The Ages Of The Black Panther

Black Panther was the first black superhero in mainstream comic books, and his most iconic adventures are analyzed here. This collection of new essays explores Black Panther's place in the Marvel universe, focusing on the comic books. With topics ranging from the impact apartheid and the Black Panther Party had on the comic to theories of gender and animist imagery, these essays analyze individual storylines and situate them within the socio-cultural framework of the time periods in which they were created, drawing connections that deepen understanding of both popular culture and the movements of society. Supporting characters such as Everett K. Ross and T'Challa's sister Shuri are also considered. From his creation in 1966 by Jack Kirby and Stan Lee up through the character's recent adventures by Ta-Nehisi Coates and Brian Stelfreeze, more than fifty years of the Black Panther's history are addressed.

Examining transnational ties between the USA and Australia, this book explores the rise of the Aboriginal Black Power Movement in the 1960s and early 1970s. Aboriginal adaptation of the American Black Power movement paved the way for future forms of radical Aboriginal resistance, including the eventual emergence of the Australian Black Panther Party. Through analysis of archival material, including untouched government records, previously unexamined newspapers and interviews conducted with both Australian and American activists, this book investigates the complex and varied process of developing the Black Power movement in a uniquely Australian context. Providing a social and political account of Australian activism across Victoria, New South Wales and Queensland, the author illustrates the fragmentation of Aboriginal Black Power, marked by its different leaders, protests and propaganda.

Shuri, the Princess of Wakanda (and sister to the Black Panther), sets out to save a group of kidnapped girls in this all-new, original middle-grade novel by New York Times bestselling author Nic Stone! With the heart-shaped herb thriving, a group of Wakanda's finest engineers working on expanding her dome technology, and the borders more fortified than ever, Princess Shuri can finally focus on what matters most: her training.Soon, a bigger problem rears its head. The princess hears whispers of exceptionally talented young girls across the world going missing. A young environmental scientist in Kenya, a French physics prodigy -- the list of the missing keeps growing and growing. And when this mystery hits home in a way the princess would've never expected, there's no more time for hesitation: There are lost girls out there somewhere, and Shuri is determined not to let them be forgotten

Named a Nonfiction Book Awards Gold Winner by the Nonfiction Authors Association Gold Winner of the 2022 eLit Book Award for Popular Culture Winner of a National Indie Excellence Award in the category of “Movies & TV” Book of the Year 2021 in African Studies awarded by CESTAF Winner of the 2022 Best Book Award in the category of “Performing Arts” Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways that transcended the dimensions of the superhero film. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. McSweeney argues that Black Panther is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008–). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, Black Panther complicates this by engaging in an entirely different mythos in its portrayal of an African nation—never colonized by Europe—as the most powerful and technologically advanced in the world. McSweeney charts how and why Black Panther became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history.