christ Church Parish of Mount Pleasant, South Carolina.

Selected for the Notable Social Studies 2022 List Named to ALA Notable Children's Books 2022 In this Own Voices Native American picture book story, a modern Wabanaki girl is excited to accompany her grandmother for the first time to harvest sweetgrass for basket making. Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.

An in-depth, illustrated history of South Carolina's Lowcountry baskets Coiled grass baskets are icons of Gullah culture. From their roots in Africa, through their evolution on Lowcountry rice plantations, to their modern appreciation as art objects sought by collectors and tourists, these vessels are carriers of African American history and the African-inspired culture that took hold along the coast of South Carolina and neighboring states. Row Upon Row, the first comprehensive history of this folk art, remains a classic in the field. The fourth edition brings the narrative into the twenty-first century, with a chapter describing current challenges to the survival of the time-honored tradition. The artform continues to adapt to the changing consumer market, the availability of materials, economic opportunities, and most recently, the widening of the highway near the majority of basket stands. As globalization transforms the world, the coiled basket in all its iterations retains its power as a local symbol of individual identity and cultural distinction. A preface is provided by Jane Przybysz, executive director of the McKissick Museum at the University of South Carolina.

The forced relocation of fifteen thousand Cherokee to Oklahoma nearly two centuries ago left them in a foreign landscape. Coping with loss and new economic challenges, the Cherokee united under a new constitution and exploited the Victorian affinity for decorative crafts. Cherokee women had always created patterned baskets for everyday use and trade, and soon their practical work became lucrative items of beauty. Adapting the tradition to the new land, the industrious weavers transformed Oklahoma's vast natural resources into art that aided their survival. The Civil War found the Cherokee again in jeopardy, but resilient, they persevered and still thrive today. Author and Cherokee citizen Karen Coody Cooper presents the story of this beautiful legacy.

In a powerful and rhythmic picture book, a grandmother tells the tale of Gullahs and their beautiful sweetgrass baskets that keep their African heritage alive. Reprint.

Matthew and his Auntie take Warren on his first trip to the coast to collect sweetgrass, a traditional Mi'kmaw medicine and valued smudging ingredient. Along the way, Warren learns about the many uses of sweetgrass, and how to pick it respectfully.