The Architecture Of Carson City Nevada

Carson City has the distinction of being one of the least populated state capitals in the nation, but its contributions to Nevada's history are anything but diminutive. Set against the backdrop of the Sierra Nevada Mountains, it's a quintessential Wild West town. The gold and silver riches of the nearby Comstock Lode left a legacy that includes the Carson City Mint, one of only nine mints ever to exist in the United States, and the Virginia & Truckee Railroad, which still snakes through the hills. Residents once flocked to the Carson Opera House to take in a show and to the local racetrack to bet on the horses. Author Peter B. Mires explores the city's legacies, brick by locally quarried sandstone brick.

Nevada’s Comstock Mining District has been the focus of legend since it first burst into international prominence in the late 1850s, and its principal settlement, Virginia City, endures in the popular mind as the West’s quintessential mining camp. But the authentic history of the Comstock is far more complex and interesting than its colorful image. Contrary to legend, Virginia City spent only its first few years as a ramshackle mining camp. The mining boom quickly turned it into a thriving urban center, at its peak one of the largest cities west of the Mississippi, replete with most of the amenities of any large city of its time. The lure of the area’s fabulous wealth attracted a remarkably heterogenous population from around the world and offered employment to dozens of trades and thousands of people, both men and women, representing every one of the region’s diverse ethnic groups. Ronald James’s brilliant account of the Comstock’s long and eventful history—the first comprehensive study of the subject in over a century—examines every aspect of the region and employs information gleaned from hundreds of written sources, interviews, archeological research, computer analysis, folklore, gender studies, physical geography, and architectural and art history, as well as over fifty rare photographs, many of them previously unpublished.

Stonemasons from the Alpine valleys of northwestern Italy shaped the architectural face of Paradise Valley in northern Nevada in the 1860s and 1870s. Drawing on their own distinctive skills, they constructed the constellation of granite and sandstone buildings that are the region's most visible landmarks. Marshall's analysis of this architectural legacy, illustrated with 229 photographs and 70 line drawings, is not only a valuable resource for scholars in vernacular architecture, folklore, and cultural geography, but also a verbal and visual treat for all who love the American West.