Terranova

A haunting story of love, art, and betrayal, set against the heart-pounding backdrop of Antarctic exploration—from the Boston Globe-bestselling author of The Clover House. “Ingenious”—New York Times Book Review The year is 1910, and two Antarctic explorers, Watts and Heywoud, are racing to the South Pole. Back in London, Viola, a photo-journalist, harbors love for them both. In Terra Nova, Henriette Lazaridis seamlessly ushers the reader back and forth between the austere, forbidding, yet intoxicating polar landscape of Antarctica to the bustle of early twentieth century London. Though anxious for both men, Viola has little time to pine. She is photographing hunger strikers in the suffrage movement, capturing the female nude in challenging and politically powerful ways. As she comes into her own as an artist, she's eager for recognition and to fulfill her ambitions. And then the men return, eager to share news of their triumph. But in her darkroom, Viola discovers a lie. Watts and Heywoud have doctored their photos of the Pole to fake their success. Viola must now decide whether to betray her husband and her lover, or keep their secret and use their fame to help her pursue her artistic ambitions. Rich and moving, Terra Nova is a novel that challenges us to consider how love and lies, adventure and art, can intersect.

The city of Terra Nova was founded on a lie: that the spirits who cross over from the spirit world are evil and must be captured for the safety of humanity. But Molly Stout and her family have learned that the spirits are thinking, feeling beings, enslaved to enrich the wealthy, especially the spirit-harvesting company Haviland Industries and its founder, Charles Arkwright. With the help of her family and the aetheric spirits Ariel and Legerdemain, Molly has been fighting to free the spirits. But Terra Nova runs on spiritual machinery, and for each factory they shut down, another takes its place. As Haviland Industries and the authorities of Terra Nova tighten their nets around Molly, she begins to question whether she is really making any difference or if her rebellion puts people and spirits at risk. Terra Nova is the sequel to Dominion.

Whether you're a professional investor or just want to trade like one, Buy High, Sell Higher will show you how to pick winners, maximize gains and minimize losses...In this book, you'll learn how a stock's price is just the beginning of the story, and that other indicators like moving averages and volume can help you to spot stocks that have momentum. You'll also learn how to determine the optimal moment to buy a stock, when to sell it, how to protect yourself against sudden reversals in the market, and how to capitalize on moments when other investors are retreating. What's the best month to buy tech stocks? To sell an energy asset? And what is the one-day of the year that you should never, ever trade on? Answers to these and other questions are just some of the insights that Joe Terranova shares in Buy High, Sell Higher. Terranova is a series regular on CNBC's Fast Money and the Chief Market Strategist for Virtus Investment Partners, a firm with over $25 billion in assets under management. Prior to joining Virtus, he spent 18 years at MBF Clearing Corp., where he was the director of trading and managed more than 300 traders. And as viewers of CNBC's Fast Money know, Joe is a master at demystifying the forces that drive today's markets. So why not let him show you how to use telltale signs to spot investments that are poised for lift-off.

Evangeline is living the life of a normal teenager—going to school and hanging out with friends—until mysterious, severe symptoms begin appearing. After passing out in the middle of a party, life as she knows it spirals beyond her grasp. She is then diagnosed with a rare, genetic blood disorder that causes her body’s white blood cells to kill the red ones. In the delirium of her deteriorating health, a door to a parallel world opens before her; however, once she steps through it, the portal closes, and she is unable to return to Earth. The place Evangeline now finds herself in is called Terra Nova, a world wherein vampires rule supreme, with no traces of humanity left to speak of. Curious but afraid, she quickly learns that Terra Nova is not the shadow-side of Earth, but rather the tragic result of government experimentation. In order to survive, she must keep her mind open and accept the changes her body is undergoing; soon enough, those who she initially thinks are murderers become her trainers, whose help she must enlist if she ever hopes to return home—and soon enough, a romantic bond begins to bloom. Meanwhile, Evangeline’s brother and friends back on Earth try to figure out what happened to her, and how the government is involved, and how to bring her home. Unbeknownst to any of them is the mysterious outcast Bambi, whose secrecy disguises her power in making a devastating choice: save one world at the risk of destroying the other.

A far-reaching story of an outcast and his bookstore: a home to forbidden books, political dissidents, and cultural smugglers all brought to vivid poetic life “Rivas is a master… His pages bloom like flowers, swerving in unpredictable arcs toward a light-source that is constantly moving.” —Bookforum The Last Days of Terranova tells of Vicenzo Fontana, the elderly owner of the long-standing Terranova Bookstore, on the day it's set to close due to the greed of real-estate speculators. On this final day, Vincenzo spends the night in his beloved store filled with more than seventy years of fugitive histories. Jumping from the present to various points in the past, the novel ferries us back to Vicenzo's childhood, when his father opened the store in 1935, to the years that the store was run by his Uncle Eliseo, and to the years in the lead-up to the democratic transition, which Vicenzo spent as far away from the bookstore as possible, in Madrid. Like the bookstore itself, The Last Days of Terranova is a space crammed with stories, histories, and literary references, and as many nooks, crannies, and complexities, brought to life in Rivas’s vital prose.

