Tears Of Blood

Since 1959, when China claimed power over this tiny mountain nation, more than one million Tibetans are believed to have perished by starvation, execution, imprisonment, and abortive uprisings. Many thousands more, including their spiritual and political leader, the fourteenth Dalai Lama, have been driven into exile.The country has been systematically colonized, so that indigenous inhabitants are now a second–class minority. Not only are Tibetans being squeezed out by Chinese settlers, but there are reports of Tibetan women being forcibly sterilized and of healthy full–term babies being killed at birth. Thousands of Tibetans languish in prison and suffer appalling torture. Rich mineral resources have been plundered and the delicate ecosystem devastated. Buddhism, the life blood of Tibet, has been ruthlessly suppressed.Mary Craig tells the story of Tibet with candor and power. Based upon extensive research and interviews with large numbers of refugees now living in exile in India, this book presents four decades of religious persecution, environmental devastation, and human atrocities that have caused Tibetans to weep "tears of blood."

A striking narrative history of work and the individuals and events that have been responsible for its evolution. Work--a process familiar to almost everyone--has radically changed over the centuries. The author examines early societies, slavery, guilds, trade secrets, religion and unions.

From the author of "Kundun" comes a powerful work that reveals the true horrors behind China's "liberation" of Tibet. 16-page insert.

On August 30, 2000, a commercial passenger jet arriving from China touched down at Gimpo International Airport in South Korea. There was nothing unusual about the plane or about the flight. What was miraculous was the seventy-year-old gentleman who walked down the ramp into the waiting arms of his family. That traveler was Mr. Young-Bok Yoo, and this was the end of his fifty-year journey through the darkness of hell into the daylight of freedom. Mr. Yoo was among 60,000 POWs who were never released by North Korea at the end of the Korean War. Unlike most of the others, he survived and he escaped. Today he fights for the repatriation of his fellow POWs who remain behind. Paul T. Kim's translation brings Mr. Yoo's saga to Western readers for the first time. More than a Korean story, it is an inspirational tale of the survival of the human spirit in the face of overwhelming sorrow and injustice. This book was sponsored by Korean War POW Affairs-USA, an NGO that advocates on behalf of Korean POWs and their families. To make additional donations to help POWs like Mr. Yoo, please visit: http://tearsofbloodbook.blogspot.com

They both have secrets. But neither dare to speak of them...Luca feigns personal questions. When he isn't hiding behind the lens of a camera, he assumes a suave Italian façade in order to avoid acknowledging his true ethnicity and jaded past. Luca prefers black and white film because it makes the world seem simple and uncomplicated. Savannah is a small-town southern girl just trying to pick up the pieces of her shattered family after the devastating loss of her older brother, Tommy, a soldier killed on deployment in Afghanistan. With Tommy gone, Savannah floats aimlessly through nursing school, finding herself in places the two of them would frequent just to feel something again. Savannah sees the loss in Luca's eyes. She is drawn to his pain because, maybe for a moment, it lets her forget her own. As frost settles on the south Georgia streets, Luca's past boils over into the present. Perhaps, it is love. Or perhaps, they merely longed for a time and place that never existed.

There was a time when David Clayton-Thomas seemed an unlikely success story. As a teenager in Willowdale, Ontario, his frequent clashes with his authoritarian father led to his living on the streets by the time he was 14, then spending the rest of his youth bouncing in and out of jails and reformatories. But when a battered, old mail-order guitar was left to him by an outgoing inmate, Clayton-Thomas discovered a talent for music that allowed him to believe in a different kind of life. This is the remarkable story of his journey to international stardom as the legendary front man for Blood, Sweat & Tears. In his brutally truthful memoir, Clayton-Thomas reveals what it was like to headline at Woodstock, to tour behind the Iron Curtain, to watch brilliant musicians tear their own band apart with in-fighting, and to make his fortune only to lose it all ... and start all over again. This is a story of grit, courage, and determination. It is, above all, a story of survival.

Detective and mystery stories. A body is discovered: the terrible mutilations spell out the wounds of the Stigmata. Hard-boiled crime fiction with a Catholic interest.

Black college football began during the nadir of African American life after the Civil War. The first game occurred in 1892, a little less than four years before the Supreme Court ruled segregation legal in Plessy v. Ferguson. In spite of Jim Crow segregation, Black colleges produced some of the best football programs in the country. They mentored young men who became teachers, preachers, lawyers, and doctors--not to mention many other professions--and transformed Black communities. But when higher education was integrated, the programs faced existential challenges as predominately white institutions steadily set about recruiting their student athletes and hiring their coaches. Blood, Sweat, and Tears explores the legacy of Black college football, with Florida A&M's Jake Gaither as its central character, one of the most successful coaches in its history. A paradoxical figure, Gaither led one of the most respected Black college football programs, yet many questioned his loyalties during the height of the civil rights movement. Among the first broad-based histories of Black college athletics, Derrick E. White's sweeping story complicates the heroic narrative of integration and grapples with the complexities and contradictions of one of the most important sources of Black pride in the twentieth century.