Tattered Kimonos In Japan

Examines Japan's war generation--Japanese men and women who survived World War Two and rebuilt their lives, into the 21st century, from memories of that conflict Since John Hersey's Hiroshima--the classic account, published in 1946, of the aftermath of the atomic bombing of that city--very few books have examined the meaning and impact of World War II through the eyes of Japanese men and women who survived that conflict. Tattered Kimonos in Japan does just that: It is an intimate journey into contemporary Japan from the perspective of the generation of Japanese soldiers and civilians who survived World War II, by a writer whose American father and Japanese father-in-law fought on opposite sides of the conflict. The author, a former NPR senior editor, is Jewish, and he approaches the subject with the sensibilities of having grown up in a community of Holocaust survivors. Mindful of the power of victimhood, memory, and shared suffering, he travels across Japan, including Hiroshima and Nagasaki, meeting a compelling group of men and women whose lives, even now, are defined by the trauma of war, and by lingering questions of responsibility and repentance for Japan's wartime aggression. The image of a tattered kimono from Hiroshima is the thread that drives the narrative arc of this emotional story about a writer's encounter with history, inside the Japan of his father's generation, on the other side of his father's war. This is a book about history with elements of family memoir. It offers a fresh and truly unique perspective for readers interested in World War II, Japan, or Judaica; readers seeking cross-cultural journeys; and readers intrigued by Japanese culture, particularly the kimono.

This book is an eyewitness report of what happened in Japan and Korea during the Occupation years from December 1945 to May 1948. It is also meant to be some other things. It is the story of that extraordinary figure General Douglas MacArthur, and the men around him. It is the story of the way American foreign polity operated in one segment of the globe and of the plot and counterplot that went on behind the Japanese throne in the years of war and of the subsequent conspiracy to thwart the Allied purposes. It is the story of the common people in two Oriental lands. It is, finally, the record of the author's education, and not a few readers will find it controversial. But it is an absorbing book nonetheless, and the years that have passed since its first publication have not diminished its value as the chronicle of a highly observant reporter. It is indeed an intriguing panorama that Gayn presents, and whether the reader agrees with him in all of his observations, he can hardly accuse him of being unexciting.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

The book’s structure blends history and geography. A good world atlas or a world historical atlas will be helpful in the reading. The historical arrangement of contents has six Parts” Classical, Mediaeval, Early Modern (Lands), Early Modern (Ideas), Late Eighteenth and Nineteenth Centuries, Twentieth Century. Although this sequence of periods and categories fits Western/European history best, it is also reasonably appropriate for Central Asia, India, and China. For other regions it is more arbitrary, and Classical and Mediaeval periods are merged. Because the Parts overlap and involve imprecise categories, in the List of Contents and Summaries no attempt is made to give dates for their beginning and end.

ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure.

See here, first take a little polish on the finger and rub into the leather. Then spit. and rub.' - boasts one recruit of his boot polishing skills. sadly, the only reward this gets him is thirty pairs of shoes to shine. This is only one of the hilarious episodes in Carl Muller's continuation of the von Bloss family saga. Carloboy von Bloss is back, now a robust young man of eighteen, spending four eventful years in the one-ship Royal Ceylon Navy. Carloboy and his fellow recruits get up to the weirdest capers: painting their boots black; posing as Italian ghosts; planning to wink at.