Perfect for fans of Tatiana de Rosnay’s Sarah’s Key, this stunning debut novel brings to life World War II-era and modern-day Greece—and tells the story of a vibrant family and the tragic secret kept hidden for generations. Boston, 2000: Calliope Notaris Brown receives a shocking phone call. Her beloved uncle Nestor has passed away, and now Callie must fly to Patras, Greece, to claim her inheritance. Callie’s mother, Clio—with whom Callie has always had a difficult relationship—tries to convince her not to make the trip. Unsettled by her mother’s strange behavior, and uneasy about her own recent engagement, Callie decides to escape Boston for the city of her childhood summers. After arriving at the heady peak of Carnival, Callie begins to piece together what her mother has been trying to hide. Among Nestor’s belongings, she uncovers clues to a long-kept secret that will alter everything she knows about her mother’s past and about her own future. Greece, 1940: Growing up in Patras in a prosperous family, Clio Notaris and her siblings feel immune to the oncoming effects of World War II, yet the Italian occupation throws their privileged lives into turmoil. Summers in the country once spent idling in the clover fields are marked by air-raid drills; the celebration of Carnival, with its elaborate masquerade parties, is observed at home with costumes made from soldiers’ leftover silk parachutes. And as the war escalates, the events of one fateful evening will upend Clio’s future forever. A moving novel of the search for identity, the challenges of love, and the shared history that defines a family, The Clover House is a powerful debut from a distinctive and talented new writer. Praise for The Clover House “The Clover House is a gripping, tender story that spans continents and generations as it delves into the secrets of a Greek American family altered by a long-ago tragedy in World War II. Told with quiet power and authenticity, it’s a reader’s treat.”—Kate Alcott, New York Times bestselling author of The Dressmaker “[A] stunning debut novel.”—USA Today “[An] insightful examination of memory and the stories that hold us together—or perhaps tear us apart.”—The Boston Globe “A rare treat: an elegantly written debut about a family mystery set during wartime, the slipperiness of memory, and the challenges of forgiveness. Plus, we get to go to Greece! What more could you want from a novel? Read it, read it!”—Jenna Blum, New York Times bestselling author of Those Who Save Us “A powerful story of family, betrayal, and forgiveness . . . In her first novel, Power melds the stories of mother and daughter into an absorbing tale that deserves to rank high on the list of women’s fiction.”—Booklist “Layered and complex, The Clover House is a provocative examination of family secrets and the things we inherit, a powerful search for self that feels both unique and universal. Henriette Lazaridis Power immerses the reader in a world of tradition and resilience, creating characters who linger long beyond their final pages. This is one of the best books I’ve read in a long time.”—Brunonia Barry, New York Times and internationally bestselling author of The Lace Reader and The Map of True Places Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

This award-winning novel about a woman facing her past introduces Terranova to English-speaking audiences. Translated by Ann Goldstein, translator of Elena Ferrante's Neapolitan quartet. Finalist, Premio Strega, 2019 | Winner, Premio Alassio Centolibri | Selected among the 10 Best Italian Books of 2018 by Corriere della Sera Ida is a married woman in her late thirties, who lives in Rome and works at a radio station. Her mother wants to renovate the family apartment in Messina, to put it up for sale and asks her daughter to sort through her things--to decide what to keep and what to throw away. Surrounded by the objects of her past, Ida is forced to deal with the trauma she experienced as a girl, twenty-three years earlier, when her father left one morning, never to return. The fierce silences between mother and daughter, the unbalanced friendships that leave her emotionally drained, the sense of an identity based on anomaly, even the relationship with her husband, everything revolves around the figure of her absent father. Mirroring herself in that absence, Ida has grown up into a woman dominated by fear, suspicious of any form of desire. However, as her childhood home besieges her with its ghosts, Ida will have to find a way to break the spiral and let go of her father finally. Beautifully translated by Ann Goldstein, who also translated Elena Ferrante's Neapolitan quartet, Farewell, Ghosts is a poetic and intimate novel about what it means to build one's own identity.

On the internet's transformation from communication tool to computational infrastructure. The internet is no more. If it still exists, it does so only as a residual technology, still effective in the present but less intelligible as such. After nearly two decades and a couple of financial crises, it has become the almost imperceptible background of today’s Corporate Platform Complex (CPC)—a pervasive planetary technological infrastructure that meshes communication with computation. In the essays collected in this book, written mostly between the mid-2000s and the late 2010s, Tiziana Terranova bears witness to this monstrous transformation. Mobilizing theories of cognitive capitalism, neo-monadology, and sympathetic cooperation, considering ideas such as the attention economy and its psychopathologies, and evoking the relation between algorithmic automation and the Common, she provides real-time takes on the mutations that have changed the technological, cultural, and economic ethos of the Internet. Mostly conceived, elaborated, and discussed in collective activist spaces, After the Internet is neither apocalyptic lamentation nor melancholic “rise and fall” story of betrayed great expectations. On the contrary, it looks within the folds of the recent past to unfold the potential futurities that the post-digital computational present still entails.