The Andromeda S Ghost

Fifty years after humanity desperately sought and found a new home on Jurthaan IV, tension with neighboring planet Palnach necessitates a peace treaty as well as the arranged marriage of Princess Kylee Wen Dao to Palnach’s Prince Maju. Taren Platinum is the best—now banished—guard on Princess Kylee’s security team. He’s also in love with her. After crashing the royal wedding, rescuing the princess, and fleeing Jurthaan IV in a stolen spacecraft, Taren finds himself on the run with Kylee, pursued by soldiers from both Jurthaan IV and Palnach. The lovers crash-land on Cartiss, leaving them stranded on a dying planet with targets on their backs. To escape, Taren must repair the ship with the help of a select few trustworthy citizens from the downtrodden city of Hurren. Without an official governing authority, the local gangsters are running Hurren and refusing to spread the wealth. While Taren’s priority is getting off Cartiss and disappearing somewhere safe, Kylee believes he has what it takes to turn things around in Hurren. Drawing attention to himself is the last thing he wants to do, but his princess is right. If there’s one thing Taren can’t overlook, it’s those who threaten the lives of innocents, even when his own life is on the line.

When shapeshifter Toby looked into the Spider Diary, the magical book gave him a choice: he chose the good side, the red dragon army, but Toby has been cursed by the dark forces – darkness chose Toby long before he was born. Wizards are filled with evil magical powers and dark deeds, whereas druids are kind and use magic to benefit all. Toby believes he is a druid, but his grandfather, the darkest wizard of them all, holds the only surviving copy of Merlin’s prophecy; it states that Toby will lead the evil dark army and destroy everything. To thwart Merlin’s doom-filled prophecy, Toby must go on a perilous quest and trust in a foolish fantasy warrior, and a strong witch heroine who carries the legendary witch Morgana’s dark secrets very close to her heart. It seems that Toby’s fate is sealed, and victory for the dark side is assured, unless he can unravel the mystery of The Ghost’s Revenge. Discover Toby’s fate in the first book of the Red Dragon fantasy series, The Ghost’s Revenge, a modern day YA fantasy series for teens and young adults with dragon hearts, and adults with the ageless wisdom of Merlin or Morgana. #1 The Ghost’s Revenge: a shape-shifter; fantasy curses; an elven time machine and parallel worlds; talking animals; friendship; accidental magic; a prophecy; a mermaid princess and an underwater world; an enchantress; stolen gold; and a deadly trial. Books 2 to 5 will be published during 2024 #2 The Firestone: the chosen one; dark forces and dark wizards; magical powers; a dragon’s threat; epic journey; otherwordly realm; King Arthur’s army; and Merlin’s deadly games, and the red dragon. #3 The Dragon List: dragon battles, a warrior’s realm, Morgana’s secret; enchanted objects; the harbinger of doom; good vs evil; the search for King Arthur, and the purple dragon. #4 The Blood Curse: a secret society, sorcery, a deadly vampire sect, bloodlust; eternal darkness; immortal beings; swords and sorcery; mystical realms; ancient relics; spells. #5 The White Fury: the Round Table, fantasy world; Excalibur, Mordred’s return; heroes; war; wicked witches; witchcraft; mythical beasts; destiny; sword fights; epic journey of courage; self discovery, and the white dragon.

Amy Firestone returns to Tri-Spear Academy for a new year, determined to get her historian's licence and enjoy some blissful distance from her media mogul mother. Pity she needs to deal with an unexpected pandemic and a government changing the rules around time-travel to prevent criminals from pillaging the past. Worse, she's now stuck taking care of her sister, Silver, an interdimensional juvenile delinquent abandoned by Amy's mother in her teenage years. Amy's stuck dealing with family drama, chaos, and crime, along with a bunch of waratahs in ghost costumes, determined to unleash chaos. She and her friends join forces with the neighbourhood watch, determined to hold things together, but they're all about to get far more than they bargained for. Waratahs of Northbank and the Bedsheet Ghost is the fourth book in the Waratahs of North Bank series featuring young heroes growing up, fighting god-like monsters, and discovering what they really want from life. Grab your copy toda

This book is filled with images that go a long way toward revealing the processes that underlie the phenomena that we call ghosts or spirits. Only one of the people shown in four pictures on this back book cover is unlikely to be known to the curious reader. The other three are well-known historic personages. It may not be so easy to work out who may be represented here when these images are looked at for the first time, but they are all ghosts of a kind. By using special photographic techniques developed by a psychic medium and combining these techniques with some theoretical ideas based in mainstream physics and evolutionary biology, the authors are able to demonstrate for the first time exactly how the paranormal actually works. It is a story of great importance to every person, whether they believe in ghosts or not, since what is being revealed by these images also show what happens after death, and that both religion and science are in fact correct in their worldviews.

