The Age Of Astonishment

An acclaimed journalist and novelist makes history personal, painting a rich and vivid portrait of the time when America become modern by tracing the life of one man who lived through it. It all began with a black-and-white family snapshot of a distinguished elderly gentleman with a fine head of spun-sugar hair. He was wearing round, tortoise-shell glasses, a three-piece suit and an expression of delight mixed with terror, for on his right knee he was balancing a swaddled infant with a bewildered look. The baby is Bill morris, the man is his father’s father, John Morris. That photo, taken in November 1952, the month the United States detonated the first hydrogen bomb, a weapon a thousand times more powerful than the atom bombs that incinerated Hiroshima and Nagasaki. Three years later, John Morris died at the age of 92. Bill has no memories of the man, but even as a boy he found himself marveling at the changes John must have witnessed and experienced in his long lifetime. He was born into a slave-owning Virginia family during the Civil War, and he died at the peak of the Cold War. At the time of his birth, the dominant technologies were the steam engine and the telegraph. He grew up in a world lit by kerosene and candles, he traveled by foot and horseback and wagon and drank water hauled from a well. He would live through Reconstruction, women’s suffrage, Prohibition, the Great Depression, two world wars, the Korean War and the advent of nuclear weapons. Though he was from a slave-owning family, he changed his views as he grew into adulthood, and would unhappily witnessed the horrors of Jim Crow and work against it. Fluent in German, he would witness Hitler’s rise to power, just one of the unimaginable occurrences of his time that suddenly became all-too-real. Deep in the Bible Belt, John was agnostic, perhaps even atheist, and held remarkably progressive beliefs on race relations, child rearing, women’s rights and religious freedom. He married an Irish Catholic from upstate New York at a time when Catholics, Jews and Yankees were not warmly welcomed in the South. And in that traditionally bellicose region, he was a life-long pacifist. He was, in a word, a misfit, but one whose story embodies a pivotal generation in American history. An acclaimed journalist and novelist, Bill Morris makes history personal in The Age of Astonishment, painting a rich and vivid portrait of the time when America become modern by tracing the life of one man who lived through it.

Charts the history of a Spiritual Baptist community from the passing of the Prohibition Ordinance in 1917 until the lifting of the ban in 1951.

This examination of the "Psalms of Historical Recital" reviews this portion of scripture's social-political intention and function. Focusing on Psalms 78, 105, 106, and 136, Brueggemann considers these psalms on their own terms and then applies them to the areas of modernity and marginality.

In February 1972, Richard Nixon became the first American president to visit China. His historic one-hour meeting with Mao Zedong ended the breach between the United States and China, which had lasted since the Communist victory in 1949. Just as significantly, the visit changed the face of international relations from a bipolar Cold War to a three-sided struggle involving the Soviet Union, China, and the United States. Drawing on newly available material and interviews with all major survivors, MacMillan re-examines that fateful week. Authoritative and written with great narrative verve, Nixon in China is a landmark work of history. Penguin Group (Canada) has published this edition of Nixon in China in a traditional Penguin design in celebration of being named 2008 Publisher of the Year.

First Place Winner in Non-Fiction from the 2023 Next Generation Indie Book Awards Part literary history, part personal memoir, Alice Brittan's beautifully written The Art of Astonishment explores the rich intellectual, religious, and philosophical history of the gift and tells the interconnected story of grace: where it comes from and what it is believed to accomplish. Covering a remarkable range of materials-from The Epic of Gilgamesh, The Iliad, and the tragedies of Classical Greece, through the brothers Grimm and Montaigne, to C. S. Lewis, Toni Morrison, J. M. Coetzee, Elena Ferrante, Karl Ove Knausgaard, and Jhumpa Lahiri-Brittan moves with ease from personal story to myth, to theology, to literature and analysis, examining the nature of social and communal obligation, the role of the intellectual in times of crisis, and the pleasures of reading. In the 21st century, we might imagine grace as a striking and refined quality that is pleasurable to encounter but certainly not fundamental to anyone's existence or to the beliefs and practices that hold us together or drive us apart. For millennia, though, it has been recognized as essential to the vitality of inner life, as well as to the large-scale shifts in perspective and legislation that improve the way we live as a society. Grace is also astonishing-always-as the enormously insightful readings in The Art of Astonishment show. Brittan reveals the concept's breadth as sacred and secular, ancient and recent, lived and literary. And in so doing, she shows us how the act of reading is like grace-social but personal, pleasurable and essential.

It is 1946, and after years of war, ex-Special Operations Executive agent Duncan Forrester is back at his Oxford college as a junior Ancient History Fellow. But his peace is shattered when a hated colleague is found dead, and his closest friend is arrested for the murder.Convinced that the police have the wrong man, and hearing rumours that the victim was in possession of a mysterious Viking saga, Forrester follows the trail of the manuscript from the ruins of Berlin to the forests of Norway, hoping that it is the key to the man's death. But he is not alone in his search, and he soon discovers that old adversaries are still at war...

Willie Bledsoe, only in his twenties, is totally burned out. After leaving behind a snug berth at Tuskegee Institute to join the Student Nonviolent Coordinating Committee in Detroit to try to change the world, Willie quickly grows disenchanted and returns home to Alabama to try to come to grips about his time in the cultural whirlwind. But the surprise return of his Vietnam veteran brother in the spring of 1967 gives him a chance to drive a load of stolen guns back up to the Motor City, which would give him enough money to jump-start his dream of moving to New York. There, on the opening day of the 1968 baseball season—postponed two days in deference to the funeral of Martin Luther King, Jr.—Willie learns some terrifying news: the Detroit police are still investigating the last unsolved murder from the bloody, apocalyptic race riot of the previous summer, and a Detroit cop named Frank Doyle will not rest until the case is solved. And Willie is his prime suspect. Bill Morris' rich and thrilling new novel sets Doyle's hunt against the tumultuous history of one of America's most fascinating cities, as Doyle and Willie struggle with disillusionment, revenge, and forgiveness—and the realization that justice is rarely attainable, and rarely just.

In the last quarter of the twentieth century, the ideas that most Americans lived by started to fragment. Mid-century concepts of national consensus, managed markets, gender and racial identities, citizen obligation, and historical memory became more fluid. Flexible markets pushed aside Keynesian macroeconomic structures. Racial and gender solidarity divided into multiple identities; community responsibility shrank to smaller circles. In this wide-ranging narrative, Daniel Rodgers shows how the collective purposes and meanings that had framed social debate became unhinged and uncertain. Age of Fracture offers a powerful reinterpretation of the ways in which the decades surrounding the 1980s changed America. Through a contagion of visions and metaphors, on both the intellectual right and the intellectual left, earlier notions of history and society that stressed solidity, collective institutions, and social circumstances gave way to a more individualized human nature that emphasized choice, agency, performance, and desire. On a broad canvas that includes Michel Foucault, Ronald Reagan, Judith Butler, Charles Murray, Jeffrey Sachs, and many more, Rodgers explains how structures of power came to seem less important than market choice and fluid selves. Cutting across the social and political arenas of late-twentieth-century life and thought, from economic theory and the culture wars to disputes over poverty, color-blindness, and sisterhood, Rodgers reveals how our categories of social reality have been fractured and destabilized. As we survey the intellectual wreckage of this war of ideas, we better understand the emergence of our present age of uncertainty.