The Archaeology Of Ancient China

1500 to 221 B.C. as revealed in recent archaeological discoveries.

"Past, present and future "The archaeological materials recovered from the Anyang excavations ... in the period between 1928 and 1937 ... have laid a new foundation for the study of ancient China (Li, C. 1977: ix)." When inscribed oracle bones and enormous material remains were found through scientific excavation in Anyang in 1928, the historicity of the Shang dynasty was confirmed beyond dispute for the first time (Li, C. 1977: ix-xi). This excavation thus marked the beginning of a modern Chinese archaeology endowed with great potential to reveal much of China's ancient history.. Half a century later, Chinese archaeology had made many unprecedented discoveries which surprised the world, leading Glyn Daniel to believe that "a new awareness of the importance of China will be a key development in archaeology in the decades ahead (Daniel 1981: 211). This enthusiasm was soon shared by the Chinese archaeologists when Su Bingqi announced that "the Golden Age of Chinese archaeology is arriving (Su, B. 1994: 139--140)". In recent decades, archaeology has continuously prospered, becoming one of the most rapidly developing fields in social science in China"--

Through archeology learn the secrets of the past in China by studying mummies, ancient treasures, artifacts, terra-cotta figures, and more.

This book covers Chinese archaeology from the first people to the unification of the empire, emphasizing cultural variations and interregional contact.

This book offers an archaeological study on China’s ancient capitals. Using abundant illustrations of ancient capital sites, it verifies the archaeological discoveries with documentary records. The author introduces the dynamical interpretation of each ancient capital to the interpretation of the entire development history of China's ancient capitals. The book points out that for most of the almost 2000 years from the earliest Erlitou (二里头)to the Ye city (邺城), there was an era where ancient capitals didn’t have outer enclosures due to factors such as the strong national power, the military and diplomatic advantage, the complexity of the residents, and the natural conditions. Thus an era of “the huge ancient capitals without guards” lasting for over 1000 years formed. The concept that “China’s ancient capitals don’t have outer enclosures” presented in the book questions the traditional view that “every settlement has walled enclosures”. Combining science with theory, it offers researchers of history a clear understanding of the development process of China’s ancient capitals.

This introduction to more than 200 masterpieces from the period 5000 BC to the 10th century AD uncovered in China that confirms archaeologists' conclusion that Chinese civilization and art flowered throughout ancient China. 200+ color illustrations.

Many tombs dating to the Eastern Zhou (770-221 BCE) and Han (206 BCE-220 AD) periods contain musical instruments or their visual representations in the form of wood, stone, and ceramic figures, tomb tiles, and engravings. These finds suggest that music was viewed as an important part of the afterlife. While bells have survived more frequently than wooden instruments, and therefore have received the most scholarly attention, strings, winds, and drums are the focus of discussion in this book. The book examines the use of these three instrument types in both solo and ensemble music, as well as the social, ritual, and entertainment functions of each. When combined with bells (and chime stones), strings, drums, and winds appear to have been associated with formal ritual ceremonies. However, when appearing alone or in assemblages with other wooden instruments during Zhou, they appear to be connected with warfare and entertainment. By Han times, strings, winds, and drums seem to be associated almost exclusively with entertainment, pointing to a shift in the social life of the times. Another topic explored in this book is the association of musical instruments with wealth. When combined with bells and chime stones, they are only found in the wealthiest tombs. However, when found by themselves, strings, winds, and drums appear in small to large, modest to wealthy tombs, suggesting that they were available to a broad range of peoples in early Chinese elite society. This book analyzes an often disregarded aspect of early Chinese music, the role of strings, winds, and drums. Music in Ancient China will be a valuable book for those interested in ethnomusicology and music history, Asian art history and archaeology, and Asian studies.