The Aran Isles Or A Report Of The Excursion Of The Ethnological Section Of The British Association From Dublin To The Western Islands Of Aran In September 1857

This multi-authored study explores how the natural sciences and the humanities together can understand the connections between the natural environment, the built environment, and the cultural heritage of communities along the west coast of Ireland. Knowledge of the sea and marine life, and what they mean to humanity is dependent on both scientific study and local knowledge, which, in turn, can lead to a greater commitment to sustainability. Until the 1950s, there was little government support for scientific research, nor an interest in helping fisheries beyond near shore catch. Irish fisheries remained small, underfunded, and had difficulty accessing international markets. However, as this book shows, Ireland’s cultural heritage demonstrates a deep appreciation for the coastal environment and a sense of place. This is preserved in the Irish language, in poetry, story and music, and in the ways the Irish lived with an often-wild coastal topography.

Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.

This book uses J.M. Synge's plays, prose, and photography to explore the cultural life of Edwardian Ireland. By emphasizing less familiar contexts, including the rise of a local celebrity culture, the arts and crafts movement, and Irish classical music, it shows how Irish folk culture intersected with the new networks of mass communication.

Includes also Minutes of [the] Proceedings, and Report of [the] President and Council for the year (beginning 1965/66 called Annual report).

Between the late 1890s and the early 1900s, the young Irish writer John Millington Synge journeyed across his home country, documenting his travels intermittently for ten years. His body of travel writing includes the travel book The Aran Islands, his literary journalism about West Kerry and Wicklow published in various periodicals, and his articles for the Manchester Guardian about rural poverty in Connemara and Mayo. Although Synge’s nonfiction is often considered of minor weight compared with his drama, Bruna argues persuasively that his travel narratives are instances of a pioneering ethnographic and journalistic imagination. J. M. Synge and Travel Writing of the Irish Revival is the first comprehensive study of Synge’s travel writing about Ireland, compiled during the zeitgeist of the preindependence Revival movement. Bruna argues that Synge’s nonfiction subverts inherited modes of travel writing that put an emphasis on Empire and Nation. Synge’s writing challenges these grand narratives by expressing a more complex idea of Irishness grounded in his empathetic observation of the local rural communities he traveled amongst. Drawing from critically neglected revivalist travel literature, newspapers and periodicals, and visual and archival documents, Bruna sketches a new portrait of a seminal Irish Literary Renaissance figure and sheds new light on the itineraries of activism and literary engagement of the broader Revival movement.