T S Eliot And The Dynamic Imagination

A wide-ranging and novel study of metaphor as the generative principle giving shape and substance to Eliot's poetic imagination.

Volume 3 features a special forum on “Eliot and Green Modernism,” edited by Julia E. Daniel, as well as a special forum titled “First Readings of the Eliot–Hale Archive,” edited by John Whittier-Ferguson.

Longlisted for the 2023 PEN/Jacqueline Bograd Weld Award for Biography "Superb…brims with insight into T.S. Eliot’s complex love of women and its impact on his poetry. Beautifully written, fiercely honest, The Hyacinth Girl permanently dissolves the myth of impersonality, fathoming the vexed, tormented emotional life behind Eliot’s work." —Jahan Ramazani, author of Poetry in a Global Age Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of “memory and desire” in The Waste Land. She was his hidden muse. That correspondence—some 1,131 letters—released by Princeton University’s Firestone Library only in 2020—shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale’s role as the first and foremost woman of the poet’s life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot’s relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. Gordon sheds new light on Eliot’s first marriage to the flamboyant Vivienne; re-creates his relationship with Mary Trevelyan, a wartime woman of action; and finally, explores his marriage to the young Valerie Fletcher, whose devotion to Eliot and whose physical ease transformed him into a man “made for love.” This stunning portrait of Eliot will compel not only a reassessment of the man—judgmental, duplicitous, intensely conflicted, and indubitably brilliant—but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his “Hyacinth Girl."

This book reassesses the philosophical, psychological and, above all, the literary representations of the unconscious in the early twentieth century. This period is distinctive in the history of responses to the unconscious because it gave rise to a line of thought according to which the unconscious is an intelligent agent able to perform judgements and formulate its own thoughts. The roots of this theory stretch back to nineteenth-century British physiologists. Despite the production of a number of studies on modernist theories of the relation of the unconscious to conscious cognition, the degree to which the notion of the intelligent unconscious influenced modernist thinkers and writers remains understudied. This study seeks to look back at modernism from beyond the Freudian model. It is striking that although we tend not to explore the importance of this way of thinking about the unconscious and its relationship to consciousness during this period, modernist writers adopted it widely. The intelligent unconscious was particularly appealing to literary authors as it is intertwined with creativity and artistic novelty through its ability to move beyond discursive logic. The book concentrates primarily on the works of D. H. Lawrence, Virginia Woolf and T.S. Eliot, authors who engaged the notion of the intelligent unconscious, reworked it and offered it for the consumption of the general populace in varied ways and for different purposes, whether aesthetic, philosophical, societal or ideological.

The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

A riveting account of the making of T. S. Eliot’s celebrated poem The Waste Land on its centenary. Renowned as one of the world’s greatest poems, The Waste Land has been said to describe the moral decay of a world after war and the search for meaning in a meaningless era. It has been labeled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot’s enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism, and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists—of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice’s appeal has affected Western culture since 1800.