Television Coverage Of The Democratic National Convention Chicago Illinois 1968 Staff Report Of The Special Subcommittee On Investigations 1969

Because of the overwhelming changes in media within the past twenty years, First Amendment values are more vital than ever to this countrys freedom. This thorough study brings to the forefront the reasons that government regulation of news content violates the public interest and the fundamental principles of the First Amendment. A recent FCC decision may even threaten the freedom of news on the Internet. The U.S. State Department urged at World Press Freedom Day in 2011 that journalists should not be the only ones standing for press freedom. Each one of us who recognize the value of an informed citizenry must also stand up for this fundamental right. - www.misa.org/mediarelease/pressfreedom.html "I do not endorse any author's view. I am a mere writer, book editor, and book reviewer, but I can appreciate a superbly-researched and well-written book when I see one, regardless of that author's point of view." - The Bookpleasures.com Review

The 1968 Democratic Convention, best known for police brutality against demonstrators, has been relegated to a dark place in American historical memory. Battleground Chicago ventures beyond the stereotypical image of rioting protestors and violent cops to reevaluate exactly how—and why—the police attacked antiwar activists at the convention. Working from interviews with eighty former Chicago police officers who were on the scene, Frank Kusch uncovers the other side of the story of ’68, deepening our understanding of a turbulent decade. “Frank Kusch’s compelling account of the clash between Mayor Richard Daley’s men in blue and anti-war rebels reveals why the 1960s was such a painful era for many Americans. . . . to his great credit, [Kusch] allows ‘the pigs’ to speak up for themselves.”—Michael Kazin “Kusch’s history of white Chicago policemen and the 1968 Democratic National Convention is a solid addition to a growing literature on the cultural sensibility and political perspective of the conservative white working class in the last third of the twentieth century.”—David Farber, Journal of American History