Tattered Cover Book Store A Storied History

For more than five decades, the Tattered Cover has been Colorado's favorite source for books. Beginning with just 950 square feet, it has grown into a multistore operation and important cultural institution, the special place where people go for all things literary. It has been a forum for ideas, with hundreds of writers visiting each year to sign books and greet readers. It has proven itself a bastion of democracy, championing the First Amendment and readers' rights to privacy. Join Denver historian and onetime Tattered Cover employee Mark A. Barnhouse as he celebrates the store's first fifty years and tells stories from the thousands of author events it has hosted over the decades.

From its 1858 birth, the Mile High City has undergone continuous change, with each successive generation putting its stamp on Denver's architectural character. Along the way, landmarks initially considered first class were later deemed disposable by those who had different visions of what Denver should be. Beloved buildings like the Tabor Grand Opera House, the Windsor Hotel and the Republic Building vanished. Historian Mark A. Barnhouse revisits these lost treasures along with the lesser known and rarely explored, including an apartment building dubbed "Denver's Bohemia," the humble abode of one of the early twentieth century's most successful novelists and the opulent mansion of a man who gave Denver three consecutive baseball championships.

Lydia Smith, a clerk at the Bright Ideas bookstore, calls the lonely regulars who spend every day marauding the store's overwhelmed shelves "BookFrogs." When Joey Molina, a young BookFrog, kills himself in the bookstore's upper room, he bequeaths his meager worldly possessions to her. Trinkets and books; the detritus of a lonely, uncared for man. But they seem to contain a hidden message. As Lydia untangles the mystery of Joey's suicide, she unearths a long buried memory from her own violent childhood.

2022 Mystery Writers of America Edgar Award Finalist The author of eighteen spellbinding detective novels set on the Navajo Nation, Tony Hillerman simultaneously transformed a traditional genre and unlocked the mysteries of the Navajo culture to an audience of millions. His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives. Morris offers a balanced portrait of Hillerman’s personal and professional life and provides a timely appreciation of his work. In intimate detail, Morris captures the author’s early years in Depression-era Oklahoma; his near-death experience in World War II; his sixty-year marriage to Marie; his family life, including six children, five of them adopted; his work in the trenches of journalism; his affliction with PTSD and its connection to his enchantment with Navajo spirituality; and his ascension as one of America’s best-known writers of mysteries. Further, Morris uncovers the almost accidental invention of Hillerman’s iconic detective Joe Leaphorn and the circumstances that led to the addition of Jim Chee as his partner. Hillerman’s novels were not without controversy. Morris examines the charges of cultural appropriation leveled at the author toward the end of his life. Yet, for many readers, including many Native Americans, Hillerman deserves critical acclaim for his knowledgeable and sensitive portrayal of Diné (Navajo) history, culture, and identity. At the time of Hillerman’s death, more than 20 million copies of his books were in print, and his novels inspired Robert Redford to adapt several of them to film. In weaving together all the elements of Hillerman’s life, Morris drew on the untapped collection of the author’s papers, extensive archival research, interviews with friends, colleagues, and family, as well as travel in the Navajo Nation. Filled with never-before-told anecdotes and fresh insights, Tony Hillerman will thrill the author’s fans and awaken new interest in his life and literary legacy.

“A smart and thoughtful” women’s fiction novel about a widow’s coming into her own during the social changes of the seventies is “engrossing reading” (Publishers Weekly). In late 1970, Oliver Desmarais drops dead in his front yard while hanging Christmas lights. In the year that follows, his widow, Virginia, struggles to find her place on the campus of the elite New Hampshire men’s college where Oliver was a professor. While Virginia had always shared her husband’s prejudices against the four outspoken, never-married women on the faculty—dubbed the Gang of Four by their male counterparts—she now finds herself depending on them, even joining their work to bring the women’s movement to Clarendon College. Soon, though, reports of violent protests across the country reach this sleepy New England town, stirring tensions between the fraternal establishment of Clarendon and those calling for change. As authorities attempt to tamp down “radical elements,” Virginia must decide whether she’s willing to put herself and her family at risk for a cause that had never felt like her own. Told through alternating perspectives, The Wrong Kind of Woman is an absorbing story about finding the strength to forge new paths, beautifully woven against the rapid changes of the early ’70s. “A glorious debut filled with characters grasping to find a place to belong in a world on the edge of change.” —Carol Rifka Brunt, New York Times–bestselling author Tell the Wolves I’m Home “Powerful.” —Amy Meyerson, author of The Bookshop of Yesterdays “The story we need now.” —T. Greenwood, author of Keeping Lucy “Graceful, solid, and beautifully rendered.” —Abby Frucht, author of Maids

The unique lives of bookstores across America are captured in words and original oil paintings in this loving tribute to booksellers and bibliophiles. For decades, publisher Gibbs M. Smith visited bookstores across the United States. Inspired by the unique personality and ambiance of these community cultural hubs, he made oil paintings of these bookstores to feature on the covers of his publishing company’s catalogue each season. The Art of the Bookstore collects sixty-eight of these paintings, pairing them with quotes, essays and remembrances about bookselling—a pursuit that is often more art than science—from Smith as well as other industry veterans. This volume captures the unique atmosphere of iconic bookshops including New York City’s Strand Bookstore, Washington, D.C.’s Politics & Prose, and L.A.’s Book Soup.

"What is the relationship between life, love, and art? This gorgeously illustrated book goes into both the art and love of artists couples from the 20th and 21st centuries"--Provided by publisher.

A vivid, dramatic account of how half a dozen kinds of modern music--punk rock, art rock, disco, salsa, rap, minimalist classical--emerged in new forms and cross-pollinated all at once in the middle seventies in NYC. Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—block by block, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless. Will Hermes's Love Goes to Buildings on Fire is the first book to tell the full story of the era's music scenes and the phenomenal and surprising ways they intersected. From New Year's Day 1973 to New Year's Eve 1977, the book moves panoramically from post-Dylan Greenwich Village, to the arson-scarred South Bronx barrios where salsa and hip-hop were created, to the lower Manhattan lofts where jazz and classical music were reimagined, to ramshackle clubs like CBGB and the Gallery, where rock and dance music were hot-wired for a new generation.