Tanka

The Way of Tanka is an approachable yet comprehensive examination of the Japanese form of poetry known as tanka. The author, Naomi Beth Wakan, discusses its roots in early Japanese courts where it was considered the poetry of lovers, as well as its adaptation to western culture and the characteristics that separate it from the more popular form of Japanese poetry: haiku. Throughout, Wakan weaves her story of personal self-transformation as she moved from the more disciplined writing of haiku to the more metaphorical and philosophical writing of tanka. Numerous examples of tanka are provided, and the rich explanation of the experience of writing tanka encourages readers to write their own tanka while remaining open to the possibilities it provides for personal growth.

“As with the best writing, I found myself simultaneously devastated and soothed, satiated and hungry for more.” --Susanna Childress, author of Entering the House of Awe TANKA & ME is a visceral, pleading, and fierce collection of poems, underpinned with thudding vessels and satisfying wreckage. Kaethe Schwehn externalizes the overlooked power of women into a multidimensional character who hunts both the speaker and the reader. Our wild Tanka engages down deep with role-play, sex, prayer, and refusal until we can’t look away or stay quiet. These are love poems, but they love with claws and whiskey, bolt cutters and saws. You can love someone for a long time without knowing how, our speaker realizes, and Tanka prowls and preens and breaks us down until we know how to love ourselves, how to know ourselves, how to free ourselves. TANKA & ME is feminist poetry with muscle, bones, and heart. “Meet Tanka, the girlish/ghoulish spirit at the heart of Kaethe Schwehn’s marvelous Tanka and Me. She’s ‘all ears and a liver,’' knows extraordinary things, has a boyfriend named Briar and poignant adventures in grief, but her penchant for detail, at once hilarious and harrowing, is all Kaethe Schwehn.” --Leslie Adrienne Miller, author of Y

His introduction gives an excellent overview of the development of tanka in the last one hundred years.

This book has pictures and Japanese tanka poetry produced by the author, all original. On a recent trip to Japan, the author traveled from Tokyo to Kyoto. These pictures and poems represent some of the highlights of that trip.

Tanka, which translates to “short song,” is the lyrical, five-line poem that has historically served as the basic form of Japanese poetry. Despite its shifts in style over the centuries, tanka has remained a poem that captures the nuances of human experience by exploring the simultaneous simplicity and complexity found in nature, relationships, and situations. Evocare offers tankas of love and lust, solitude and togetherness, the familiar and the unfamiliar, hope and heartbreak, strength and weakness, among other themes. The authors leave room for readers to draw their own connections to the poems. Upon reading Evocare, I admired its sense of fluidity within structure, and depth in meaning within such simple, compressed form. Each tanka offers spiritual nourishment through practical teachings that are embedded in the lines. Some of what you will find in these pages are teachings that help us to cultivate a conscious awareness and acceptance of contrast: Nature is balance Between birth and death of all Demand and supply Too much birth brings extinction Too much death makes life grow strong. (Gutierrez) Ayo Gutierrez asserts that a balance is possible between contrasting realities. By using juxtaposition, she explores these notions of contrast and balance in other tankas, as well. In one poem, she tells of the powerful policeman who was once skinny and, presumably, powerless. In another, she highlights the difference between elevating above ground level and being on ground. Gutierrez teaches us to be aware of balance, changes that time can bring, dichotomies, and contrasting forces as we navigate through the complexities of life and living. There is, as well, much in these pages that helps us to bridge the past and the present: “If only bullets Could create peace, not make wars” A schoolchild once hoped This fantasy pays homage To the students as they march. (Tabios) Here, Eileen R. Tabios uses tanka to allude to a 2018 United States gun violence protest. Likewise, she uses tanka to refer to the Marvel universe. Tabios illustrates that modernity and tradition can interweave and hold hands. Her innovative approach to tanka is present in both content and style. In particular, Tabios introduces readers to her experimental tankas, including the “ducktail tanka” and the hay(na)ku. Her inventive tankas corroborate the fluidity of poetry while maintaining structure. These dualities between fluidity and structure, and past and present show that a deep connection between contrasting forces can generate new meaning, development, and understandings. In addition, the book reveals that we can find a wealth of lessons from experiences that have challenged our values or hurt us: Portrait 72: When things break apart Think back how He broke bread in Pieces to feed men; Sometimes, it takes broken heart To feed souls with great lessons. (Aene) Brian Cain Aene reminds us that pain can be transformed into power. Similar to Gutierrez and Tabios, Aene forges a connection between contrasting forces, namely the negative and the positive. Moreover, Aene’s tankas provide a sensory experience for readers, engaging the senses with insightful portraits about complex subjects that cannot be easily defined, such as home, love, and lust. An underlying theme in this collection of tankas is the power of connection. The following tankas, overall, manifest a connectedness between things that are unseen, but authentic—our feelings and evocations—with the observable world in which we live. The tankas in Evocare connected me back to my own beginnings as a poet. I was reminded of the loneliness and despair I felt as a teenager who was bullied and my reliance on poetry as a source of comfort. I used poetry as a means to understand my feelings and to transform all negative energy into strong, connective energy, weaving together words, symbols, feelings, and rhythms that empowered me. Poetry projects power and can touch the soul in myriad ways. I hope that the authors’ humble efforts in this book present you with profound mantras for living, inject you with a renewed passion for life and living, and instill within you a sense of connection to something that evokes feelings of comfort and empowerment. —Arienne L. Calingo

A book of Japanese style poetry to delight all lovers of their styled verse ... Within the book you will truly see Erich's great love of God and his wonderful at one feelings with nature in all forms ... seasons, animals, trees and flowers along with his true love of human life and gentle living...

A tanka consists of 5-unrhymed lines of Japanese origin, Perhaps, this example illustrates the power, beauty, and insightful nature of the form: ""a walk through the woods of my youth a crow calls lonely then now gracefully alone""