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Games for Actors and Non-Actors is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike! This thoroughly updated and substantially revised second edition includes: two new essays by Boal on major recent projects in Brazil Boal's description of his work with the Royal Shakespeare Company a revised introduction and translator's preface a collection of photographs taken during Boal's workshops, commissioned for this edition new reflections on Forum Theatre.

This analysis of 'globalised' standard-setting processes draws together insights from law, political sciences, sociology and social anthropology to assess the authority and accountability of non-state actors and the legitimacy and effectiveness of the processes. The essays offer new understandings of current governance problems, including environmental and financial standards, rules for military contractors and complex public-private partnerships, such as those intended to protect critical information infrastructure. The contributions also evaluate multi-stakeholder initiatives (such as the Extractive Industries Transparency Initiative), and discuss the constitution of public norms in stateless areas. A synopsis of the latest results of the World Governance Indicator, arguably one of the most important surveys in the area today, is included.

Rhonda Blair examines the physiological relationship between bodily action and emotional experience, in the first full-length study of actor training using the insights of cognitive neuroscience and their crucial importance to an actor’s engagement with a role.

How are we to understand the actor's work as a fully embodied process? 'Embodied cognition' is a branch of contemporary philosophy which attempts to frame human understanding as fully embodied interaction with the environment. Engaging with ideas of contemporary significance from neuroscience, psychology, linguistics, and philosophy, Why Do Actors Train? challenges the outmoded dualistic notions of body and mind that permeate common conceptions of how actors work. Theories of embodiment are drawn up to shed important light on the ways and reasons actors do what they do. Through detailed, step-by-step analyses of specific actor-training exercises, the author examines the tools that actors use to bring life and meaning to the stage. This book provides theatre practitioners and scholars alike with a new lens to re-examine the craft of acting, offering a framework to understand the art form as one that is fundamentally grounded in embodied experience.

Drawing upon her wide experience as actor and director, Janet Sonenberg shows what dreamwork can do. No other acting technique offers the performer's own dreams as a means to profoundly deepen imaginative and artistic expression. This is a wholly new tool with which actors can unleash startling performances.

In this book, experts from both sides of the Atlantic, examine the recent tensions between Western Europe and the United States over such issues as transatlantic security, policies towards terrorism and relations with Russia and the former Soviet Union, against the broader background of perceptions and misperceptions in transatlantic relations. Drawing on Professor Robert Jervis’ work, Perceptions and Misperceptions in International Politics, this book examines whether Jervis’ thesis has a new relevance given the current challenges in transatlantic relations. Some of the issues examined include: perceptions and misperceptions in general focusing on US foreign policy, issues of decision-making and implementation and issues of alliance management the capacity of the United States and the European Union to cooperate effectively within the broader transatlantic framework studies focusing on the ‘alliance security dilemma’ and the transatlantic security community case studies of transatlantic relations in the ‘war on terror’ and relations with Russia the present and future of the ‘western alliance’. Providing a global and multilateral analysis from American and European perspectives and exploring fields of cooperation and competition, Perceptions and Policy in Transatlantic Relations will be of strong interest to students of International Relations, American politics and European politics.

The forty years 1880 to 1920 marked the golden age of the American theatre as a national institution, a time when actors moved from being players outside the boundaries of respectable society to being significant figures in the social landscape. As the only book that provides an overview of the late nineteenth- and early twentieth-century theatre, Actors and American Culture is also the only study of the legitimate stage that overtly attempts to connect actors and their work to the wider aspects of American life.

This well-established and respected directory supports actors in their training and search for work on stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. With several new articles and commentaries, Actors' and Performers' Yearbook 2021 features aspects of the profession not previously covered, as well as continuing to provide valuable insight into auditions, interviews and securing work alongside a casting calendar and financial issues. This is a valuable professional tool in an industry where contacts and networking are key to career survival. All listings have been updated alongside fresh advice from industry experts.