The Art Of Confession

"The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and '60s, performance art in the '70s, theater in the '80s, television in the '90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed--with, around, and against the text of their lives." --

The story of a new style of art—and a new way of life—in postwar America: confessionalism. What do midcentury “confessional” poets have in common with today’s reality TV stars? They share an inexplicable urge to make their lives an open book, and also a sense that this book can never be finished. Christopher Grobe argues that, in postwar America, artists like these forged a new way of being in the world. Identity became a kind of work—always ongoing, never complete—to be performed on the public stage. The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and ’60s, performance art in the ’70s, theater in the ’80s, television in the ’90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed—with, around, and against the text of their lives. A blend of cultural history, literary criticism, and performance theory, The Art of Confession explores iconic works of art and draws surprising connections among artists who may seem far apart, but who were influenced directly by one another. Studying extraordinary art alongside ordinary experiences of self-betrayal and -revelation, Christopher Grobe argues that a tradition of “confessional performance” unites poets with comedians, performance artists with social media users, reality TV stars with actors—and all of them with us. There is art, this book shows, in our most artless acts.

Paul Wilkes has written an elegant, prescriptive, secular book—a spiritual gem—that reinvents the power of confession for a contemporary audience. Confession is the foundation of religion, the essence of mental health. It is listening to the voice within to follow the path to honest and conscious living. And for thousands of years people have used the power of confession to find their best selves. Liberating confession from the confessional, The Art of Confession draws on traditions as old as ancient Greece and as modern as psychoanalysis as diverse as Judaism, Catholicism, and Islam, to show readers how to incorporate a confessional practice into their daily lives. There are visualizations, spiritual exercises, prompts, and meditations; private confessions, direct confessions, psychological confessions. Accompanied throughout by a wise “confessional chorus”—a rabbi, a priest, a psychiatrist, a nun, whose points-of-view complement and augment the text—The Art of Confession is an antidote to our age of oversharing, where we happily broadcast the minutest details of our lives in public, yet never find the time to discover the risk, relief, and ultimately the renewal that real, considered self-reflection offers.

Paul Wilkes has written an elegant, prescriptive, secular book—a spiritual gem—that reinvents the power of confession for a contemporary audience. Confession is the foundation of religion, the essence of mental health. It is listening to the voice within to follow the path to honest and conscious living. And for thousands of years people have used the power of confession to find their best selves. Liberating confession from the confessional, The Art of Confession draws on traditions as old as ancient Greece and as modern as psychoanalysis as diverse as Judaism, Catholicism, and Islam, to show readers how to incorporate a confessional practice into their daily lives. There are visualizations, spiritual exercises, prompts, and meditations; private confessions, direct confessions, psychological confessions. Accompanied throughout by a wise “confessional chorus”—a rabbi, a priest, a psychiatrist, a nun, whose points-of-view complement and augment the text—The Art of Confession is an antidote to our age of oversharing, where we happily broadcast the minutest details of our lives in public, yet never find the time to discover the risk, relief, and ultimately the renewal that real, considered self-reflection offers.

A novel about love, loss, and the way the heart holds on to those who are gone.

The Art of Confession is about the human heart and how it can hold onto its secrets as a means of preserving the past. The Art of Confession speaks to how the unlocking of those secrets can become the key to our deepest potential for love and forgiveness. Philip K. Abernathy tells his story through recalling his relationship with his friend Oliver Boswell and Oliver's step-sister Silva. The story is set in Westfall, a small town outside Boston Massachusetts, in Bologna, a city in Northern Italy, and in Boston.

The Romantic Art of Confession is about works specifically entitled "confessions" written during the Romantic period in Britain and France. Reading these similarly conceived texts together illuminates uniquely the Romantic art of confession as it illuminates the written craft of self-recollection and definition.

A patron of art since the 1930s, Peggy Guggenheim, in a candid self-portrait, provides an insider's view of the early days of modern art, with revealing accounts of her eccentric wealthy family, her personal and professional relationships, and often surprising portrayals of the artists themselves Peggy Guggenheim was born into affluence and a lavish lifestyle. Bored with her seemingly "pedestrian" life in New York, she headed for Europe in 1921, where she woudl sow the seeds for a future as one of modern art's most important and influential figures. In the midst of Europe's avant-garde circles, she reveled in her love affairs with prominent artists and also became a serious collector. Her Guggenheim Jeune gallery in London brought figures such as Brancusi, Cocteau, Kandinsky, and Arp to the forefront of the art scene. Later, her New York gallery would launch the careers of Jackson Pollock and Robert Motherwell, among others. In her own inimitable and bawdy style, Peggy Guggenheim gives us an insider's glimpse into the modern art world with intimate, often surprising portrayals of its most significant players. Candid, clever, and always entertaining, here is a memoir that captures a valuable chapter in the history of modern art, as well as the spirit of one of its greatest advocates.