The Album And Ladies Weekly Gazette

An intricate account of how the early U.S. public sphere was shaped by debates over "good" and "bad" forms of reading, including pornographic reading, scandal reading, and religious reading

Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR

A murder case with all the elements of melodrama -- including seduction and betrayal, political intrigue, honor, and greed -- the Kentucky Tragedy of 1825 riveted the attention of the nation. For decades afterward, its themes resonated in American writing. With unprecedented objectivity, Dickson Bruce recounts the events of the case and offers an innovative analysis of the poems, novels, dramas, and commentary it inspired. He uncovers an intricate connection between public fascination with the Kentucky Tragedy and changing ideas about gender roles, social identity, human motivation, and freedom in the years leading up to the Civil War.Bruce provides a masterly narration of the Tragedy. Around 1819, Colonel Solomon P. Sharp, one of Kentucky's leading politicians, allegedly seduced Ann Cooke, who subsequently delivered a stillborn child she claimed was fathered by Sharp. During the summer of 1825, rumors of the scandal circulated, incensing both Cooke and her husband, Jereboam Beauchamp, who decided, with the support of his wife, that honor compelled him to kill Sharp. He did so, admitted to the act, and was tried, found guilty, and sentenced to die. On the morning of the execution, the couple attempted suicide by stabbing in Beauchamp's jail cell. Cooke died, but Beauchamp was merely wounded and met his date with the hangman later that day.The lurid story appeared widely in the popular press and captured the imaginations of many antebellum writers, including William Gilmore Simms and Edgar Allan Poe. Bruce reveals that the Kentucky Tragedy elicited more literary works than did any other episode of the period. By exploring the transformation of the Tragedy into literature, he illuminates the shifting social, political, and intellectual forces that revolutionized American life in this era.

Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the development of American literature. Unlike many of her contemporaries, Hale insisted on the power of women within both the public and private spheres. Throughout her long career, Hale helped popularize new ideas about reading and genre, and she made significant contributions to the development of professional authorship.Our Sister Editors also provides the first overview of the large and diverse group of nineteenth-century women editors. In her examination of the role of women as editors, owners, and publishers of periodicals and her use of Hale's career to exemplify and discuss a series of major issues related to women's writing and reading in Victorian America, Patricia Okker offers a provocative revisionist study.