The Art Of Transition

The Art of Transition guides you through strategic processing, utilizing both logic (left-brain engagement) exercises, and creative brain integration (right-brain engagement) through simple but effective art and movement exercises. How do we approach transition-especially difficult and often unwanted transitions-with our whole selves, not just our often spinning and frantic "mind"? How do we fully engage, embrace and receive from this unique season what is vital to learn? This whole-person integrated approach is not only unique, but it is based in solid research and helps give relief to the all-to-familiar ruts of heavy cognitive processing we find ourselves in during the stress of transition, that bring with it anxiety and such limited awareness. Through 6 main themes of transition, utilizing more than 35 holistic process tools-Movement tools, getting Unstuck tools, and Transition tools-you will find yourself with ample resources for creatively navigating your transition season! This resource guide can be utilized individually as a self- guided practice, or as a companion to the Art of Transition workshop experience, or 2-Day Life Planning process with your transition coach. "Transition is a grand pause inviting us to discover once again if we are living into our unique purpose the great Creator designed us for."

The dissolution of the Soviet Union brought a massive change in every domain of life, particularly in the cultural sector, where artists were suddenly "free" from party-mandated modes of representation and now could promote and sell their work globally. But in Russia, the encounter with Western art markets was fraught. The Russian field of art still remains on the periphery of the international art world, struggling for legitimacy in the eyes of foreign experts and collectors. This book examines the challenges Russian art world actors faced in building a field of art in a society undergoing rapid and significant economic, political, and social transformation and traces those challenges into the twenty-first century. Drawing on historical and ethnographic research, Art of Transition traces the ways the field of art has developed, evolved, and been sustained in Russia after socialism. It shows how Russia’s art world has grappled with its Soviet past and negotiated its standing in an unequal, globalized present. By attending to the historical legacy of Russian art throughout the twentieth century, this book constructs a genealogy of the contemporary field of postsocialist art that illuminates how Russians have come to understand themselves and their place in the world.

The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture of this period as an art of transition, referring to both the political transition to democracy and the formal strategies of wrestling with this change that are found in the aesthetic realm. Masiello views representation as both a political and artistic device, concerned with the tensions between truth and lies, experience and language, and intellectuals and the marginal subjects they study and claim to defend. These often contentious negotiations, she argues, are most provocatively displayed through the spectacle of difference, which constantly crosses the literary stage, the market, and the North/South divide. While forcefully defending the ability of literature and art to advance ethical positions and to foster a critical view of neoliberalism, Masiello especially shows how issues of gender and sexuality function as integrating threads throughout this cultural project. Through discussions of visual art as well as literary work by prominent novelists and poets, Masiello sketches a broad landscape of vivid intellectual debate in the Southern Cone of Latin America. The Art of Transition will interest Latin Americanists,literary and political theorists, art critics and historians, and those involved with the study of postmodernism and globalization.

"With an abridged translation of the Dictionary of Moscow Conceptualism."

"Performing artists - especially from dance and performance art, as well as opera - are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which 'survives' it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: - the dynamics of transfer between the performing and visual arts - the philosophy and terminologies of transitioning between media - narratives and counternarratives in historical re-creations - the status of chronology and the document in art scholarship This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies"--

Instead of a traditional written diary, Julia Kaye has always turned to art as a means of self-reflection. So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren’t alone. Julia’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be.

In 2006, 500 years after his death, the Royal Library of Belgium organised an exhibition revealing treasures from the era of Philip the Fair (1478-1506), last duke of Burgundy. This volume reunites most of the papers delivered at a conference held during the exhibition, increased with two new articles. Ten specialists from Belgium, the Netherlands and the United States discuss the book market and its place in society in this transitional period when manuscripts and printed books were produced and used next to one another. The contributions are organised in pairs around five topics, whereby in each case one author treats manuscripts and the other printed books: Philip the Fair and his books, art in books, music in books, politics in books, the book market. Contributions by: Renaud Adam, Jean-Marie Cauchies, Lieve De Kesel, Samuel Mareel, Zoe Saunders, Susie Speakman Sutch, Herman Pleij, Jan Van der Stock, Rob Wegman, and Hanno Wijsman.