The Alice M Jordan Horn Book

A biography of Alice M. Jordan, who headed children’s work at the Boston Public Library (BPL) from 1902 to 1940, is long overdue. Daughter of a Maine sea captain and a Massachusetts schoolteacher, she was one of the pioneering generation of children’s librarians, women who entered the field when salaries were low, progressive ideals high, academic credentials spotty, and the drive to professionalization was revolutionizing librarianship and education. Modest and unassuming, high-school graduate Jordan worked effectively to improve educational opportunities for children and their librarians alike. She taught at the Simmons Library School, helped create the BPL Training School, founded the New England Round Table of Children’s Librarians (NERTCL), and mentored Bertha Mahony Miller, founder of The Horn Book Magazine. She had a national reputation among children’s book editors and librarians for her critical acumen, clear writing, and astute advice. Locally, she networked tirelessly with Boston educators, negotiated the placement of qualified children’s librarians in all BPL branches, and trained a generation of gifted youth workers—all from a desk in the middle of a busy children’s room. She left a legacy of high standards for children’s reading, storytelling, and reference services. This biography draws on archival materials including Jordan’s correspondence with poet Louise Imogen Guiney and Horn Book editor Miller; BPL memos and reports; and 1979 interviews with Jordan trainees. I have shown her life and achievement in the context of social history, from late nineteenth-century women’s economic opportunities to early twentieth-century developments in librarianship, especially at the BPL. Each chapter has a brief list of milestones in Jordan and U.S. history.

This compilation of 97 biographical essays celebrates public and school library service to children and young adults through the professional lives and contributions of its pioneers and leaders. Devoted entirely to the field of youth library services, the essays represent both outstanding librarians in the field, as well as those whose work has made significant contributions supporting the work of professional youth librarians. Sketches include modern-day workers, spanning the late 19th century until 1999. Will inspire young people as it underscores the continuing importance of youth library services.

Honor Book for the 2005 Book Award given by the Children's Literature Association The popularity of the Harry Potter books among adults and the critical acclaim these young adult fantasies have received may seem like a novel literary phenomenon. In the nineteenth century, however, readers considered both Tom Sawyer and Huckleberry Finn as works of literature equally for children and adults; only later was the former relegated to the category of "boys' books" while the latter, even as it was canonized, came frequently to be regarded as unsuitable for young readers. Adults—women and men—wept over Little Women. And America's most prestigious literary journals regularly reviewed books written for both children and their parents. This egalitarian approach to children's literature changed with the emergence of literary studies as a scholarly discipline at the turn of the twentieth century. Academics considered children's books an inferior literature and beneath serious consideration. In Kiddie Lit, Beverly Lyon Clark explores the marginalization of children's literature in America—and its recent possible reintegration—both within the academy and by the mainstream critical establishment. Tracing the reception of works by Mark Twain, Louisa May Alcott, Lewis Carroll, Frances Hodgson Burnett, L. Frank Baum, Walt Disney, and J. K. Rowling, Clark reveals fundamental shifts in the assessment of the literary worth of books beloved by both children and adults, whether written for boys or girls. While uncovering the institutional underpinnings of this transition, Clark also attributes it to changing American attitudes toward childhood itself, a cultural resistance to the intrinsic value of childhood expressed through sentimentality, condescension, and moralizing. Clark's engaging and enlightening study of the critical disregard for children's books since the end of the nineteenth century—which draws on recent scholarship in gender, cultural, and literary studies— offers provocative new insights into the history of both children's literature and American literature in general, and forcefully argues that the books our children read and love demand greater respect.

This study provides a qualitative exploration of juvenile biographies of women, a genre defined here as a book dealing with the whole or partial life of an individual and reviewed as nonfiction for readers in elementary, middle, or junior high school. Beginning with a survey of juvenile material on Elizabeth Tudor published in England and the United States between 1852 and 2002, author Gale Eaton scrutinizes thirty-four books--juvenile biographies, histories, and collected biographies--for trends in both content and rhetoric. Well-Dressed Role Models: The Portrayal of Women in Biographies for Children then goes on to look at close readings of books published in the United States in the years 1946, 1971, and 1996 and presents a penetrating analysis of a genre that serves the needs of youth. The findings of this study include the fact that juvenile biographies make role models out of women who, in many cases, never would have become famous by following all the rules for good girls. By choice of subject and emphasis, their authors dress the life stories of real women in the appropriate values of new generations. Three appendixes providing annotated book lists for each of the three years analyzed conclude this study.

In this pioneering historical study, Anne Lundin argues that schools, libraries, professional organizations, and the media together create and influence the constantly changing canon of children's literature. Lundin examines the circumstances out of which the canon emerges, and its effect on the production of children's literature. The volume includes a comprehensive list of canonical titles for reference.

The most comprehensive account of the women who, as librarians, editors, and founders of the Horn Book, shaped the modern children's book industry between 1919 and 1939. The lives of Anne Carroll Moore, Alice Jordan, Louise Seaman Bechtel, May Massee, Bertha Mahony Miller, and Elinor Whitney Field open up for readers the world of female professionalization. What emerges is a vivid illustration of some of the cultural debates of the time, including concerns about "good reading" for children and about women's negotiations between domesticity and participation in the paid labor force and the costs and payoffs of professional life. Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.

Vol. 2 includes extra number, "Experimental schools in England," Jan. 1926.