Telling And Being Told

Through performance and the spoken word, Yucatec Maya storytellers have maintained the vitality of their literary traditions for more than five hundred years. Telling and Being Told presents the figure of the storyteller as a symbol of indigenous cultural control in contemporary Yucatec Maya literatures. Analyzing the storyteller as the embodiment of indigenous knowledge in written and oral texts, this book highlights how Yucatec Maya literatures play a vital role in imaginings of Maya culture and its relationships with Mexican and global cultures. Through performance, storytellers place the past in dynamic relationship with the present, each continually evolving as it is reevaluated and reinterpreted. Yet non-indigenous actors often manipulate the storyteller in their firsthand accounts of the indigenous world. Moreover, by limiting the field of literary study to written texts, Worley argues, critics frequently ignore an important component of Latin America’s history of conquest and colonization: The fact that Europeans consciously set out to destroy indigenous writing systems, making orality a key means of indigenous resistance and cultural continuity. Given these historical factors, outsiders must approach Yucatec Maya and other indigenous literatures on their own terms rather than applying Western models. Although oral literature has been excluded from many literary studies, Worley persuasively demonstrates that it must be included in contemporary analyses of indigenous literatures as oral texts form a key component of contemporary indigenous literatures, and storytellers and storytelling remain vibrant cultural forces in both Yucatec communities and contemporary Yucatec writing.

Today everyone—whether they know it or not—is in the emotional transportation business. More and more, success is won by creating compelling stories that have the power to move partners, shareholders, customers, and employees to action. Simply put, if you can’t tell it, you can’t sell it. And this book tells you how to do both. Historically, stories have always been igniters of action, moving people to do things. But only recently has it become clear that purposeful stories—those created with a specific mission in mind—are absolutely essential in persuading others to support a vision, dream or cause. Peter Guber, whose executive and entrepreneurial accomplishments have made him a success in multiple industries, has long relied on purposeful story telling to motivate, win over, shape, engage and sell. Indeed, what began as knack for telling stories as an entertainment industry executive has, through years of perspiration and inspiration, evolved into a set of principles that anyone can use to achieve their goals. In Tell to Win, Guber shows how to move beyond soulless Power Point slides, facts, and figures to create purposeful stories that can serve as powerful calls to action. Among his techniques: * Capture your audience’s attention first, fast and foremost * Motivate your listeners by demonstrating authenticity * Build your tell around “what’s in it for them” * Change passive listeners into active participants * Use “state-of-the-heart” technology online and offline to make sure audience commitment remains strong To validate the power of telling purposeful stories, Guber includes in this book a remarkably diverse number of “voices” —master tellers with whom he’s shared experiences. They include YouTube founder Chad Hurley, NBA champion Pat Riley, clothing designer Normal Kamali, “Mission to Mars” scientist Gentry Lee, Under Armour CEO Kevin Plank, former South African president Nelson Mandela, magician David Copperfield, film director Steven Spielberg, novelist Nora Roberts, rock legend Gene Simmons, and physician and author Deepak Chopra. After listening to this extraordinary mix of voices, you’ll know how to craft, deliver—and own—a story that is truly compelling, one capable of turning others into viral advocates for your goal.

In the tradition of Ta-Nehisi Coates's Between the World and Me and Chimamanda Ngozi Adichie's Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions, acclaimed novelist David Chariandy's latest is an intimate and profoundly beautiful meditation on the politics of race today. When a moment of quietly ignored bigotry prompted his three-year-old daughter to ask "what happened?" David Chariandy began wondering how to discuss with his children the politics of race. A decade later, in a newly heated era of both struggle and divisions, he writes a letter to his now thirteen-year-old daughter. David is the son of Black and South Asian migrants from Trinidad, and he draws upon his personal and ancestral past, including the legacies of slavery, indenture, and immigration, as well as the experiences of growing up a visible minority within the land of one's birth. In sharing with his daughter his own story, he hopes to help cultivate within her a sense of identity and responsibility that balances the painful truths of the past and present with hopeful possibilities for the future.

Conversations among friends accomplish more than debates between opponents. Conversations on controversial issues do not to go well when the dialogue happens community-to-community or figurehead-to-figurehead. Whether it's race, religion, or politics, groups don't talk well with groups. Too much is at stake when we feel like our words and actions speak for the collective whole. Platforms and podiums will never accomplish what can only be done around dinner tables and in living rooms. Two individuals from those respective groups are much more likely to forge a good relationship, influencing one another in various ways. Unfortunately, an individual who listens well is often viewed by his or her collective compatriots as engaging in compromise; at the group level, representing each side fairly feels too much like agreement. That is why the aim of this book is friendship. Friendship is the level at which influence can be had, because the dialogue does not seek to represent an agenda but to understand a person. Friendship is what protects good points from becoming gotcha moments. The subject for which this approach may be most vital for the modern church may be homosexuality and same-sex attraction (SSA). Yet our approach has tended to be more polemical or political than pastoral and personal. Churches have articulated their position on a conservative sexual ethic. Churches have re-examined the key biblical texts that are challenged in defense of a progressive sexual ethic. As important as these things are, however, they do not equip everyday Christians to develop meaningful friendships with people who experience same-sex attraction or have embraced a gay identity. In the absence of relationship, our theology becomes theory. Many Christians are seeing that the church's unwillingness to befriend people who experience SSA has blocked us from engaging with the subject of homosexuality on a person-to-person level. We are reluctant to engage relationships where it feels probable that there will be awkwardness. Admittedly, this book is not as "neat" as you might like for it to be. Many tensions will be navigated; maybe not all contradictions will be avoided. However, when it comes to being salt and light for the sake of the gospel, it seems far better to choose possible messiness over guaranteed ineffectiveness. That means we must realize that it is good for us to have conversations where we don't know what to say. This is part of the essence of being a growing person. When we're not having conversations that challenge us to think about new things, we will commit sins either of pride or apathy. We should always be praying that God will bring people into our lives who will provide the opportunity for us to ask new and important questions. The desire of this book is to be a resource God uses to grow his people into excellent ambassador-friends to their classmates, colleagues, and family members who experience SSA. If this is what you want to do and be, then God will be faithful to complete this work in you regardless of the strengths and weaknesses, insights and oversights of this book (Philippians 1:6). Thank you for taking this journey with me.

