Terrors Of The Flesh

The horror and psychological denial of our mortality, along with the corruptibility of our flesh, are persistent themes in drama. Body horror films have intensified these themes in increasingly graphic terms. The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche, all of whom demonstrated that we have just cause to be anxious about our physical reality and its existence in the world. This book examines the relationship between these writers and the various manifestations of body horror in film. The most characteristic examples of this genre are those directed by David Cronenberg, but body horror as a whole includes many variations on the theme by other figures, whose work is charted here through eight categories: copulation, generation, digestion, mutilation, infection, mutation, disintegration and extinction.

This volume by a respected theologian offers fresh consideration of the work of famous fourth-century church father Athanasius, giving specific attention to his use of Scripture, his deployment of metaphysical categories, and the intersection between the two. Peter Leithart not only introduces Athanasius and his biblical theology but also puts Athanasius into dialogue with contemporary theologians. This volume launches the series Foundations of Theological Exegesis and Christian Spirituality. Edited by Hans Boersma and Matthew Levering, the series critically recovers patristic exegesis and interpretation for contemporary theology and spirituality. Each volume covers a specific church father and illuminates the exegesis that undergirds the Nicene tradition. The series contributes to the growing area of theological interpretation and will appeal to both evangelical and Catholic readers.

Thomas's unfinished novel of a Welsh boy's adventures in London is accompanied by twenty short stories.

Terrifying and forbidding, subversive and insightful, Clive Barker's groundbreaking stories revolutionized the worlds of horrific and fantastical fiction and established Barker's dominance over the otherworldly and the all-too-real. Here, as two businessmen encounter beautiful and seductive women and an earnest young woman researches a city slum, Barker maps the boundless vistas of the unfettered imagination -- only to uncover a profound sense of terror and overwhelming dread.

This collection focuses on British poetry from the Georgians to the Second World War. The introduction provides the framework for the articles which follow by considering the question of the relation between poetry and society as it appears in the work of F.R. Leavis, T.W. Adorno and Antony Easthope. Written by experts, the essays cover poetic movements and individual authors, both mainstream and neglected, and address the difficult problem of making value judgements while situating poetry in its historical context.

Terror befalls a rural Chinese village when an ancient evil awakens from its slumber. Within days, the villagers start transforming into horribly deformed blobs of skin with an unslakable hunger for human flesh. The town is soon overrun by an ever-growing mass of skin that devours livestock, houses, and people. The Chinese government calls in Professor Davis Nickels to investigate the otherworldly horror. A centenarian, occultist, and professor of archaeology, Davis is no stranger to the paranormal, having spent a lifetime battling monsters from beyond human understanding. But age is catching up to the old professor, and this new threat is bigger than anything he's ever faced. With the help of two graduate students and the Chinese military, he sets off to thwart the ancient menace before it can engulf the world.

Our Bodies Are Selves is a look at what it means to be human in a world where medical technology and emerging ethical insight force us to rethink the boundaries of humanity/spirit and man/machine. This book gives us a fresh look at how our expandingbiological views of ourselves and our shared evolutionary history shows us a picture that may not always illumine who and where we are as Christians. Offering up Christian theological views of embodiment, the authors give everyday examples of lives of love, faith, and bodily realities that offer the potential to create new definitions of what it means to be a faith community in an increasingly technological age of medicine.

This gathering of all Dylan Thomas's stories, ranging chronologically from the dark, almost surrealistic tales of Thomas's youth to such gloriously rumbustious celebrations of life as A Child's Christmas in Wales and Adventures in the Skin Trade, charts the progress of "The Rimbaud of Cwmdonkin Drive" toward his mastery of the comic idiom.