The Architect Of Our Universe

There was only a space, which was cold, smooth, continuous, infinite, eternal, and without boundary and any visible matter and energy before creation of our early Universe. However, this space may not have been empty. It was, perhaps, the Dark Matter particle, which popped up from this space. And due to its intrinsic properties it converted itself into a Supersymmetrical Superparticle that generated Supergravity by the pressures of forces of moving particles and thus into an infinitesimally small, dense, primordial, non-transparent (opaque) plasma fireball. This particle first designed the fertile sites due to its own strong gravitational attractive field in which all galaxies, stars, and planets in different regions of the Universe, including our own Milky Way galaxy that contains our Solar System with the eight planets, including Earth, originated after the collapse of the normal particles. With passage of time, the great fertile sites were generated on the Earth by tectonics, in which sedimentary rocks containing petroleum deposits at depths overlain by great alluvial plains were generated for the evolution and development of living beings, including humans and practicing agriculture, establishing industries, constructing civil facilities, and a multitude of other things for the survival of humans.

The logic is simple. The observable Laws of Nature are too organized, too perfect to have emerged simply by chance. Therefore every philosopher has an obligation to at least consider the possibility that our universe was designed by some form of intelligence. Even modern history’s most renowned physicist, Albert Einstein, observed the precision of the universe and openly expressed his belief in the possibility of a Supreme Being behind its creation. Einstein entertained the idea of the pantheistic God of Baruch Spinoza. Spinoza believed in a kind of anthropomorphic deity who created the laws of the universe, set it in motion, but then doesn’t interfere. Perhaps long before our physical universe was ever created, a Supreme Being naturally evolved within the non-physical eternity of existence. Over time, this Supreme Being developed into an intelligence capable of establishing all the laws of mathematics, geometry, and physics that are required to create a balanced, properly functioning universe. This belief has been passed down and preserved within Western society through the Order of Freemasonry. The G in the middle of the Freemasonry symbol represents the “Great Architect of the Universe.” The square and compasses are the tools used by the Masons to design buildings in accordance with the Divine Proportions of Sacred Geometry - the same laws the Great Architect followed while creating the universe. The Circumscribed Hexagram symbol has been found all over the ancient world, from Egypt to China, dating back to at least 6,000 BC. It is believed to the pattern that the Great Architect followed while forming physical space from nothing. First, we define a Point from which to begin. Extend the point to form a Line of a set length. Extend the line to form a Plane of a set area; a Triangle with 3 sides of equal length. Extend the plane to form an Object of a set volume; a tetrahedron with 4 faces of equal area. The Tetrahedron is the simplest, most irreducible unit of 3-dimensional space. Flip the Tetrahedron vertically about its center to form a Star Tetrahedron. Rotate the Star Tetrahedron 360° about its center while spinning upon an axis to form a Star Tetrahedron circumscribed by a Sphere. The surface of the sphere is the 1st Dimensional Plane of physical space. [please purchase to continue]

Semi-autobiographical discussion of astronomy and astronomers, and history of astronomy and cosmology.--

One of the most fundamental questions asked throughout human history is, “How did the universe come into existence?” Throughout the ages spirituality has provided answers to that question through various mystical cosmologies. Today, science has an answer—the Big Bang theory. But can scientific and spiritual explanations, which are normally considered to be incompatible, co-exist? Is it possible to construct a single comprehensive vision that unites these seemingly divergent approaches to knowledge?The Architecture of the Universe attempts to do just that by extending a contemporary mystical cosmology and merging it with modern-day physics. The result is a new theory of physics, which proposes something more fundamental to the universe than time and space: existence. Emerging out of nothingness, existence serves as the basic component of time and space. Time and space are viewed not just as containers for everything in the universe, but rather as the substance out of which energy and mass arise. This radical viewpoint opens new realms of understanding, shedding light on mysterious aspects of quantum mechanics and Einstein's theory of relativity. At the same time the theory creates a vision unifying science and spirituality by linking the infinite transcendent reality with the finite physical universe.Simple explanations along with illustrations make this book easily accessible and an interesting and inspiring read for a wide audience.

This careful examination of properties commonly attributed to God is essential background to any arguments about the existence of God.

As the digital economy changes the rules of the game for enterprises, the role of software and IT architects is also transforming. Rather than focus on technical decisions alone, architects and senior technologists need to combine organizational and technical knowledge to effect change in their company’s structure and processes. To accomplish that, they need to connect the IT engine room to the penthouse, where the business strategy is defined. In this guide, author Gregor Hohpe shares real-world advice and hard-learned lessons from actual IT transformations. His anecdotes help architects, senior developers, and other IT professionals prepare for a more complex but rewarding role in the enterprise. This book is ideal for: Software architects and senior developers looking to shape the company’s technology direction or assist in an organizational transformation Enterprise architects and senior technologists searching for practical advice on how to navigate technical and organizational topics CTOs and senior technical architects who are devising an IT strategy that impacts the way the organization works IT managers who want to learn what’s worked and what hasn’t in large-scale transformation

Focusing on three secular institutional building types: libraries, museums, and cinemas, this book explores the intricate interplay between culture and architecture. It explores the cultural imperatives which have seen to the formation of these institutions, the development of their architecture, and their transformation over time. The relationship between culture and architecture is often perceived as a monologic relationship. Architecture is seen to embody, represent and/or reflect the values, the beliefs, and the aesthetic ideals of a culture. Ameri argues that this is at best a partial and restrictive view, and that if architecture is a cultural statement, it is a performative one. It does not merely represent culture, but constructs, reifies, and imposes culture as the unalterable shape of reality. Whereas the concept and the study of cultural performatives have had an important critical impact on the humanities, architecture as a cultural performative has not received the necessary scholarly attention and, in part, this book aims to fill this gap. Whereas building-type studies have been largely restricted to elucidating how best to design building-types based on historic and contemporary precedents, studies in the humanities that analytically and critically engage the secular institutions and their history as cultural performatives, typically cast a blind or perfunctory glance at the performative complicity of their architecture. This book aims to address the omissions in both these approaches. The library, the museum, and the movie-theater have been selected for close critical study because, this book argues, each has been instituted to house, ’domesticate,’ and restrain a specific form of representation. The aim has been to protect and promulgate the metaphysics of presence as Jacques Derrida expounds the concept. This book proposes that it is against the dangers of unconstrained cohabitation of reality and representation that the library, the m

The world around us is full of countless laws for which we as human beings abide by to keep the process of human evolution moving in an acceptable manner. Yet within our own minds we have yet to discover the laws for which success and happiness await every person. This book Conscious Theory will leave you asking yourself a question.......what do I know about myself and my own mind? Have you ever been stumbling through your life and just wondered why you can’t seem to get it right? Have you contemplated a change in your life for the better, yet turned it down and run for safety to what was familiar instead of striving for the new goal? If you have ever wondered these thoughts throughout your life then Conscious Theory will open doors for you. [Conscious Theory is not just a book - it’s an introspection of the evolvement of our very nature.] The price you pay for this book is a one off payment, yet the cost of not understanding yourself and the power that awaits you could be staggering. So with this in mind I off er my hand in friendship and hope, hope that you will discover amongst these pages the value of understanding who you really are and above all else what you really can be. Because what we were yesterday should never be a refl ection of what we can choose to be tomorrow.