America's favorite writing coach and bestselling author returns with an "indispensable" guide (Diana K. Sugg, Pulitzer Prize-winning reporter) to writing clearly and honestly in a world full of lies, propaganda, and misinformation. The darker and more dystopian the future appears, the more influential public writers become. But with so much content vying for our attention, and so much misinformation and propaganda polluting public discourse, how can writers break through the noise to inform an increasingly busy, stressed, and overwhelmed audience? In Tell It Like It Is, bestselling author, writing coach, and teacher Roy Peter Clark offers a succinct and practical guide to writing with clarity, honesty, and conviction. By analyzing stellar writing samples from a diverse collection of public writers, Clark highlights and explains the tools journalists, scientists, economists, fact-checkers, even storytellers use to engage, inform, and hook readers, and how best to deploy them in a variety of contexts. In doing so, he provides answers to some of the most pressing questions facing writers today: How do I make hard facts—about pandemics, wars, natural disasters, social justice—easy reading? How do I get readers to pay attention to what they need to know? How do I help contribute to a culture of writing that combats misinformation and propaganda? How do I instill hope into the hearts and minds of readers? With Clark's trademark wit, insight, and compassion, Tell It Like It Is offers a uniquely practical and engaging guide to public writing in unprecedented times—and an urgently needed remedy for a dangerously confused world.

In the wake of the WWI, the boys are finally coming home in this “gravely beautiful” sequel to the award-winning international bestseller, Deafening (The New York Times). In the small, insular community of Deseronto, Ontario, two women welcome their husbands home from the Great War. But their joy is mixed with trepidation as they struggle to rebuild their lives. Tress’s husband Kenan is young, shell-shocked, and disfigured. He confines himself indoors, venturing outside only at night to visit the frozen bay where he skated as a boy. Her aunt Maggie, an aspiring singer, has problems of her own. Falling out of love with one man, and drawn intimately close to another, she and her husband Am are navigating an inevitable, ever-widening gulf in their marriage. As the second decade of the twentieth century draws to a close, the tenuous futures of two couples become increasingly entwined. When startling revelations surface, the secrets of the past are unburdened—secrets that can either heal lives, or tear them apart forever in this “enthralling reminder of the toll the war—and all wars—take, not only on the soldiers but on the families who keep faith on the home front” (The Toronto Star).

Jane had a pretty good life. She was a single mother, and she worked hard for her three kids. Then she met someone she believed to be the man of her dreams, handsome, gentle, quiet, and kind. Eleven months later, they were married. Soon, her daughter, Michelle began to change; she became distant and withdrawn. Something was wrong, but Jane couldn't figure out what it was. She never thought to look at her husband as being the cause her daughter's moodiness or imagine that it might be somehow related to sexual abuse. Her husband-a young, handsome man with a nine-to-five job, an ex-wife and kids of his own-was nothing like her image of a pedophile.

First published in 1988. Child therapists have long been fascinated by children's human figure drawings and what they reveal about self-image, feelings, and' family relation­ ships. Now this comprehensively researched volume provides a valuable introduction to using children's human figure drawings as projective measures in a variety of settings. The principles for interpreting drawings, as well as general and specific indicators, are illustrated in 85 children's drawings. Part I on The Theory deals with the background of projective psychology, discussing art as a projective technique and emphasizing that all behavior, including drawings, reflects personality, attitudes and values. The authors examine the major methods of obtaining diagnostic information and recommend the use of several methods for best results. Part II on The Application examines in detail the projective use of children's human figure drawings to evaluate personality, relationships (particularly in families), group values, and attitudes. In each area, research is presented, directions for administration of various tests are given, and guidelines for interpretation are offered. Significant factors are revealed in numerous children's drawings, accompanied by clinical comments. Of special interest is the presentation of original research on group values among Canadian Indian (Saskatchewan Cree) children and on attitudes of young children toward teachers, doctors and other authority figures as revealed in human figure drawings. For psychologists, social workers, teachers and other child-care professionals, as well as students in these fields, this is an indispensable basic guide to interpreting human figure drawings.