Tanaka

Stefan Tanaka examines how late nineteenth and early twentieth century Japanese historians created the equivalent of an "Orient" for their new nation state. He argues that the Japanese attempted to use a variety of pasts—Chinese, Indian, and proto-historic Japanese—to construct an identity that was both modern and Asian.

Ryuji Tanaka's (1927 - 2014, Japan) work is rooted in the Japanese tradition of nihon-ga, marked by flat spatial expressions lacking in physical depth, fixed motifs and natural pigments dissolved in animal glue applied to paper or silk. At the same time, his work also matches the ideologies of two avant-garde groups of postwar Japanese art: the Pan-real Art Association and Gutai. The first actively introduced Western avant-garde expressions within the Japanese tradition. This is especially visible in the surrealistic works of Tanaka. In a later stage, his works evolve towards abstraction, when Tanaka becomes part of Gutai. This publication comes out on the occasion of the exhibition Ryuji Tanaka, which runs from March 10th till April 30th of 2016 at the Axel Vervoordt Gallery.

Kakuei Tanaka was the most powerful politician in Japan for nearly two decades, and his followers have dominated Japanese politics for most of the country's recent history. This account of the life and times of Tanaka explores the public profile and private power-broking of a controversial and powerful politician, opening up in the process the intimate political history of modern Japan.

Explores the experiences spectators have when they watch a film collectively in a cinema.

This book explores one of the 20th century’s most consequential global political thinkers and yet one of the most overlooked. Tanaka Kōtarō (1890-1974) was modern Japan’s pre-eminent legal scholar and jurist. Yet because most of his writing was in Japanese, he has been largely overlooked outside of Japan. His influence in Japan was extraordinary: the only Japanese to serve in all three branches of government, and the longest serving Chief Justice of the Supreme Court. His influence outside Japan also was extensive, from his informal diplomacy in Latin America in the prewar period to serving on the International Court of Justice in the 1960s. His stinging dissent on that court in the 1966 South-West Africa Case is often cited even today by international jurists working on human rights issues. Above and beyond these particular lines of influence, Tanaka outlined a unique critique of international law as inherently imperialistic and offered as its replacement a theory of World Law (aka “Global Law”) based on the Natural Law. What makes Tanaka’s position especially notable is that he defended the Natural Law not as a European but from his vantage point as a Japanese jurist, and he did so not from public law, but from his own expertise in private law. This work introduces Tanaka to a broader, English-reading public and hopes thereby to correct certain biases about the potential scope of ideas concerning human rights, universality of reason, law and ethics.

Welcome to the dreamlike pastel-colored world created by Meyoco. Discover all with Polaris, her first commercial work collection. Meyoco is an illustrator based in Southeast Asia who has gained popularity mainly on social media. Natural elements such as flowers, waves, leaves, stars, and bubbles are suddenly infused with a cute and lovely quality when Meyoco colors them in pastels. Meyoco's wonderfully dreamlike illustrations have won her an increasing number of fans of her social media accounts; as of April 2020, the number of her followers has exceeded 1.22 million on Instagram and 270K on Twitter. This book contains about 240 illustrations that have been carefully chosen from those she has presented in her social media account. It also includes artworks that have been newly drawn for this book, along with some watercolor paintings from Meyoco's early published collections: doujinshi, "Foliage", "REVERIE" and "Bodies of Water". Meyoco also explains the concept of her artworks in her own words. These cute characters and motifs drawn in lovely colors are sure to appeal to people all over the world.

Tatsuyuki Tanaka a.k.a. CANNABIS's long-awaited 2nd art book is republished! CANNABIS WORKS 2 ("CW2") is Tatsuyuki Tanaka's second art collection, and first in 13 years. Tanaka, also works under the name of CANNABIS, is a sought-after Japanese animator and illustrator, who worked for the legendary animation AKIRA. CW2 collects much of his work from 2003 to 2016, and showcases his recent illustrations for books, magazines and record covers, as well as key art for the Tokyo Anime Award Festival 2015. In addition to those works, it features weapon designs for a Japanese movie GANTZ, character designs for a short film A FAREWELL TO WEAPONS; from Katsuhiro Otomo's film collection SHORT PEACE, and other illustrations for TV animations and video games. Unpublished illustrations and sketches are also included, such as a 22-page silent manga called VISITOR, which is created exclusively for CW2. A treasured book for anime and comic fans, or art lovers seeking for fresh inspiration.