The Art Of Orientation

The Art of Orientation celebrates the origins, meanings, and functions of the mosque throughout the world using a careful selection of one hundred and twenty-five artifacts--including intricately designed pulpits, prayer rugs, lamps, and manuscripts. Tracing the evolution of the mosque from the Prophet's humble mud-brick structure in Medina to the imposing stone assemblies of Cairo and Istanbul, an interdisciplinary group of leading Arab and international authors present a personal, insightful, and accessible survey of Islamic masterpieces past and present.

An updated and comprehensive description of the techniques of teaching orientation and mobility, presented along with considerations and strategies for sensitive and effective teaching. Factors like individual needs, environmental features, and ethical issues are also discussed in this important text.

Foundations of Orientation and Mobility, the classic professional reference and textbook has been completely revised and expanded to two volumes by the most knowledgeable experts in the field. The new third edition includes both the latest research in O&M and expanded information on practice and teaching strategies. Volume 1, History and Theory, includes the bases of O&M knowledge, including perception, orientation, low vision, audition, kinesiology, psychosocial issues, and learning theories, as well as chapters on technology, dog guides, orientation aids, and environmental accessibility. A section on the profession of O&M includes its international history; administration, assessment and program planning; and a chapter on research in O&M. No O&M student or professional can afford to be without this essential resource.

The very first thing one does in all situations of life is orient oneself. Decisions of orientation, which are mostly made under uncertainty and the pressure of time, largely determine subsequent decisions. But what is orientation? The problems of orientation are as old as humankind, the word is used everywhere, but the concept has never been thoroughly investigated. The philosopher Werner Stegmaier comprehensively clarifies for the first time the conditions and structures of orientation, including those of our sexual, economic, media, political, legal, scientific, artistic, religious, moral, and ethical orientations. He thereby establishes a new philosophical language and offers a philosophy for our time. "As if I unexpectedly slipped down into a deep vortex, I am swirled around in a way that I can neither put a foot down, nor swim to the surface. Nonetheless, I will work my way out ... " (René Descartes, Philosopher) "As often as my speculation seems to lead me too far from the paved road of common sense, I stand still and seek to orient myself. I look back at the point from which we started, and I seek to compare the two guideposts I have." (Moses Mendelssohn, Philosopher) "A philosophical problem has the form: ‘I do not know my way about.’" (Ludwig Wittgenstein, Philosopher) "The second O, orientation – as the repository of our genetic heritage, cultural tradition, and previous experiences – is the most important part of the O-O-D-A loop since it shapes the way we observe, the way we decide, the way we act." (John Boyd, Military Strategist)

In a collection of nine inter-linked essays, Meštrović provides critical insights into the defining questions of our age. Mixing theoretical, empirical and normative insights, utilising inter-disciplinary or, more accurately, post-disciplinary modes of reasoning, Meštrović traces the current imbalance between market globalisation and globalised modes of sociability as a consequence of central contradictions within the current capitalist mode of production, not only between capital and labour but between capital and society and, indeed, capital and culture. The struggle to find a new narrative freed from the false binary between science and values, in the service of a sustainable future, found in the demands of movements for global justice and solidarity, may lead to the production of a new commons, for social interactions outside of, and beyond, the restrictions of the market. In a condition of capitalist crisis, in which biopolitical production is both required by, and interpreted through, the narrow confines of ‘autistic’ economic thought, Meštrović searches for new forms of subjectivity, in which a new multitude may form as a movement towards freedom in which the composition of singularities leads towards the increasing autonomy of each participating equally in the web of communication and cooperation.

Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking.

The “national drama” in China is a historical concept. Grown on longstanding Chinese culture and art, the traditional drama, mainly in the form of “opera”, has been integrated with “drama” of an international background. From the perspective of modern “drama and opera”, this book mainly studies the conditions and research of Chinese traditional drama in the 1920s and 1930s. Instead of analyzing from the viewpoint of literature appreciation or music theory, the author regards the drama as a comprehensive stage art. He attaches special importance to restoring historical scenes and therefore mainly introduces the drama journals and monographs published in that historical period, in order to help readers understand the original state of drama at that time through the records of the witnesses. In particular, this book delivers an insightful view about the evolution of the meaning of “national drama” and “drama”. The book will help scholars and readers understand the meaning and the whole story of the “national drama” concept, and will certainly facilitate the construction of the discipline of Drama and Opera.

The Art of Followership puts dynamic leader-follower interaction at the forefront of discussion. It examines the multiple roles followers play and their often complex relationship to leaders. With contributions from leading scholars and practitioners from the burgeoning field of leadership/followership studies, this groundbreaking book outlines how followers contribute to effective leadership and to organizations overall. Drawing from various disciplines?from philosophy, to psychology and management, to education?the book defines followership and its myriad meanings. The Art of Followership explores the practice and research that promote positive followership and reveals the part that followers play in setting the standards and formulating the culture and policies of the group. The contributors include new models of followership and explore fresh perspectives on the contributions that followers make to groups, organizations, societies, and leaders. The book also explores the most current research on followership and includes insights and perspectives on the future of leader-follower relationships.