Count to Infinity is John C. Wright's spectacular conclusion to the thought-provoking hard science fiction Eschaton Sequence, exploring future history and human evolution. An epic space opera finale worthy of the scope and wonder of The Eschaton Sequence: Menelaus Montrose is locked in a final battle of wits, bullets, and posthuman intelligence with Ximen del Azarchel for the fate of humanity in the far future. The alien monstrosities of Ain at long last are revealed, their hidden past laid bare, along with the reason for their brutal treatment of Man and all the species seeded throughout the galaxy. And they have still one more secret that could upend everything Montrose has fought for and lived so long to achieve. The Eschaton Sequence #1 Count to a Trillion #2 The Hermetic Millennia #3 The Judge of Ages #4 The Architect of Aeons #5 The Vindication of Man At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world. How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day? Is that why I write a diary? To capture—or reread—one of those days of unexpected happiness? The final installment of Ricardo Piglia’s lifelong compilation of journals completes the seemingly impossible project of documenting the entire life of a writer. A Day in the Life picks up the thread of Piglia’s life in the 1980s until his death from ALS in 2017. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world and escape the shadows of legendary authors Jorge Luis Borges and Roberto Arlt. Renzi’s peripatetic, drinking, philandering ways don’t abate as he grows older, and we’re exposed to the intrinsic insecurities that continually plague him even as fate tips in his favor and he goes on to win international literary prizes and becomes professor emeritus of Princeton University. His literary success is marred only by the disappointments and tragedies of his personal life as he deals with the death of friends and family, failed relationships, and the constant pecuniary struggles of a writer trying to live solely on his ability to produce art. The final sections of this ambitious project intimately trace the deterioration of Piglia’s body after his diagnosis: My right hand is heavy and uncooperative but I can still write. When I can no longer…. The crowning achievement of a prolific, internationally acclaimed author, this third volume cements Ricardo Piglia’s position as one of the most influential Latin American authors of the last century. Praise for The Diaries of Emilio Renzi: A Day in the Life: “[A] posthumous autobiographical masterpiece…. [P]rofoundly moving. A meditation on both the accumulation and ephemerality of time, Piglia’s final work is a brilliant addition to world literature.” —Publishers Weekly, Starred Review “Filled with literary aperçus and fragments of history: an elegant, affecting close to a masterwork.” —Kirkus Reviews, Starred Review Praise for The Diaries of Emilio Renzi: “Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to ‘Emilio Renzi’: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses…. No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.” —Mara Faye Lethem, The New York Times Book Review “For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated… [It] offer[s] one form of resistance to encroaching fascism: style.” —Adam Thirlwell, BookForum, The Best Books of 2017 “[A] masterpiece…. everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.” —Jorge Carrión, The New York Times “A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature...Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia." —Kirkus Reviews, Starred Review “When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?” —Samanta Schweblin, author of Fever Dream “Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work...An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman…It is truly a great work...This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.” —Veronica Esposito, BOMB Magazine “In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.” —Alexander Moran, Booklist "Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other." —Hal Hlavinka, Community Bookstore (Brooklyn, NY) “In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.” —Publishers Weekly “The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.” —Mark Haber, Brazos Bookstore (Houston, TX) “The great Argentine writer…. In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.” —Alejandro Chacoff, The New Yorker “The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment ... and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: ‘out of sync, behind, out of place’—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.” — M. A. Orthofer, The Complete Review

This major addition to Blackwell’s Companions to the Ancient World series covers all aspects of religion in the ancient Greek world from the archaic, through the classical and into the Hellenistic period. Written by a panel of international experts Focuses on religious life as it was experienced by Greek men and women at different times and in different places Features major sections on local religious systems, sacred spaces and ritual, and the divine

Reproduction of the original: The Stowaway Girl by Louis Tracy