The Almost Girl

Seventeen-year-old Riven comes from a world parallel to Earth, a world that has been ravaged by a devastating android war. As a Legion General, she is the right hand of Prince Cale, the young Prince of Neospes. In her world, she's had everything: rank, responsibility, and respect. But when Prince Cale sends her away to rescue his long-lost brother, Caden, who has been spirited to modern day Earth, Riven finds herself in uncharted territory. Armed with the mindset of a soldier and racing against time to bring Caden home, Riven must learn how to blend in as a girl in a realm that is the opposite of all she's ever known. Will she be able to find the strength to defy her very nature? Or will she become the monstrous soldier she was designed to be?

Following the enchanting story recounted in When I Was Puerto Rican of the author’s emergence from the barrios of Brooklyn to the prestigious Performing Arts High School in Manhattan, Esmeralda Santiago delivers the tale of her young adulthood, where she continually strives to find a balance between becoming American and staying Puerto Rican. While translating for her mother Mami at the welfare office in the morning, starring as Cleopatra at New York’s prestigious Performing Arts High School in the afternoons, and dancing salsa all night, she begins to defy her mother’s protective rules, only to find that independence brings new dangers and dilemmas.

Harvey Award Nominee, Best Children or Young Adult Book A powerful and moving teen graphic novel memoir about immigration, belonging, and how arts can save a life—perfect for fans of American Born Chinese and Hey, Kiddo. For as long as she can remember, it’s been Robin and her mom against the world. Growing up as the only child of a single mother in Seoul, Korea, wasn’t always easy, but it has bonded them fiercely together. So when a vacation to visit friends in Huntsville, Alabama, unexpectedly becomes a permanent relocation—following her mother’s announcement that she’s getting married—Robin is devastated. Overnight, her life changes. She is dropped into a new school where she doesn’t understand the language and struggles to keep up. She is completely cut off from her friends in Seoul and has no access to her beloved comics. At home, she doesn’t fit in with her new stepfamily, and worst of all, she is furious with the one person she is closest to—her mother. Then one day Robin’s mother enrolls her in a local comic drawing class, which opens the window to a future Robin could never have imagined. This nonfiction graphic novel with four starred reviews is an excellent choice for teens and also accelerated tween readers, both for independent reading and units on immigration, memoirs, and the search for identity.

Gender criticism, Alan Williamson argues, has for too long been shaped and limited by the same dualisms that have defined male versus female literary voices in Western culture. Certain emotions expressed in literature are considered "feminine," certain emotions are typed as "masculine," and there is little room in critical studies for the male writer who shares in feminine experiences or who finds himself on the wrong ideological side of those firmly gendered dichotomies. Confined by such strict codes, male writers--homosexual, bisexual, or heterosexual--possessing the sensibilities typecast as feminine often face a crisis of gender identity. They struggle to overcome early childhood experience and adult cultural expectations as men with feminine creative emotions that are often repressed in more conventionally masculine lives. Almost a Girl challenges both feminist orthodoxy and men's movement thinking to show how several important male writers have drawn creative strength from their identification with, even envy of, a positive image of the feminine. Williamson opposes the feminist argument that men cannot really empathize with female experience, as well as the men's movement's insistence that female identification is common but psychically dangerous. As he explores the psychic confusion, even torment, and ambivalence toward women that accompanied their mixed gender identification, Williamson honors the works and imaginative courage of such diverse writers as Rainer Maria Rilke, Randall Jarrell, D.H. Lawrence, and Cesare Pavese.

Join Colette as she discovers that true happiness comes not from receiving, but from giving.

Riven has fought for a hard-won peace in her world, and has come to shaky terms with who and what she is—a human with cyborg DNA. Now that the rightful ruler of Neospes has been reinstated, Riven is on the hunt for her father in the Otherworld to bring him to justice for his crimes against her people. But when she receives an unwelcome visit from two former allies, she knows that trouble is brewing once again in Neospes. The army has been decimated and there are precious few left to fight this mysterious new threat. To muster a first line of defense, her people need help from the one person Riven loathes most—her father. But what he wants in return is her complete surrender. And now Riven must choose: save Neospes or save herself.

In this searing memoir, the author, "the girl" at the center of the infamous Roman Polanski sexual assault case, breaks a virtual thirty-five year silence to tell her story and reflect on the events of that day and their lifelong repercussions. March 1977, Southern California. Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson's house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl's life was altered forever, eternally cast as a background player in her own story. For months on end, the Polanski case dominated the media in the U.S. and abroad. But even with the extensive coverage, much about that day and the girl at the center of it all remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood's most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, this memoir reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.

“Hilarious. Barbara Park makes reading fun.” —Dav Pilkey, author of Dog Man Barbara Park’s #1 New York Times bestselling chapter book series, Junie B. Jones, has been keeping kids laughing—and reading—for more than twenty-five years. Over 65 million copies sold! Meet the World’s Funniest Kindergartner—Junie B. Jones! Junie B.’s aunt Flo is getting married. What a perfect chance for her to show everyone how grown-up she is! Too bad she wasn’t picked to be the flower girl in the wedding so she could really show off. But surely Junie B. can still find some way to get everyone’s attention. USA Today: “Junie B. is the darling of the young-reader set.” Publishers Weekly: “Park convinces beginning readers that Junie B.—and reading—are lots of fun.” Kirkus Reviews: “Junie’s swarms of young fans will continue to delight in her unique take on the world. . . . A hilarious, first-rate read-aloud.” Time: “Junie B. Jones is a feisty six-year-old with an endearing penchant for honesty.”