The Art Of The Illyrians

For more than a thousand years before the arrival of the Slavs in the sixth century AD, the lands between the Adriatic and the river Danube, now Yugoslavia and Albania, were the home of the peoples known to the ancient world as Illyrians. This book, now available in paperback, draws upon the considerable archaeological evidence that has become available since the Second World War to provide an account of the origins, culture, history and legacy of the Illyrians. John Wilkes describes the geography of Illyria and surveys the region in the prehistoric, Greek, Roman and medieval periods. He discusses Illyrian art, material, culture, religion and customs. A chapter examines the Illyrian language, of which little trace survives, and its connection with other Indo-European languages. Professor Wilkes also scrutinizes the linguistic evidence for the Illyrians' relatedness to other peoples - Thracian, Italic, Greek and Celtic. He concludes with a discussion of a possible survival of an Illyrian native culture in the Roman and Byzantine periods.

As a reporter for the prestigious New York Times the author interviewed many of the leading political figures of the Balkans (Illyria). He also sought out the area's intellectuals, many of them critical of their leaders, and everyday people who provide a sense of daily life. He devotes a chapter to each ethnic group from Vlachs to Serbs, talks about their differences and similarities, and does so without giving offense. He also provides a short historical account of the various places he visits, which deepens our understanding of the local cultures. The reader meets people from all walks of life: politicians, poets, literary and art critics, journalists, handymen, car mechanics, fishermen and farmers. From Milovan Djilas and Nicolae Ceausescu to Markos Vafiadis and Sali Berisha to the Serbian “majstor” Misha and an un-named Bosnian bar singer, Binder's book features a remarkable gallery of people whose presence contributes authenticity and human warmth to the narrative.

The little-known story of a fierce rebellion against the Romans:“A very good read for anyone interested in ancient military history and historiography.” —The NYMAS Review In the year AD 9, three Roman legions were crushed by the German warlord Arminius in the Battle of the Teutoburg Forest. This event is well known, but there was another uprising that Rome faced shortly before, which lasted from AD 6 to 9, and was just as intense. This rebellion occurred in the western Balkans—an area roughly corresponding to modern Croatia, Bosnia and Herzegovina, Slovenia, Montenegro, and parts of Serbia and Albania—and it tested the Roman Empire to its limits. For three years, fifteen legions fought in the narrow valleys and forest-covered crags of the Dinaric Mountains in a ruthless war of attrition against an equally ruthless and determined foe, and yet this conflict is largely unknown today. The Great Illyrian Revolt is believed to be the first book ever devoted to this forgotten war of the Roman Empire. Within its pages, we examine the history and culture of the mysterious Illyrian people, the story of how Rome became involved in this volatile region, and what the Roman army had to face during those harrowing three years in the Balkans.

In the year AD 9, three Roman legions were crushed by the German warlord Arminius in the Battle of the Teutoburg Forest. This event is well-known, but there was another uprising that Rome faced shortly before, which lasted from AD 6 to 9, and was just as intense. This rebellion occurred in the western Balkans (an area roughly corresponding to modern Croatia, Bosnia and Herzegovina, Slovenia, Montenegro and parts of Serbia and Albania) and it tested the Roman Empire to its limits. For three years, fifteen legions fought in the narrow valleys and forest-covered crags of the Dinaric Mountains in a ruthless war of attrition against an equally ruthless and determined foe, and yet this conflict is largely unknown today. _The Great Illyrian Revolt_ is believed to be the first book ever devoted to this forgotten war of the Roman Empire. Within its pages, we examine the history and culture of the mysterious Illyrian people, the story of how Rome became involved in this volatile region, and what the Roman army had to face during those harrowing three years in the Balkans.

What are the origins of the imagery and designs on common jewelry and portable artwork between late antiquity and the Middle Ages? These dynamic centuries encompass the transformation of the Greco-Roman world into the nascent kingdoms and medieval states upon which most modern European nations are based. The choices of jewelry and other forms of personal expression among the lower classes in ancient times is notoriously difficult to contextualize for a number of reasons. Nonetheless, these precious articles were expressions of individual identity as well as signifiers of rites of passage. As such, they reflect not only the people who wore them, but also the social milieu and artistic trends at that moment in time. This new study assists in identifying the types, origins and routes of transmission of personal artwork, particularly finger rings, across Europe and Byzantium, an area of study that has been neglected in previous works. Some of this material represents the first time relevant research from Central and Eastern Europe has been translated and made available to the general reader in the English-speaking world.