Syro Hittite Monumental Art And The Archaeology Of Performance

The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals.

This volume gathers articles by archeologists, art historians, and philologists concerned with the afterlives of ancient rock-cut monuments throughout the Near East. Contributions analyze how such monuments were actively reinterpreted and manipulated long after they were first carved.

Deuteronomy and the inscribed texts depicted within it are often called “books.” Moreover, its treatment of writing has earned it a prominent place in historical accounts of the religion of ancient Israel and Judah. Neither Deuteronomy nor its text-artifacts, however, are books in any conventional sense of the term. This interdisciplinary study reorients the analysis of Deuteronomic textuality around the materiality, visuality, and rhetoric of ancient rather than modern media. It argues that the Deuteronomic composition adapts the media aesthetics of ancient treaty tablets and monumental inscriptions to a story that is itself transformed into an artifact of the past.

Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole. This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.

Stonehenge, Machu Picchu, Confederate statues, Egyptian pyramids, and medieval cathedrals: these are some of the places that are the subject of Making Sense of Monuments, an analysis of how the built environment molds human experiences and perceptions via bodily comparison. Drawing from recent research in cognitive neuroscience, psychology, and semiotics, Michael J. Kolb explores the mechanics of the mind, the material world, and the spatialization process of monumental architecture. Three distinct spatial-cognitive metaphors—time, movement, and scale—comprise strands of knowledge that when interwoven create embodied contours of meaning of how human interact with monumental spaces. Comprehensive, lucidly written, and thoroughly illustrated, Making Sense of Monuments is a vibrant, extraordinary journey of the monuments we have constructed and inhabited.

Known from the Old Testament as one of the tribes occupying the Promised Land, the Hittities were in reality a powerful neighbouring kingdom: highly advanced in political organization, administration of justice and military genius; with a literature inscribed in cuneiform writing on clay tablets; and with a rugged and individual figurative art ... Newly revised and updated, this classic account reconstructs a complete and balanced picture of Hittite civilization, using both established and more recent sources.

This volume originates from a research project, which was funded within the PRIN program Writing Uses: Transmission of Knowledge, Administrative Practices and Political Control in Anatolian and Syro-Anatolian Polities in the 2nd and 1st Millennium BCE. The project involved ‘research units’ from different Italian universities (Torino, Pavia, Bologna, Firenze, Napoli - Suor Orsola Benincasa). The papers presented here, seek to fill some gaps in our knowledge of the Hittite Empire and its epigones, and offer an updated picture of some aspects of the Hittite and post-Hittite administration in Anatolia and Syria through the analysis and interpretation of epigraphic and archaeological evidence.

"This book presents a new model for the cluster of ancient kingdoms that clustered around the northeast corner of the Mediterranean Sea during the Iron age, ca. 1200-600 BCE. Rather than presenting them as ancient versions of the modern nation-state, characterized by homogenous ethnolinguistic communities like "the Aramaeans" or "the Luwians" living in neatly bounded territories, this book sees these polities as being fundamentally diverse and variable, distinguished by demographic fluidity and cultural mobility. This conclusion is reached via an examination of a host of evidentiary sources, including site plans, settlement patterns, visual arts, and historical sources. Together, these lines of evidence lead to the awareness that this time and place consists of a complex fusion of cultural traditions that is nevertheless distinctly recognizable unto itself. This book thus proposes a new term to encapsulate that diversity: the Syro-Anatolian Culture Complex"--