The Age Of The Gods A Study In The Origins Of Culture In Prehistoric Europe And The Ancient East With A Bibliography

When first published in 1928, The Age of the Gods was hailed as the best short account of what is known of pre-historic man and culture. In it, Christopher Dawson synthesized modern scholarship on human cultures in Europe and the East from the Stone Age to the beginnings of the Iron Age.

More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

The study of Christianity in the non-Western world reveals a demographic shift in the center of Christianity from the Northern Hemisphere to the South. But the contradictory aspect of the massive African conversion to Christian faith is the grinding poverty level in Africa. This condition raises important theological and ecclesiological questions that demand urgent answers. Therefore, the research objectives of this book are to examine African Catholicism's involvement in human promotion and to seek a new way of theologizing Christianity that moves sub-Saharan African peoples to action against the massive injustices that keep them poor. Drawing on Africae Munus, the Post-Synodal Apostolic Exhortation of the Second African Synod (2011), and Bernard Lonergan's notion of culture, African Catholicism and Hermeneutics of Culture argues that to truly be "the spiritual 'lung' of humanity," African Catholicism must appropriate the Christian message to transform African attitudes and personhood and so foster a self-reliant commitment to integral African development.

Drawing on the thought of Bernard Lonergan, The Death and Life of Speculative Theology narrates the rise and fall of speculative theology, retrieves and transposes its central achievements, and shows how it might be renewed as a modern science for a modern culture.

Throughout history, people have been intrigued with spirits, angels, or devas as sources of wisdom and guidance. They are not only interesting as those who possess an insight into events and circumstances, but also as proof of life after death. In this clear and useful reference guide, Bjorling presents a listing of the literature on the various ways in which people of different cultures have consulted spirits—through shamans and oracles, magic, mediums, Voodoo, and psychics. Each chapter contains a general introduction to the respective topic as well as a listing of pertinent books, articles, and dissertations. His survey also includes early spirit contacts in Africa, Latin America, and Asia.

David Jones – author of In Parenthesis, the great poem of World War I – is increasingly recognized as a major voice in the first generation of British modernist writers. Acclaimed by the likes of T.S. Eliot, W.B. Yeats, and W.H. Auden, his writing was deeply informed by his Catholic faith and Welsh blood. This book makes available for the first time a number of previously unpublished statements by Jones that open new perspectives on his own work and the religious, political, and cultural engagements of British modernism more broadly. Annotated throughout, with detailed commentaries exploring the historical context of each document, the volume presents the restored text of Jones's essay on Hitler and includes a letter to Neville Chamberlain, an unfinished essay on Gerard Manley Hopkins, and the transcript of an interview with Jones a year before his death. These reveal an unknown side of Jones and give fresh insight into the influences and assumptions of 20th-century British literary culture.