Tangled Up In Brew

Another intoxicating mystery featuring brew pub owner Maxine “Max” O’Hara—from the author of To Brew or Not to Brew. BEER TODAY, GONE TOMORROW... Brew pub owner Maxine “Max” O’Hara and her chef/boyfriend, Jake Lambert, are excited to be participating in the Three Rivers Brews and Burgers Festival. Max hopes to win the coveted Golden Stein for best craft beer—but even if she doesn’t, the festival will be great publicity for her Allegheny Brew House. Or will it? When notoriously nasty food and beverage critic Reginald Mobley is drafted as a last-minute replacement judge, Max dreads a punishing review. Her fears are confirmed when Mobley literally spits out her beer, but things get even worse when the cranky critic drops dead right after trying one of Jake’s burgers. Now an ambitious new police detective is determined to pin Mobley’s murder on Max and Jake, who must pore over the clues to protect their freedom and reputations—and to find the self-appointed judge, jury, and executioner.

The Allegheny Brew House is a dream come true for Maxine "Max" O'Hara, who went all the way to Germany for her brewmaster certification, and is now preparing to open her own craft brew pub in a newly revitalized section of Pittsburgh. But before she can start pouring stouts and lagers to thirsty throngs, there's trouble on tap. Suspicious acts of sabotage culminate in Max finding her assistant brewmaster and chef Kurt Schmidt strangled in one of the vats.

Sloane and Amelia clash with rival detectives when they travel to Tangle Glen mansion with the goal to find the two million dollaws that went missing on the premise decades ago.

Perfect for fans of Amanda Flower and Julie Anne Lindsey, when Kate Mulligan inherits her great uncle’s fruit orchard, she quickly realizes that apples aren’t the only thing that can have rotten cores. After losing her husband in a terrible car crash, thirty-five-year-old Kate is left to pick up the pieces of her life alone. Although she has physically recovered, she worries her spirit never will. But when she learns that she has inherited a fruit orchard in a small town just outside Gettysburg, Pennsylvania, from her great uncle Stan, she takes this as an opportunity ripe for the picking. Kate knew immediately what to do with it: open a cider house. Her hopeful plans fall far from the tree when she finds the body of the orchard manager, Carl Randolph, leaving her to figure out who is at the core of this murder. She had been in correspondence with Carl, who had agreed with her brilliant idea of opening a cider house. But not everyone is so quick to buy what she was selling—Uncle Stan’s lawyer, Robert Larabee, paints a less rosy financial outlook of the orchard’s past, present, and future. Kate discovers that Carl had large, unexplained deposits to his bank account and it becomes clear that either he was blackmailing someone, or someone was paying him to keep quiet. Meanwhile, Kate and her neighbors receive offers to buy their property from a mysterious buyer. And there’s more than meets the eye with the neighboring orchard owner, Daniel Martinez, although Kate can’t quite put her finger on if it’s sweet or sour. Will she be able to pick out the bad apple among the bunch before it’s too late?

Just as The Babysitter’s Club series successfully captured a generation of young girls, Cyndy Salzmann’s Friday Afternoon Club series lays claim to moms who cherish long-standing friendship…and a bit of mystery. While juggling the responsibilities of carpool, laundry, and ballet lessons, this group of close friends find time to act as sleuths, unraveling mysteries, and gaining spiritual truths along the way. Readers will readily identify with these richly drawn characters caught in the chaos of raising a family, maintaining friendships, and sorting out the items of intrigue that draws them in.

“An inventively plotted, goose-bumps inducing ghost story.” —Booklist A house with a sinister past—and a grisly power . . . When Michael Flint is asked by American friends to look over an old Shropshire house they have unexpectedly inherited, he is reluctant to leave the quiet of his Oxford study. But when he sees Charect House, its uncanny echoes from the past fascinate him—even though it has such a sinister reputation that no one has lived there for almost a century. But it’s not until Michael meets the young widow, Nell West, that the menace within the house wakes . . . “Rayne spins eerie yarns within yarns like a latter-day Isak Dinesen or Wilkie Collins.” —Kirkus Reviews “A chilling mystery from another era. . . . Once again Rayne delivers.” —Booklist

Bringing into dialogue the fields of social history, Andean ethnography, and postcolonial theory, The Lettered Indian maps the moral dilemmas and political stakes involved in the protracted struggle over Indian literacy and schooling in the Bolivian Andes. Brooke Larson traces Bolivia’s major state efforts to educate its unruly Indigenous masses at key junctures in the twentieth century. While much scholarship has focused on “the Indian boarding school” and other Western schemes of racial assimilation, Larson interweaves state-centered and imperial episodes of Indigenous education reform with vivid ethnographies of Aymara peasant protagonists and their extraordinary pro-school initiatives. Exploring the field of vernacular literacy practices and peasant political activism, she examines the transformation of the rural “alphabet school” from an instrument of the civilizing state into a tool of Aymara cultural power, collective representation, and rebel activism. From the metaphorical threshold of the rural school, Larson rethinks the politics of race and indigeneity, nation and empire, in postcolonial Bolivia and beyond.

Central Park: A Contemporary Retelling of Mansfield Park When her friend returns from his trip to Paris accompanied by a beautiful woman and her flirtatious brother, Francine faces a difficult choice: wait for a love that may never be or settle for a man who doesn't hold her heart.