The American History Of Encyclopedia Of Music

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The American History and Encyclopedia of Music A dictionary of any language is properly supposed to contain all words in use in that language and also words which have been used in time past, but which have become obsolete. These Obsolete words are included in order that the development and history of the language may be studied, and, for this reason, they are a very important part of such a work. This should also be true of a musical dictionary, as many terms which are not in use at the present time are of great value in the study Of the history Of music and also for a thorough understanding of Old musical manuscripts. With this idea in mind, the list of terms given in this dictionary have been compiled, including not only obsolete terms but also as far as possible equivalents in the various languages. For this reason, the number of terms given in this dictionary is greater than that found in any other musical dictionary extant, numbering as it does, about fourteen thousand definitions. In all definitions, the aim has been to use only the simplest and clearest English, so that the definitions would be readily understood by the ordinary reader, as well as the most finished musician. This plan has been carried out, even in the definitions of terms related to such difficult subjects as Theory and Composition. The work contains a number of special features not covered in any other musical dictionary. Among them being, Dances, National Songs, Poetic Meters, Modes and the Parts of the Mass. Each of these has been defined under the general term and also each Specific dance, song, meter, etc., has been included in its alphabetical place. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.