Talking Trojan

In this penetrating new look at the use of language in the Iliad, Hilary Mackie examines the portrayal of the opposing forces in terms not only of nationality but of linguistics. The way the Greeks and the Trojans speak, Mackie argues, reflects their disparate cultural structures and their relative positions in the Trojan War. While Achaean speech is aggressive and public, intended to preserve social order, Trojan language is more reflective, private, and introspective. Mackie identifies the differences between Greek and Trojan language by analyzing poetic formulas, usually thought to indicate a similarity of language among Homeric characters, and conversations, which are seen here to be of equal importance to the numerous speeches throughout the Iliad. Mackie concludes with analyses of the two great heroes of the Iliad, Hektor and Achilles, and the extent to which they represent their own cultures in their use of language.

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity. This grippingly written and provocative book boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings – from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur – Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are.

The story of the Trojan War presented in the Iliad and the Odyssey, attributed to Homer, is incomplete. This book completes it. Originally presented as a thesis in the University of Coimbra (Portugal), this book reconstructs the plot of the Trojan War between the Iliad and the Odyssey. In order to do so, it uses the direct knowledge the authors of the Antiquity had of those subjects, but also iconographic sources, presenting them all and showing how they contribute to a faithful reconstruction of the Trojan Cycle, as it was known over 2000 years ago. Among the episodes reconstructed here are, for example, the battle against Penthesilea, the death of Achilles and the famous ruse of the Trojan Horse. This is a work interesting not only for those who already read the Iliad and the Odyssey, but also for everyone who has some interest in Greek and Roman Mythology.

An exciting story of the immigration struggles of an Indonesian family. Fleeing their home country, they spent ten years in Dutch immigrant camps. After receiving permission they came to America, with a dream of freedom! One family member took that dream and reached the impossible! Young Chris made his way, through countless obstacles, to establish his name in U.S.C. football lore. This pint-sized nobody, etched his name into Trojan and Rose Bowl history! Few gave him a chance to succeed in a game of giants. He wouldn't be denied! Earlier, he met a young coach from Oklahoma. Although Chris and "Coach D" came from totally different backgrounds, they teamed to develop a new kicking style in California high school football. The rest is history! The kid, with a big heart, taught us to "reach for the stars!" Chris Limahelu will always be: "#11 - The Little Trojan That Could!"

This book is an investigation of non-fatal injury and bloodspill in Homer's Iliad and demonstrates the crucial significance of these motifs in the epic. They are shown to be fundamental to defining heroic status and a powerful means for developing the narrative and thematic structures of the poem. The study offers a nuanced definition of the nature of mortality and immortality and shows how the motifs of injury and bloodspill explicate the plot of the poem and its ethical values. This work is the first to examine these motifs in a systematic and comprehensive investigation. Focusing exclusively on the Iliad, the book sheds new light on ideals of heroic conduct.

"In the manner of Robert Graves, Parotti extrapolates events from Homeric epic and vividly recreates scenes of the Trojan war from the viewpoints of lesser-known players. This companion book to The Greek Generals Talk: Memoirs of the Trojan War comprises dramatic monologues in which 10 aged veteran commanders nurse their war wounds in far-flung locations around the Mediterranean, while assessing the fall of Troy. They discuss errors of strategy and bemoan the war's carnage and the loss of loved ones. The style of their retelling echoes Homer, yet the idiom is contemporary. Many offer opinions of Helen, the "Spartan whore." Medon, savoring a cup of bitter Thracian wine, believes that Helen was not the cause; this was really a trade war, waged to wrest control of the sea from Priam. Pyracchmes, former leader of the archers, finds himself mining silver in Mt. Laurion in Attica. Hate, back home in Alybe, says Paris should have been executed as the prophecy had urged. Parotti, professor of English at Sam Houston State University, provides a note on the legends of Bronze Age Troy (whose site is in modern Turkey) and its downfall in 1250-1185 BC There are maps, a glossary and a gazetteer. This book will be especially prized by readers familiar with Greek myth and epic."--Publishers Weekly

In Homeric Megathemes D.N. Maronitis puts forward war, homilia, and homecoming as three themes central to Homer's two epic poems, the Illiad and the Odyssey. Branching out from each of these themes are certain semiotic and structural characteristics that determine, specific to each of the poems, myth and plot, narrative syntax, and more generally, their poetic and humanistic character. The aim of Maronitis' study is to determine and document similarities and differences in the two Homeric epics through these themes and to identify examples of them in ancient lyric poetry and Attic tragedy. Maronitis' theoretical framework gives classics scholars and literary theorists interested in poetry, history, and tragedy a social and cultural research model for thinking about the genesis and maturity of great lyric works. His comparative approach, revealing the creative debt of the Odyssey to the Iliadic model, lays bare the progression of an art form through the development of literary technique, the shifts in classical ideologies (including anthropoligical ideas about "man"), and in politics. Anyone interested in the thought of the Archaic period should read this book.