The Accidental Possibilities Of The City

Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.

Chronicles the history of the city from its being contended over as swampland through Louisiana's statehood in 1812, discussing its motley identities as a French village, African market town, Spanish fortress, and trade center.

With photos by Steven Evans. Northrop Frye once called Toronto "a good place to mind your own business," and until the 1960s that was about the best that could be said for it. Toronto had no street life, no sidewalk cafes, no festivals, no downtown gathering place. It was a city of sober reticence. "Accident," writes Robert Fulford "plays a role in the building of any city. It has played a major role in the transformation of Toronto." That transformation began with the opening in 1965 of the New City Hall and Nathan Phillips Square. Since then, Toronto has changed from a private city, seemingly without a collective identity, to a public one - a transformation that came about through the series of (mostly) happy accidents chronicled in this vastly entertaining urban tour. Fulford, who grew up beside Lake Ontario and has lived in Toronto all his life, writes brilliantly about the city's architecture, its commercial development, its ravines, its monuments, its man-made underground, and its people - from Jane Jacobs, whose iconoclastic ideas on urban planning have had a profoundly positive effect on Toronto (where she ended up living mostly by accident), to Fred Gardiner, whose controversial expressway remains an eyesore decades after it was built. Even the most knowledgeable Torontonian will be informed and entertained by Fulford's graceful erudition. Visitors will find the book an invaluable introduction to a city viewed by foreigners as a model of livable urbanity - and by many Canadians as the very symbol of smug self-satisfaction. Whatever your view of Toronto, it will be challenged and deepened by this original, insightful, and thoroughly engaging book.

One of Smithsonian Magazine's Favorite Books of 2022 With wildlife thriving in cities, we have the opportunity to create vibrant urban ecosystems that serve both people and animals. The Accidental Ecosystem tells the story of how cities across the United States went from having little wildlife to filling, dramatically and unexpectedly, with wild creatures. Today, many of these cities have more large and charismatic wild animals living in them than at any time in at least the past 150 years. Why have so many cities--the most artificial and human-dominated of all Earth's ecosystems--grown rich with wildlife, even as wildlife has declined in most of the rest of the world? And what does this paradox mean for people, wildlife, and nature on our increasingly urban planet? The Accidental Ecosystem is the first book to explain this phenomenon from a deep historical perspective, and its focus includes a broad range of species and cities. Cities covered include New York City, Los Angeles, San Francisco, Pittsburgh, Austin, Miami, Chicago, Seattle, San Diego, Atlanta, Philadelphia, and Baltimore. Digging into the natural history of cities and unpacking our conception of what it means to be wild, this book provides fascinating context for why animals are thriving more in cities than outside of them. Author Peter S. Alagona argues that the proliferation of animals in cities is largely the unintended result of human decisions that were made for reasons having little to do with the wild creatures themselves. Considering what it means to live in diverse, multispecies communities and exploring how human and nonhuman members of communities might thrive together, Alagona goes beyond the tension between those who embrace the surge in urban wildlife and those who think of animals as invasive or as public safety hazards. The Accidental Ecosystem calls on readers to reimagine interspecies coexistence in shared habitats, as well as policies that are based on just, humane, and sustainable approaches.

With photos by Steven Evans. Northrop Frye once called Toronto "a good place to mind your own business," and until the 1960s that was about the best that could be said for it. Toronto had no street life, no sidewalk cafes, no festivals, no downtown gathering place. It was a city of sober reticence. "Accident," writes Robert Fulford "plays a role in the building of any city. It has played a major role in the transformation of Toronto." That transformation began with the opening in 1965 of the New City Hall and Nathan Phillips Square. Since then, Toronto has changed from a private city, seemingly without a collective identity, to a public one - a transformation that came about through the series of (mostly) happy accidents chronicled in this vastly entertaining urban tour. Fulford, who grew up beside Lake Ontario and has lived in Toronto all his life, writes brilliantly about the city's architecture, its commercial development, its ravines, its monuments, its man-made underground, and its people - from Jane Jacobs, whose iconoclastic ideas on urban planning have had a profoundly positive effect on Toronto (where she ended up living mostly by accident), to Fred Gardiner, whose controversial expressway remains an eyesore decades after it was built. Even the most knowledgeable Torontonian will be informed and entertained by Fulford's graceful erudition. Visitors will find the book an invaluable introduction to a city viewed by foreigners as a model of livable urbanity - and by many Canadians as the very symbol of smug self-satisfaction. Whatever your view of Toronto, it will be challenged and deepened by this original, insightful, and thoroughly engaging book.

Accidental Wilderness showcases how the removal of city rubble and its displacement can result in new urban parklands with significant ecological importance for the health of the city and its residents.

Kenya’s Kakuma refugee camp is one of the world’s largest, home to over 100,000 people drawn from across east and central Africa. Though notionally still a ‘temporary’ camp, it has become a permanent urban space in all but name with businesses, schools, a hospital and its own court system. Such places, Bram J. Jansen argues, should be recognised as ‘accidental cities’, a unique form of urbanization that has so far been overlooked by scholars. Based on extensive ethnographic fieldwork, Jansen’s book explores the dynamics of everyday life in such accidental cities. The result is a holistic socio-economic picture, moving beyond the conventional view of such spaces as transitory and desolate to demonstrate how their inhabitants can develop a permanent society and a distinctive identity. Crucially, the book offers important insights into one of the greatest challenges facing humanitarian and international development workers: how we might develop more effective strategies for managing refugee camps in the global South and beyond. An original take on African urbanism, Kakuma Refugee Camp will appeal to practitioners and academics across the social sciences interested in social and economic issues increasingly at the heart of contemporary development.

Neglect as the invisible shaper of cities and our lives within them. Reveals how neglect can help fight climate change, inequality, and public health crises. 24 illustrations. Bibliographical references. Index.