The Art Of Ray Harryhausen

"This stunning array of images is a tribute to the scope of Harryhausen's imagination and his artistic skills which no student of special effects or cinema history will want to be without." -- Provided by publisher.

100 objects selected by the animator Ray Harryhausen's daughter - packed with personal stories that have never previously been heard or publishedA fascinating examination of the work of the pioneer of the special effects that we see in modern cinemaContributions from experts in the field and in conjunction with the Ray and Diana Harryhausen FoundationA broad readership drawn from those who appreciate art, film, science fiction and fantasyTells the story of the man who changed the face of modern cinema - the pioneer of stop-motion animationSteven Speilberg and Tom Hanks are among his legion of fansEntries often include earlier versions of finished models and sketches of scenes that illustrate how Harryhausen worked and developed his modelsAccompanies a major exhibition at the National Galleries of Scotland from October 2020 Special effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects that meant the most to her as she watched her father make world-famous films that changed the course of cinema. The book includes many newly restored works and items that have never previously been seen. In addition to Vanessa's reflections, many of those who worked with Harryhausen or were inspired by him add their own memories and comments. Ray Harryhausen's work included the films Jason and the Argonauts, the Sinbad films of the '50s and '70s, One Million Years B.C and Mighty Joe Young, and a wider portfolio including children's fairy tales and commercials. He also inspired a generation of film-makers such as Peter Jackson, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. 2020 will be the 100th anniversary of his birth.

"The huge ape of Mighty Joe Young. The fighting skeletons of Jason and the Argonauts. And, of course, the angry T. Rex of Island of the Gwangi. All these creations and many more, seared into our collective consciousness, are the work of one man?Ray Harryhausen. The father of special effects, Ray Harryhausen is revered among film historians, animators, special-effects designers, and everyone who?s ever seen his inspired stop-motion creations."--The publisher.

Ray Harryhausen is one of the most innovative and influential film animators in the history of the medium, responsible for such classic films as Jason and the Argonauts, The 7th Voyage of Sinbad, Clash of the Titans and One Million Years BC. A pioneer of stop-motion animation he has won countless awards, including a star on the Hollwood Walk of Fame, and inspired numerous film-makers, such as Stephen Spielberg, George Lucas and Peter Jackson. Ray’s story has been told in books such as An Animated Life and many of his concept drawings and models have appeared in The Art of Ray Harryhausen (both of which books were also published by Aurum). This new book reveals a wealth of fascinating artefacts relating to his films that has never been seen before, many of them recently discovered in a garage in Los Angeles. Designed in the form of a scrapbook, it provides a visual feast for Harryhausen fans. There are models from unrealized projects, such as dinosaurs from the unfinished film Evolution; prints of outtakes from various films including The Beast from 20,000 Fathoms; early concept drawings and storyboards; colour transparencies of Ray at work; written artefacts such as letters and production budgets and a diary that details Ray’s first meeting with his mentor Willis O’Brien; early film treatments and script extracts; publicity posters and brochures; and much, much more. Some of the items show Ray’s earliest artistic endeavours such as watercolours painted when he was 15 years old and marionettes of creatures from King Kong that he made when he saw the film in 1933. Organized into themed chapters covering the different genres that Ray worked in, each film is given a brief introduction and every image has a detailed caption. In many cases images are juxtaposed to show how a creature or effect evolved or to compare a concept drawing with a still from the finished film. The result is a treasure trove of rare artefacts and material which not only offer new insights into how Ray created particular effects, but bring the worlds of his films to life in a new way and paint a fascinating visual portrait of the man himself and his creative imagination. This is a must for every Ray Harryhausen fan.

From the age of thirteen Ray Harryhausen knew his future lay in special effects. Drawing inspiration from his mentor Willis O’Brien, creator of King Kong, Ray took the art and skill of stop-motion animation one step further, weaving his magic on dinosaurs, aliens and mythological creatures alike. From early experiments with animating fairy tales in his father’s garage to creating groundbreaking effects for blockbuster movies, Ray Harryhausen shares the fascinating story of his “animated life”. The last great animator before the introduction of CGI, he takes us through the pleasures and pitfalls of sixty years dedicated to making movie magic.

A 3-volume definitive career/biography of stop motion animator/visual effects creator Ray Harryhausen, written over a period of 10 years with Harryhausen's cooperation. This edition, Vol. 2, features interviews with Ray and his colleagues, and is profusely illustrated with hundreds of rare images (many never previously published). In-depth chapters cover Mighty Joe Young, The Beast from 20,000 Fathoms, It Came From Beneath the Sea, The Animal World, Earth vs. the Flying Saucers, 20 Million Miles to Earth and The 7th Voyage of Sinbad. Supplemental material includes advertising art & posters from different countries, Filmographies of key cast and crew, Glossary of technical terminology, Ray Harryhausen "Timeline," trivia and obscure facts and figures related to Ray's films, and a section on Harryhausen collectibles.

Ray Harryhausens animated creatures sparkled with predatory alertness and subtle quirks of behavior that stamped each with a distinct and memorable personality. His use of stop-motion animation a method of animating movable models and puppets brought dinosaurs and monsters to life on the silver screen. Many animators and special effects wizards, like Phil Tippett of Jurassic Park and Jim Aupperle of Planet of Dinosaurs who are still working on prehistoric-based films, openly credit Ray Harryhausen as having influenced their careers. His films are famous for being among the very best of the genre. The first chapter of this book chronicles Harryhausens for mative years and work on numerous 16mm experiments, beginning with his viewing of King Kong in 1933. The next four chapters cover his four feature-length dinosaur films, The Beast from 20,000 Fathoms, The Animal World, One Million Years B.C. and The Valley of Gwangi. These chapters provide extensive information about all aspects of the staging of their stop-motion content and many additional facets of the overall production process. The paleontological accuracy of his saurians from a modern perspective is also examined. A chapter on his work and experiences in the 1970s and beyond discusses potential dinosaur projects, as well as The Golden Voyage of Sinbad, which is not a saurian film, but does include the bat-winged homunculus. An appendix covers a number ofdinosaur-related films that Harryhausen had a hand in.

Stranger In My Heart is about the search for understanding oneself, answering the question “Who am I?” by seeking to understand the currents that sweep down the generations, eddy through one’s own persona and continue on – palpable but often unrecognised. My father fought at the Battle of Hong Kong in December 1941, was taken prisoner by the Japanese and then escaped in February 1942, making his way across 1200 miles of inhospitable country to reach China’s wartime capital at Chongqing. Seventy years later I retraced his steps in an effort to understand a man who had died when I was 18, leaving a lot of unanswered questions behind. My book is the quest that I undertook to explore my father’s life, in the context of the Pacific War and our relationship with China. A picture of a man of the greatest generation slowly unfolds, a leader, a 20th Century Great, but a distant father. As I delve into his story and research the unfamiliar territory of China in the Second World War, the mission to get to know the stranger I called ‘Dad’ resolves into a mission to understand how my own character was formed. As I travel across China, the traits I received from my father gradually emerge from their camouflage. The strands of the story are woven together in a flowing triple helix, with biography, travelogue and memoir punctuated with musings on context and meaning.