The 1001 Outfit

Apaches, outlaws, thieves and killers bedevil Al Stuart after he finds a fabulous gold mine while riding to establish a new ranch in Arizona Territory's lonely Mogollon Rim forests.

In this book, Doris Behrens-Abouseif responds to the Mamluk chroniclers whose loquacity regarding clothing matters demands our attention. Using a multiplicity of sources including chronicles, European and Muslim travel narratives, popular storytelling, legal treatises, literature, and poetry, Behrens-Abouseif delves into the details of Mamluk dress. Whether as a vehicle for the sultanate’s self-representation both internationally and domestically or as an expression of religious and social identities, status and wealth, female assertion, urban culture, and artistic creativity, clothing personified the broad Mamluk social spectrum. Replete with colorful anecdotes and copious illustrations, Dress and Dress Code in Medieval Cairo offers a lively and comprehensive study of this fascinating topic.

This two-volume set LNCS 13185 and 13186 constitutes the refereed proceedings of the 44th European Conference on IR Research, ECIR 2022, held in April 2022, due to the COVID-19 pandemic. The 35 full papers presented together with 11 reproducibility papers, 13 CLEF lab descriptions papers, 12 doctoral consortium papers, 5 workshop abstracts, and 4 tutorials abstracts were carefully reviewed and selected from 395 submissions.

"These regulations constitute the sixth post-World War II revision and embody the basic provisions of the Act of 13 August 1946, as amended and reenacted (10 U.S.C. 6901 et seq.), generally known as the Regular NROTC Program or the Holloway Plan; and the Act of 4 March 1925, as amended and reenacted (10 U.S.C. 6901), generally known as the Contract NROTC Program."--Page iii

This lavishly illustrated book offers a comprehensive analysis of clothing in Late Period Egypt (750 to 332 BC) by examining works of art and archaeological remains. It includes a detailed classification of clothing for the purpose of dating art.

Drawing upon a remarkable variety of documentary evidence, this study argues that much of Britain's consumer culture and modern business practices was influenced by the ready-to-wear market in boys' clothes. Through a detailed visual and statistical analysis of these sources, linking the design and retailing of boys' clothing with social, cultural and economic issues, it shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.