The Alternate History

What would the world be like is history had taken a different course? Science fiction literature has long contemplated this question, and this text analyzes alternate history science fiction through a variety of historical models. It raises questions of narrative, writers, temporality and time.

A collection of alternate-history stories that explore the original intentions of major historical fi gures.

Every short story in this wonderfully varied collection has one thing in common: each features some alteration in history, some divergence from historical reality, which results in a world very different from the one we know today. As well as original stories specially commissioned from bestselling writers such as James Morrow, Stephen Baxter and Ken MacLeod, there are genre classics such as Kim Stanley Robinson's story of how World War II atomic bomber the Enola Gay, having crashed on a training flight, is replaced by the Lucky Strike with profoundly different consequences. Praise for the editors: 'Mr Watson wreaks havoc with what is accepted - and acceptable.' The Times 'One of Britain's consistently finest science fiction writers.' New Scientist

14 September 1766. Prime Minister William Pitt proposes the Columbia Compromise, unifying the Kingdom of Great Britain and her colonies and establishing a framework for North American representation in Parliament. The American War of Independence is over before it begins. This is the history of British North America. This anthology includes nine original stories from six authors. Each delves into events along the timeline between this point of divergence from established history up to the present day, from the uncertainty of early colonial conflicts to the devastation on the front line of the War of Wars, from the politics underpinning a British mission to land a man on the moon to rivalry on the cricket grounds of New England. Accompanied by extensive appendices including maps, biographies, letters and diaries, they collectively describe an alternate history of the sisterhood between a very British North America and Great Britain, the story of Columbia and Britannia.

Explore fascinating, often chilling “what if” accounts of the world that could have existed—and still might yet . . . Science fiction’s most illustrious and visionary authors hold forth the ultimate alternate history collection. Here you’ll experience mind-bending tales that challenge your views of the past, present, and future, including: • “The Lucky Strike”: When the Lucky Strike is chosen over the Enola Gay to drop the first atomic bomb, fate takes an unexpected turn in Kim Stanley Robinson’s gripping tale. • “Bring the Jubilee”: Ward Moore’s novella masterpiece offers a rebel victory at Gettysburg which changes the course of the Civil War . . . and all of American history. • “Through Road No Wither”: After Hitler’s victory in World War II, two Nazi officers confront their destiny in Greg Bear’s apocalyptic vision of the future. • “All the Myriad Ways”: Murder or suicide, Ambrose Harmon’s death leads the police down an infinite number of pathways in Larry Niven’s brilliant and defining tale of alternatives and consequences. • “Mozart in Mirrorshades”: Bruce Sterling and Lewis Shiner explore a terrifying era as the future crashes into the past—with disastrous results. . . . as well as “The Winterberry” by Nicholas A. DiChario • “Islands in the Sea” by Harry Turtledove • “Suppose They Gave a Peace” by Susan Shwartz • “Manassas, Again” by Gregory Benford • “Dance Band on the Titanic” by Jack L. Chalker • “Eutopia” by Poul Anderson • “The Undiscovered” by William Sanders • “The Death of Captain Future” by Allen Steele • and “Moon of Ice” by Brad Linaweaver The definitive collection: fourteen seminal alternate history tales drawing readers into a universe of dramatic possibility and endless wonder.

The writer of alternate history asks “what if?” What if one historical event were different, what would the world look like today? In a similar way, the postmodern philosopher of history suggests that history is literature, or that if we read certain historical details differently we would get a distinctly different interpretation of past events. While the science fiction alternate history means to illuminate the past, to increase our understanding of past events, however, the postmodern approach to history typically suggests that such understanding is impossible. To the postmodern philosopher, history is like literature in that it does not offer the reader access to the past, but only an interesting story. Building on criticism that suggests personal psychological reasons for this obscuring the past, and using a literary theory of readership, this book challenges the postmodern approach to history. It channels the speculative power of science fiction to read the works of postmodern philosophy of history as alternate histories themselves, and to map the limits and pathology of their forgetful reading of the past.

While, strictly speaking, Alternate Histories are not Future Narratives, their analysis can shed a clear light on why Future Narratives are so different from past narratives. Trying to have it both ways, most Alternate Histories subscribe to a conflicting set of beliefs concerning determinism and freedom of choice, contingency and necessity. For the very first time, Alternate Histories are here discussed against the backdrop of their Other, Future Narratives. The volume contains in-depth analyses of the classics of the genre,such as Philip K. Dick's The Man in the High Castle and Philip Roth's The Plot against America, as well as less widely-discussed manifestations of the genre, such as Dieter Kühn's N, Christian Kracht's Ich werde hier sein im Sonnenschein und im Schatten, and Quentin Tarantino's film Inglourious Basterds.

A comprehensive guide to the speculative sub-genre of alternate history fiction, this book maps the unique terrain of this vibrant mode of storytelling and then explains how to write it. First giving a concise conceptual overview and the critical tools to differentiate the different forms of counterfactual fiction, Jack Dann lays out the 'tricks of the trade' such 'Heinleining', how to create recognizable 'divergent points' and how to employ paratextual elements and 'layering' to overcome readers' unfamiliarity with invented counterfactual events and cultures. Alongside this, Dann takes you step-by-step through a complete short story to demonstrate, line-by-line, how alternative history fiction works. As well as Dann's exacting methodology for writing professional quality alternate history stories, this book also features a live-on-the-page Q&A with some of the most esteemed alternate history writers working today, including Kim Stanley Robinson, John Birmingham and Lisa Goldstein among many others, who will detail their own particular hacks, theories, processes, methods and strategies. Combining extensive and deep knowledge of the field with accessible writing advice, this is the ultimate guidebook to the broad and complex sub-genre of counterfactual and alterative history fiction.