The Archaeology Of Midas And The Phrygians

This book is a succinct and readable account of recent research at Gordion, the ancient capital of Phrygia, long one of the key sites for understanding Iron Age Anatolia. The regional survey at Gordion has involved a range of interdisciplinary studies—archaeological, environmental, and ethnoarchaeological—to produce an unusually comprehensive understanding of how the landscape evolved, the patterns of settlement during the rise and fall of the Phrygian state, and its environmental constraints. With a history of excavation of over a century, Gordion has yielded a vast store of material culture, some of which is spectacular. The Midas tumulus, the architecture of the Phrygian citadel, and the artifacts from several decades of excavations present unique challenges and solutions for conservation methodology. Analyses of these artifacts are providing new insights into the political and economic relationships of this region, particularly from the Early Iron Age to the Roman period. Presenting current work at Gordion contributes to the broader understanding of archaeology across the region and around the world.

Some of the most dramatic new discoveries in Asia Minor have been made at Gordion, the Phrygian capital that controlled much of central Asia Minor for close to two centuries. The most famous ruler of the kingdom was Midas, who regularly negotiated with Greeks in the west and Assyrians in the east during his reign. Excavations have been conducted at Gordion over the course of the last 60 years, all under the auspices of the University of Pennsylvania Museum of Archaeology and Anthropology. In spite of the economic and political importance of Gordion and the Phrygians, the site is consistently omitted from courses in Old World archaeology, primarily because Gordion lies too far to the west for many Near Eastern archaeologists, and too far to the east for classical archaeologists. Moreover, there is no book that offers a comprehensive and up-to-date assessment of the material culture of Gordion during the Phrygian period, a gap that will be filled by this volume. The chapters cover all aspects of Gordion's Phrygian settlement topography from the arrival of the Phrygians in the tenth century B.C. through the arrival of Alexander the Great in 333 B.C., focusing on the site's changing topography and the consistently fluctuating interaction between the inhabitants and the landscape. A reexamination of the material culture of Phrygian Gordion is particularly timely, given the dramatic recent changes in the site's chronology, wherein the dates of many discoveries have changed by as much as a century. The authors are among the leading experts in Near Eastern archaeology, historic preservation, paleobotany, and ancient furniture, and their articles highlight the interdisciplinary nature of the Gordion project. A significant component of the book is a new color phase plan of the site that succinctly presents the topography in diachronic perspective.

Gordion is frequently remembered as the location of an intricate knot ultimately cut by Alexander, but in antiquity it served as the center of the Phrygian kingdom that ruled much of Asia Minor during the early millennium B.C.E. The site lies approximately seventy kilometers southeast of Ankara in central Turkey, at the intersection of the great empires of the East (Assyrians, Babylonians, and Hittites) and the West (Greeks and Romans). Consequently, it occupied a strategic position on nearly all trade routes that linked the Mediterranean and the Near East. The University of Pennsylvania has been excavating at Gordion since 1950, unearthing a wide range of discoveries that span nearly four millennia. The vast majority of these artifacts attests to the city's interactions with the other great kingdoms and city states of the Near East during the Iron Age and Archaic periods (ca. 950-540 B.C.E.), especially Assyria, Urartu, Persia, Lydia, Greece, and the Neo-Hittite city-states of North Syria, among others. Gordion is thus the ideal centerpiece of an exhibition dealing with Anatolia and its neighbors during the first millennium B.C.E. Through a special agreement signed between the Republic of Turkey and the University of Pennsylvania, Turkey has loaned the Penn Museum more than one hundred artifacts gathered from four museums in Turkey (Ankara, Gordion, Istanbul, and Antalya) for an exhibition titled The Golden Age of King Midas. The exhibition features most of the material recovered in Tumulus MM, or the "Midas Mound" (ca. 740 B.C.E.), which was the burial site of King Midas's father, as well as a number of objects found in a series of Lydian tombs. The Turkish loan has made possible a uniquely comprehensive and elaborate exhibition that also features a disparate group of rarely seen objects from the Penn Museum's own collections, particularly from sites in the Ukraine, Iran, Iraq, Turkey, and Greece. With the historic King Midas (ca. 740-700 B.C.E.) as its guiding theme, the exhibition illuminates the relationships Phrygia maintained with Lydia, Persia, Assyria, and Greece. The accompanying catalog includes full-color illustrations and essays that expound on the sites and objects of the exhibition.

This volume brings together the latest reports on archaeological projects, including excavation and survey, from all periods and every region of Anatolia. It is a forum in which scholars present their most recent data to a global audience, allowing for productive engagement with others working in and near Anatolia regarding discoveries and interpretations. The series offers a venue where recently concluded projects may provide an overview of results, often years ahead of the final publication of complete site reports. Published every two years, The Archaeology of Anatolia: Recent Discoveries series is an invaluable vehicle through which working archaeologists may carry out their most critical task: the presentation of their fieldwork and laboratory research in a timely fashion.

This title provides comprehensive overviews on archaeological philological, linguistic, and historical issues at the forefront of Anatolian scholarship in the 21st century.

The New Chronology of Iron Age Gordion argues that the history and archaeology of the site of Gordion, in central Turkey, have been misunderstood since the beginning of its excavation in the 1950s. The first excavation director, Rodney Young, found evidence for substantial destruction during the first decade of fieldwork; this was interpreted as proof that Gordion had been destroyed ca. 700 B.C. by the Kimmerians, a group of invaders from the Caucusus/Black Sea region, as attested in several ancient literary sources. During the last decade, however, renewed research on the archaeological evidence, within, above, and below the destruction level indicated that the catastrophe that destroyed much of Gordion occurred 100 years earlier, in 800 B.C., and was the result of a fire that quickly got out of control rather than a foreign invasion. This discovery requires a reassessment of Anatolian history during the entire first millennium B.C. and has serious implications for our understanding of the surrounding regions, such as Assyria, Syria, Greece, and Urartu, among others. The New Chronology of Iron Age Gordion is the product of a multidisciplinary research program, with dendrochronology and radiocarbon dating working hand in hand with textual and artifact analysis, each of which is treated in a separate chapter in this volume. All of these categories of evidence point to the same conclusion and demonstrate that we need to look at Gordion, and much of the ancient Near East, in a completely new way. University Museum Monograph, 133

Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops Ð Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms Ð plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed paintersÕ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers Ð chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.