Symbolic Mental Representations In Arts And Mystical Experiences

Symbolic Mental Representations in Arts and Mystical Experiences explains how the individual’s conceptualization of reality is dependent on the development of their brain, body structure, and the experiences that are physiologically confronted, acted, or observed via learning and/or simulation, occurring in family or community settings. The book offers support for Jean Knox’s reinterpretation of Jung's archetypal hypothesis, exposing the fundamentality of the body – in its neurophysiological development, bodily-felt sensations, non-verbal interactions, affects, emotions, and actions – in the process of meaning-making. Using information from disciplines such as Affective Neuroscience, Embodied Cognition, Attachment Theory, and Cognitive Linguistics, it clarifies how the most refined experiences of symbolic imagination are rooted in somatopsychic patterns. This book will be of great interest for academics and researchers in the fields of Analytical Psychology, Affective Neuroscience, Linguistics, Anthropology of Consciousness, Art-therapy, and Mystical Experiences, as well as Jungian and post-Jungian scholars, philosophers, and teachers.

The Cartesian Split examines the phenomenon of Cartesian influence as a psychological complex in the Jungian tradition. It explores the full legacy of Cartesian rationality in its emphasis on abstract thinking and masculinisation of thought, often perceived in a negative light, despite the developments of modernity. The book argues that the Cartesian creation of the Modern Age, as accompanied by a radical dualism, is better understood as a myth while acknowledging the psychological reality of the myth. The Cartesian myth is a collective dream, and the urgency of its rhetoric suggests that an important message is being left unheeded. This message may lead us to answers in the most unexpected place of all. The book brings forth the Cartesian myth in a new context and shows it to have potential meaning for us today. The book will be of great interest for academics, researchers, and post-graduate students in the fields of analytical psychology, mental health, comparative mythology, and Jungian studies.

Psychogeotherapy offers a critical exploration of the roles played by ideas of space and containment in psychotherapy. Employing approaches from psychogeography with a focus on the praxis of ‘aimless walking’, it explores alternate models of therapeutic space and what the author terms ‘psychogeotherapy’. The book gives a fresh and creative perspective on therapeutic work and its relationship to space, drawing on a range of existing approaches including Freudian, post-Freudian, Jungian and post-Jungian perspectives. With perspectives from various disciplines such as art, social studies, cultural studies and philosophy, the book interrogates the dominant models of containment in psychotherapy and discusses these models from different perspectives to shed new light on classical concepts of therapeutic space and containment in depth psychology and psychotherapy. This book will be of great interest for academics, researchers and post-graduate students in the fields of analytical psychology, psychotherapy, psychogeography and mental health.

Jung's Technique of Active Imagination and Desoille's Directed Waking Dream Method brings together Carl Jung’s active imagination and Robert Desoille’s "rêve éveillé dirigé/directed waking dream" method (RED). It studies the historical development of these approaches in Central Europe in the first half of the 20th century and explores their theoretical similarities and differences, proposing an integrated framework of clinical practice. The book aims to study the wider European context of the 1900s which influenced the development of both Jung’s and Desoille’s methods. This work compares the spatial metaphors of interiority used by both Jung and Desoille to describe the traditional concept of inner psychic space in the waking dreams of Jung’s active imagination and Desoille’s RED. It also attempts a broader theoretical comparison between the procedural aspects of both RED and active imagination by identifying commonalities and divergences between the two approaches. This book is a unique contribution to analytical psychology and will be of great interest for academics, researchers and post-graduate students interested in the use of imagination and mental imagery in analysis, psychotherapy and counselling. The book’s historical focus will be of particular relevance to Jungian and Desoillian scholars since it is the first of its kind to trace the connections between the two schools and it gives a detailed account of Desoille’s early life and his first written works. This book was a Gradiva Award nominee for 2021.

Alchemy, Jung, and Remedios Varo offers a depth psychological analysis of the art and life of Remedios Varo, a Spanish surrealist painter. The book uses Varo’s paintings in a revolutionary way: to critique the patriarchal underpinnings of Jungian psychology, alchemy, and Surrealism, illuminating how Varo used painting to address cultural complexes that silence female expression. The book focuses on how the practice of alchemical psychology, through the power of imagination and the archetypal Feminine, can lead to healing and transformation for individuals and culture. Alchemy, Jung, and Remedios Varo offers the first in-depth psychological treatment of the role alchemy played in the friendship between Varo and Leonora Carrington—a connection that led to paintings that protest the pitfalls of patriarchy. This unique book will be of great interest for academics, scholars, and post-graduate students in the fields of analytical psychology, art history, Surrealism, cultural criticism, and Jungian studies.

This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.

There has been a recent surge in the examination of the evolutionary roots of religious belief, all trying to identify where the human desire to seek the supernatural and the divine comes from. This book adds a new and innovative perspective to this line of thought by being the first to link prenatal and perinatal experiences to the origins of these unconscious underpinnings of our shared images of God. The book poses a ground-breaking paradigm by thinking about our earliest images of God, whether theist or atheist, within a psychoanalytic framework, comparing and contrasting the thought of Freud and Rizzuto. It looks at the issue of images of God from a diversity of psychological perspectives including, attachment theory, developmental theory and bio-psychosocial perspectives. This analysis leads to the conclusion that in parallel to postnatal findings, uterine and birth experiences can predispose individuals to form God representations later in life, through underpinning affective and environmental factors. This is a bold study of the development of one of humanity’s most fundamental aspects. As such, it will be of great interest to scholars of the psychology of religion, psychology, psychoanalysis, religious studies and early infant development.

Essay from the year 2019 in the subject Art - History of Art, grade: %80, RMIT University, course: Bachelor of Fine Arts, language: English, abstract: This essay demonstrates the progression of psychological depictions in art, and thus representations of mental illness throughout art history. Early Renaissance artists such as Vittore Carpaccio and Matthias Grunewald interpret mental illness through the lens of religious and spiritual imagery. Later Renaissance artists such as Albrecht Durer were impacted by the changing social, cultural and economic landscape of the 16th century. Romantic artists such as Fransisco Goya and Theodore Gericault use romantic imagery and realism to depict man’s internal melancholy and anxiety. The cultural momentum of the Weimar Period heralded an era of “Outsider Art”. Resulting in a cultural landscape that both feared and revered work made by those with mental illness.