Techniques Of Medieval Armour Reproduction

Few historical icons can match the evocative power of the medieval suit of armour, and this epic new book is a complete course in the tools and techniques of the modern armourer's art. Through more than 1,000 detailed photos and clear instruction, Brian Price presents a working handbook for aspiring and active armourers who want to develop their skills in the production of medieval armour in the style of the 14th century. The book is divided into four sections: a sweeping history of armour and its production from its medieval roots to its modern revival; a practical introduction to all the tools and supplies necessary to equip a modern workshop; a thorough review of key techniques; and a series of actual courses in constructing armoured defenses for the head, body, arm, hand and leg. Taking the reader through the construction of an authentic medieval harness from conception to completion, Techniques of Medieval Armour Reproduction is a vital addition to the libraries of serious craftsmen, historians, collectors and researchers.

As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.

Picture yourself in a full set of shining mail armor at your next reenactment, fair or costume party. And the best part is that you can say you made it yourself. The Art of Mail Armor shows you how to start with a piece of wire and end with a finished garment that costs a fraction of what it would ready-made and fits perfectly because it was custom made just for you. The book features seven original patterns from the author and step-by-step diagrams and instructions for attractive coifs (head coverings), hauberks (shirts), gauntlets, (gloves) and bishop's collars, as well as juggling balls, necklaces, belts, crosses and other jewelry. Find out how easy it is to assemble your tool kit and materials; acquire the best wire for specific items; measure for a perfect fit; join, enlarge, round, angle and fit sleeves; and incorporate decorative trimmings and inlays to make your designs truly unique. Also learn some quick and easy tricks for keeping your pieces clean and shiny - with no scrubbing or expensive commercial cleaners. Whether you are a Renaissance or medieval enthusiast, reenactor, historian, martial artist, jewelry designer or just someone with an interest in armor, you'll want to add this book to your library. Even experienced mail makers will find new ideas and techniques.

The "Gladiatoria" group of German fencing manuscripts are several editions of a treatise on armoured foot combat, specifically aimed at duel fighting.Gloriously-illustrated, and replete with substantial commentary, these works are some of the greatest achievements in the corpus of late medieval fight books. These works have both tremendous artistic merit and incalculable historical value.In this remarkable full colour volume, authors Dierk Hagedorn and Bartomiej Walczak elegantly present their work on the copy of this treatise now in the Yale Center for British Art, including a reproduction of the manuscript, a full transcription, and translations into English.The work includes a foreword by Sydney Anglo which explains how the work shows a highly sophisticated pedagogical system of movement and applauds the editors for presenting the material in a clear and practical way.Additional essays discuss other aspects of the manuscript - including a tale of Dierk Hagedorn's adventures tracking down the manuscript.

The reconstruction of highly efficient and deadly medieval fighting systems has seen a popular resurgence as students recreate these arts through structured martial arts training and then test their skills in competitive tournaments. Brian R. Price, Principale for one of the largest martial arts / historical fighting schools and author of the immensely popular Techniques of Medieval Armour Reproduction, presents the first English-language book focused solely on the astounding swordsmanship of the late 14th century swordmaster, Fiore dei Liberi. In the Fior di Battaglia the old master recorded an integrated fighting system that includes grappling, work with and against a dagger, baton, the sword in one and two hands, spear and poleaxe, in and out of armour, on foot and on horseback. This system, based on a set of simple principles, is as effective as any martial arts system since devised. Sword in Two Hands distills this system through the use of the hand-and-a-half sword using a proven, logical, systematic approach integrating modern training techniques. The book includes drills and more than 700 color photographs.

14 projects based on medieval designs. Color photos of the original pieces.

La 4e de couverture indique : "A comprehensive guide to making period clothes for living history, re,enactment, plays and pageants..."