The Allure Of Things Process And Object In Contemporary Philosophy

The Allure of Things: Process and Object in Contemporary Philosophy contests the view that metaphysics is something to be overcome. By focusing on process and object oriented ontology (OOO) and rejecting the privileging of human existence over the existence of non-human objects, this collection explores philosophy's concern with things themselves. Interest in Latour, Stengers, Whitehead, Harman and Meillassoux has prompted a resurgence of ontological questions outside the traditional subject-object framework of modern critical thought. This new collection consequently proposes a pragmatic and pluralist approach to 'modes of existence'. Drawing together an international range of leading scholars, The Allure of Things fully covers the similarities between OOO and process philosophy, and is an essential addition to the literature on metaphysics.

Are we more than stardust? Is the appearance of the fragile Earth in the vast universe more than an accident? Are we not children of a Spirit that pervades the dust, rejuvenates life, and embraces the ever-evolving universe? Is there a cosmic Spirit that wants us to awaken to a consciousness of universal meaning, sacred purpose, and mutual friendship with all beings? This book answers these questions with a spirituality of the numinous in our relation to the elements of the Earth in the matrix of the multiverse by taking you on a journey through nine paths and nineteen meditations of awakening. Not bound by any religion, but in deep appreciation of the religious and spiritual heritage of human encounters with the divine depth of existence in our selves and in nature, they invite you to become sojourners by engaging the most profound embodiments of the intangible Spirit by which it facilitates its own materialization in the cosmos and our spiritualization of the cosmos. Use--says this Spirit--the stardust that you are to become a spirit-faring species in an eternal journey of the cosmos to realize its ultimate motive of existence--the attraction of love!

This book examines the importance of flat ontologies for law and sociolegal theory. Associated with the emergence of new materialism in the humanities and social sciences, the elaboration of flat ontologies challenges the binarism that has maintained the separation of culture from nature, and the human from the nonhuman. Although most work in legal theory and sociolegal studies continues to adopt a non-flat, anthropocentric and immaterial take on law, the critique of this perspective is becoming more and more influential. Engaging the increasing legal interest in flat ontologies, this book offers an account of the main theoretical perspectives, and their importance for law. Covering the work of the five major theorists in the area – Gabriel Tarde, Bruno Latour, Manuel DeLanda, Karen Barad and Graham Harman – the book aims to encourage this interest, as well as to explicate the important problems of and differences between these perspectives. Flat ontologies, the book demonstrates, can offer a valuable new perspective for understanding and thinking about law. This book will appeal mainly to scholars and students in legal theory and sociolegal studies; as well as others with interests in the posthumanist turn in philosophy and social theory.

Virginia Woolf as a Process-Oriented Thinker: Parallels Between Woolf’s Fiction and Process Philosophy introduces Virginia Woolf as a nondualist and process-oriented thinker whose ideas are, despite no direct influence, strikingly similar to those of Alfred North Whitehead. Veronika Krajíčková argues that in their respective fields, literature and philosophy, Woolf and Whitehead both criticized the materialist turn of their time and attempted to reattribute importance to experience and undermine long-rooted dualisms such as subject and object, the animate and the inanimate, the human and the nonhuman, or the self and the other. By erasing the gaps between these dualities, the two thinkers anticipated the poststructuralist thought with which Woolf has been anachronically associated in the last decades. Krajíčková shows that there is no need to analyze Woolf’s fiction via critical and philosophical theories that developed much later. This book demonstrates that Woolf and Whitehead’s ideas may help us adopt more ecologically friendly, selfless, intersubjective, and harmless modes of being in the present day. Both figures emphasize the intrinsic value and importance of each constituent of reality and teach us to appreciate the aesthetic values dispersed throughout our environment.

Engaging scholars from across humanistic fields grappling with the role and value of theory in our times, Theory's Autoimmunity argues for reclaiming theory's skepticism as a value. To cultivate theory's skeptical impulses is to embrace what Jacques Derrida has termed autoimmunity: a condition of openness to the outside—openness of the self, the community, democracy, or other ideals—that allows for change. Openness to change comes with risks, and the self-protective temptation to immunize oneself or one's community against these risks is strong. Yet without such risks, without openness to otherness, no encounter with the new, with difference, can ever take place. Without autoimmunity, theory becomes stagnant and programmatic, unable to receive and respond to the other or the event, to address, revise, and produce new meanings. Taking up the challenge of thinking theory as skepticism, with and against philosophy, this study turns to literature as an interlocutor, investigating the ways theory, like the literary works of Montaigne, Baudelaire, Stendhal, Morrison, or Duras, declines to put on the interpretive brakes, to stop reading at a point of understanding. Undoing and remaking itself, theory—those critical interpretive practices that revel in the creation and proliferation of meaning—becomes autoimmune.

Michael Halewood uses ideas from analytic philosophy, continental philosophy and social theory to look at how language relates to the world, and the world to language. He primarily draws on the work of Alfred North Whitehead, and incorporating the ideas of Gilles Deleuze, John Dewey and Luce Irigaray, to view the world as 'in process'.