The Ancient Near East In The Nineteenth Century I Claiming And Conquering

At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and Classical literature. By the end of that century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was now understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways by which non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds. Volume I traces how the study of the ancient Near East developed into a professional discipline and how interpretative frameworks were gradually standardized throughout the nineteenth century. Some of the best-sellers of the period were accounts of the early explorers of the region and, beginning with the Napoleonic expedition, the book examines how ancient Near Eastern discoveries were communicated to the public. It looks at how archaeological reporting was shaped in this period and how the study of the ancient Near East was employed to understand issues of progress and decline and was referenced in the political and social satire of the period. It also documents the growth of middle-class tourism to the region and considers how the changing experiences of travel impacted Near Eastern studies. Throughout, the book observes how the ancient Near East mirrored and subverted British society and played a role in European and North American thinking about their places in a larger global and historical perspective.

At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and Classical literature. By the end of that century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was now understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways by which non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds. Volume I traces how the study of the ancient Near East developed into a professional discipline and how interpretative frameworks were gradually standardized throughout the nineteenth century. Some of the best-sellers of the period were accounts of the early explorers of the region and, beginning with the Napoleonic expedition, the book examines how ancient Near Eastern discoveries were communicated to the public. It looks at how archaeological reporting was shaped in this period and how the study of the ancient Near East was employed to understand issues of progress and decline and was referenced in the political and social satire of the period. It also documents the growth of middle-class tourism to the region and considers how the changing experiences of travel impacted Near Eastern studies. Throughout, the book observes how the ancient Near East mirrored and subverted British society and played a role in European and North American thinking about their places in a larger global and historical perspective.

This book is an enthusiastic celebration of the ways in which popular culture has consumed aspects of the ancient Near East to construct new realities. The editors have brought together an impressive line-up of scholars-archaeologists, philologists, historians, and art historians-to reflect on how objects, ideas, and interpretations of the ancient Near East have been remembered, constructed, reimagined, mythologized, or indeed forgotten within our shared cultural memories. The exploration of cultural memories has revealed how they inform the values, structures, and daily life of societies over time. This is therefore not a collection of essays about the deep past but rather about the stories we tell ourselves about ourselves.

The Routledge Handbook of Archaeology and the Media in the 21st Century presents diverse international perspectives on what it means to be an archaeologist and to conduct archaeological research in the age of digital and mobile media. This volume analyses the present‐day use of new and old media by professional and academic archaeology for leisure, academic study and/or public engagement, and attempts to provide a broad survey of the use of media in a wider global archaeological context. It features work on traditional paper media, radio, podcasting, film, television, contemporary art, photography, video games, mobile technology, 3D image capture, digitization and social media. Themes explored include archaeology and traditional media, archaeology in a digital age, archaeology in a post‐truth era and the future of archaeology. Such comprehensive coverage has not been seen before, and the focus on 21st‐century concerns and media consumption practices provides an innovative and original approach. The Routledge Handbook of Archaeology and the Media in the 21st Century updates the interdisciplinary field of media studies in archaeology and will appeal to students and researchers in multiple fields including contemporary, public, digital, and media archaeology, and heritage studies and management. Television and film producers, writers and presenters of cultural heritage will also benefit from the many entanglements shared here between archaeology and the contemporary media landscape.

This volume assembles leading Near Eastern art historians, archaeologists, and philologists to examine and apply critical contemporary approaches to the arts and artifacts of the ancient Near East. The contributions in the volume, which include a comprehensive first chapter by the editor and twelve paired chapters (each of which explores a key theme of the volume through a specific case study), are divided into six sections: Representation, Context, Complexity, Materiality, Space, and Time | Afterlives. A number of sub-themes and questions also thread through the volume as a whole: how might art historical, archaeological, anthropological, and philological approaches to the Near East complement and inform each other? How do word and image relate? And how might the field of Near Eastern studies not only adapt and apply approaches developed in other fields but also contribute to critical contemporary discourses? The volume is unified both by the themes that thread through it and by the comprehensive first chapter in the volume, which explores the status of Near Eastern arts and artifacts as simultaneously non-Western and ancient and as neither of these, and which provides a larger theoretical framework for issues addressed in the volume as a whole.

Six articles by leading scholars on the culture of the Assyrian world pay homage to Paolo Matthiae, known internationally for the discovery of the site of ancient Ebla in Syria. The articles deal with different aspects of Assyrian culture, with innovative and sometimes unexpected points of view, including its reception in the modern world.

This book reconsiders the concept of empire and examines the processes of imperial making and undoing in Hittite Anatolia (c. 1600-1180 BCE).