Television Directors Guide

Whether you're planning a short for friends or for school, or a major career as a director, "The Film Director" should go at the top of your list - even before you buy your first roll of film. It's the first step-by-step practical handbook by a pro's pro - a student filmmaker (USC) turned professional - who has been an award-winning TV and movie director for two decades. Bare takes the beginner all the way from fundamentals of camera angle, sound synch, lighting and setting to what a beginning director's salary scale is and what he can expect to make on reruns of his films.

Television is a demanding industry and at the centre of the creative process is the pivotal role of the director. Do you have the right skills to make quality programmes that resonate with audiences? Directing Television offers you a contemporary survival guide. TV directors need a sense of vision, effective management of cast and crew, mentoring and problem solving skills and most importantly the ability to tell a visual story. See inside the everyday realtivies of TV programme making with this essential guide, written by a Nick Bamford a freelancer director and media trainer with over 25 years of experience of making every type of genre from studio work to outside broadcast. Directing Television offers contemporary skiils in each process from pre-production, development, casting, contributors, locations, programme structure, equipment, call sheets, scripting drama, planning the shoot, the importance of screen grammar and camera basics, through to the final edit. It covers a range of programme styles: factual and reality TV, drama, observational docs, comedy and specialist programmes as well as case studies and `war stories' from real TV experience. Benefit from professional advice and develop your creative directing skills today!

The Essential TV Director's Handbook is written by an ex-BBC trainer with a great deal of experience in the world of television. It describes step-by-step how to prepare and direct every familiar type of common programme format including interviews, discussions, reportage, music and dramatisations shot either on location or in the multi-camera studio. It is the essential reference handbook for any director confronted by a new programme format or the challenge of an unfamiliar technology. An appendix suggests plans for the most commonly encountered studio situations. Television culture has been changing fast. Whilst technology races on at a frightening pace programme budgets have been slashed, job descriptions widened as more people have to `multi-skill', and traditional routes of entry have become increasingly difficult to find, with diminishing access to professional training. Yet the skills and practical knowledge required to make top quality programmes remain unaltered. `The Essential .... Handbook' series offers a range of no nonsense guides to the craft of TV programme making based on tried and tested tricks of the trade. Each book is written in an entertaining and informative way providing only the essential `need to know' information for beginner broadcasting professionals and students alike. The Essential TV Director's Handbook is written by an ex-BBC trainer with a great deal of experience in the world of television. It describes step-by-step how to prepare and direct every familiar type of common programme format including interviews, discussions, reportage, music and dramatisations shot either on location or in the multi-camera studio. It is the essential reference handbook for any director confronted by a new programme format or the challenge of an unfamiliar technology. An appendix suggests plans for the most commonly encountered studio situations. Peter Jarvis is a freelance producer and director of thirty years practical experience. He is Director of Television Training International and was for eight years Senior Production Instructor with BBC's Television Training Department.

In-depth coverage of script formats, schedules, and routines, along with a core focus on fundamental principles behind directing for television, make this a complete guide for beginning television directors. --Book Jacket.

• Insider author gives no-nonsense advice • Required reading for film students, educators, anyone interested in film From script analysis to post production, here is the all-inclusive guide to directing for film and television. Written by noted director-producer Myrl Schreibman, The Film Director Prepares offers practical insights on filmmaking, using real-life examples directors won’t learn in school. With topics including working with actors, using the camera to tell a story, setting mood, staging, maintaining performance levels, covering shots, and directing for different mediums, The Film Director Prepares will leave new directors truly prepared for their careers.

This book provides an extensive overview of producing in the ever-changing field of journalism for all types of newsrooms. Featuring interviews with renowned journalism professionals, A Complete Guide to Television, Field, and Digital Producing offers an in-depth look at broadcast, field, and digital producing practices of newsrooms today. The book is divided into three sections: television news producing, field producing, and digital producing. Each section provides a clear explanation of the producing role before going into more detail on important skills such as developing stories, writing copy, creating graphics, producing live on location, audience engagement and using social media. Each chapter includes a variety of supplemental material, including discussion questions, keyword definitions, classroom activities, and graded assignments, including rubrics. Written with a combined 64 years of journalism and journalism education experience, the book will prepare students to produce whatever their job requires. Taking an integrated approach to journalism education, this is a vital text for journalism and media students studying digital media, broadcast journalism, social media, and reporting