The Archive Thief

In the aftermath of the Holocaust, Jewish historian Zosa Szajkowski gathered up tens of thousands of documents from Nazi buildings in Berlin, and later, public archives and private synagogues in France, and moved them all, illicitly, to New York. In The Archive Thief, Lisa Moses Leff reconstructs Szajkowski's story in all its ambiguity.

Migration is, and has always been, a disruptive experience. Freedom from oppression and hope for a better life are counter-balanced by feelings of loss – loss of family members, of a home, of personal belongings. Memories of the migration process itself often fade quickly away in view of the new challenges that await immigrants in their new homelands. This volume asks, and shows, how migration memories have been kept, stored, forgotten, and indeed retrieved in many different archives, in official institutions, in heritage centres, as well as in personal and family collections. Based on a variety of examples and conceptual approaches – from artistic approaches to the family archive via ‘smell and memory as archives’, to a cultural history of the suitcase – this volume offers a new and original way to write Jewish history and the history of Jewish migration in the context of personal and public memory. The documents reflect the transitory character of the migration experience, and they tell stories of longing and belonging. This book was originally published as a special issue of Jewish Culture and History.

By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date. This study argues that the Zionist movement makes particular use of the machinery of the photographic archive, aiming to constitute the boundaries of Palestine as a Jewish state, claiming ownership over the land and announcing internationally the success of its enterprise, thus substantiating the image it sought to embed as the “reality” of the land. This archive was not stand-alone, as it was functioning in relation to a vast, complicated network of organizational systems and technologies, in the Middle East and across the world. Crucially, this system functioned as a national archive in future tense, for a nation-state that was not yet in existence, seeking to substantiate its regional authority and shape its cultural repository, outlining parameters for inclusion and exclusion from its civic space. The book will be of interest to scholars working in art history, photography history, visual culture, Jewish studies, Israel studies and Middle East studies.

Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions. The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such degradations into an inverted moral code, where criminality and delinquency become heroic. With a holy trinity of his own making - homosexuality, theft and betrayal - in The Thief's Journal Genet produced a startlingly powerful novel without precedent. Includes a new introduction by Ahdaf Soueif.

In an unusual twist of inheritance law, Cassandra Havelock becomes Countess of Worthing in her own right on her father's death, and sole owner of his grand home and vast estates and fortune. However, she is only twenty years old, and her well-meaning relatives and guardians rally around to protect her and run her property for her. Their primary concern is to help her make a brilliant match with a man who can take all the burden of managing her inheritance off her shoulders. But Cassandra is about to turn twenty-one, and she has planned a magnificent birthday ball to celebrate the end of her year of mourning and her independence. She intends to take full charge of her own life, and she can do that only if she remains single. Nigel Wetherby, Viscount Wroxley, has looked forward to the birthday ball quite as eagerly as Cassandra, though he has never met her, is quite unknown to her, and has not been invited. The occasion represents the fulfilment of all he has dreamed of for years. He introduces himself on the day of the ball as a dear friend of Cassandra's late father and she is delighted to invite him to the ball. It is soon obvious to her alarmed relatives, however, that this handsome, charming stranger, who is fast weaving a seductive spell about their charge, has some mysterious agenda of his own. Too late Cassandra realizes that in her naivete she may have been duped by a villain. And too late Nigel understands that in breaking her heart he may also be breaking his own. But...is it ever too late for love to play a hand in this game?

Scholars from a range of disciplines interrogate terms relevant to critical studies of big data, from abuse and aggregate to visualization and vulnerability. This pathbreaking work offers an interdisciplinary perspective on big data, interrogating key terms. Scholars from a range of disciplines interrogate concepts relevant to critical studies of big data--arranged glossary style, from from abuse and aggregate to visualization and vulnerability--both challenging conventional usage of such often-used terms as prediction and objectivity and introducing such unfamiliar ones as overfitting and copynorm. The contributors include both leading researchers, including N. Katherine Hayles, Johanna Drucker and Lisa Gitelman, and such emerging agenda-setting scholars as Safiya Noble, Sarah T. Roberts and Nicole Starosielski.

JACKSON/THIEF AT THE END OF THE WOR

A classic, prescient work dealing with myth and cult which traces the evolution of Hermes from sacred stoneheap and phallus to Homeric Hymn to Hermes and the Hesiodic poems.