The 1960s Cultural Revolution

A gripping and engagingly written guide to the New Left, antiwar movement, and counterculture that personify the 1960s cultural revolution.

Acclaimed by the Daily Mail as 'definitive and harrowing' , this is the final volume of 'The People's Trilogy', begun by the Samuel Johnson prize-winning Mao's Great Famine. After the economic disaster of the Great Leap Forward that claimed tens of millions of lives between 1958 and 1962, an ageing Mao launched an ambitious scheme to shore up his reputation and eliminate those he viewed as a threat to his legacy. The stated goal of the Cultural Revolution was to purge the country of bourgeois, capitalist elements he claimed were threatening genuine communist ideology. But the Chairman also used the Cultural Revolution to turn on his colleagues, some of them longstanding comrades-in-arms, subjecting them to public humiliation, imprisonment and torture. Young students formed Red Guards, vowing to defend the Chairman to the death, but soon rival factions started fighting each other in the streets with semi-automatic weapons in the name of revolutionary purity. As the country descended into chaos, the military intervened, turning China into a garrison state marked by bloody purges that crushed as many as one in fifty people. When the army itself fell victim to the Cultural Revolution, ordinary people used the political chaos to resurrect the marked and hollow out the party's ideology. In short, they buried Maoism. In-depth interviews and archival research at last give voice to the people and the complex choices they faced, undermining the picture of conformity that is often understood to have characterised the last years of Mao's regime. By demonstrating that decollectivisation from below was an unintended consequence of a decade of violent purges and entrenched fear, Frank Dikotter casts China's most tumultuous era in a wholly new light. Written with unprecedented access to previously classified party documents from secret police reports to unexpurgated versions of leadership speeches, this third chapter in Frank Dikotter's extraordinarily lucid and ground-breaking 'People's Trilogy' is a devastating reassessment of the history of the People's Republic of China.

This book uses evidence-based primary source analysis to provide students with the historical perspective necessary to think critically about the romantic memories, stubborn stereotypes, misperceptions, deliberate falsehoods, distorted myths, and old grudges that distort our popular perceptions of the 1960s. Twenty-first century Americans routinely use the 1960s as a metaphor, a sort of convenient shorthand, for the cultural wars—that continuous clash over differing values, beliefs, attitudes, and lifestyles—still bitterly polarizing the nation. Therefore, understanding the 1960s cultural revolution is critical to understanding ourselves. What this book contributes to that conversation is needed historical perspective with evidence-based primary source analysis. Ten chapters shed light on ordinarily overlooked aspects of the period, challenge stubborn misconceptions, and explore the enduring legacy of the 1960s. Primary source material—both written and visual—is drawn from archival holdings, newspapers, published proceedings, oral histories, and memoirs in order to present a balanced, accessible examination of mistaken beliefs and the historical truths.

Vietnam: There -- The Rise of the New Left and the End of Consensus -- Vietnam: Here -- "Oh, Wow!": The Counterculture -- 1968! -- Past to Present.

Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who’s who of French thinkers, writers, and artists, spurred by China’s Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin’s riveting narrative reveals that Maoism’s allure among France’s best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.

If the World Wars defined the first half of the twentieth century, the sixties defined the second half, acting as the pivot on which modern times have turned. From popular music to individual liberties, the tastes and convictions of the Western world are indelibly stamped with the impact of this tumultuous decade. Framing the sixties as a period stretching from 1958 to 1974, Arthur Marwick argues that this long decade ushered in nothing less than a cultural revolution – one that raged most clearly in the United States, Britain, France, and Italy. Marwick recaptures the events and movements that shaped life as we know it: the rise of a youth subculture across the West; the sit-ins and marches of the civil rights movement; Britain's surprising rise to leadership in fashion and music; the emerging storm over Vietnam; the Paris student uprising of 1968; the growing force of feminism, and much more. For some, it was a golden age of liberation and political progress; for others, an era in which depravity was celebrated, and the secure moral and social framework subverted. The sixties was no short-term era of ecstasy and excess. On the contrary, the decade set the cultural and social agenda for the rest of the century, and left deep divisions still felt today.

In The Long March, Roger Kimball shows how the ''cultural revolution'' of the 1960s and 70s took hold in America, lodging in our hearts and minds, and in our innermost assumptions about what counts as the good life. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality. Believing that this dramatic change ''cannot be understood apart from the seductive personalities who articulated its goals,'' he intersperses his argument with incisive portraits of the life and thought of Allen Ginsberg, Norman Mailer, Timothy Leary, Susan Sontag, Eldridge Cleaver and other ''cultural revolutionaries'' who made their mark.For all that has been written about the counterculture, until now there has not been a chronicle of how this revolutionary movement succeeded and how its ideas helped provoke todays ''culture wars.'' The Long March fills this gap with a compelling and well-informed narrative that is sure to provoke discussion and debate.

In The Long March, Roger Kimball, the author of Tenured Radicals, shows how the "cultural revolution" of the 1960s and '70s took hold in America, lodging in our hearts and minds, and affecting our innermost assumptions about what counts as the good life. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality. Believing that this dramatic change "cannot be understood apart from the seductive personalities who articulated its goals," he intersperses his argument with incisive portraits of the life and thought of Allen Ginsberg, Norman Mailer, Timothy Leary, Susan Sontag, Eldridge Cleaver and other "cultural revolutionaries" who made their mark. For all that has been written about the counterculture, until now there has not been a chronicle of how this revolutionary movement succeeded and how its ideas helped provoke today's "culture wars." The Long March fills this gap with a compelling and well-informed narrative that is sure to provoke discussion and debate.